|
gptkbp:instance_of
|
gptkb:Author
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Ursula_K._Le_Guin
|
|
gptkbp:associated_with
|
gptkb:The_Magazine_of_Fantasy_&_Science_Fiction
gptkb:New_Worlds_magazine
gptkb:Galaxy_Science_Fiction
|
|
gptkbp:author
|
gptkb:Thomas_M._Disch
gptkb:Ursula_K._Le_Guin
gptkb:Philip_K._Dick
gptkb:Harlan_Ellison
gptkb:J._G._Ballard
|
|
gptkbp:cultural_impact
|
reflected societal changes
challenged genre conventions
expanded the boundaries of science fiction
explored new ideas in technology
|
|
gptkbp:genre
|
literary fiction
cyberpunk
speculative fiction
avant-garde literature
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
New Wave Science Fiction
|
|
gptkbp:influenced_by
|
gptkb:philosopher
gptkb:church
gptkb:Beat_Generation
gptkb:Monarch
Existentialism
counterculture movements
|
|
gptkbp:is_characterized_by
|
experimental writing styles
|
|
gptkbp:is_criticized_for
|
perceived as elitist
focus on style over substance
rejection of traditional narratives
|
|
gptkbp:legacy
|
influence on cyberpunk
influence on speculative fiction
influence on literary science fiction
|
|
gptkbp:notable_for
|
gptkb:Again,_Dangerous_Visions
gptkb:The_New_Wave
gptkb:Dangerous_Visions
The New Wave: An Anthology
|
|
gptkbp:notable_work
|
gptkb:Doomsday_Book
gptkb:A_Scanner_Darkly
gptkb:Crash
gptkb:The_Left_Hand_of_Darkness
|
|
gptkbp:origin
|
1960s
|
|
gptkbp:reduces
|
1970s
|
|
gptkbp:themes
|
gptkb:organization
social issues
psychological exploration
alien encounters
dystopian futures
|