|
gptkbp:instance_of
|
gptkb:book
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:graphic_novel
gptkb:theater
gptkb:film
|
|
gptkbp:adaptations
|
gptkb:none
|
|
gptkbp:author
|
gptkb:J._G._Ballard
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
The Atrocity Exhibition (book)
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:The_Man
gptkb:The_Narrator
gptkb:The_Woman
gptkb:Elizabeth
Dr. Nathan Math
|
|
gptkbp:cinematography
|
gptkb:Mark_Irwin
|
|
gptkbp:contains
|
cultural references
graphic imagery
cultural commentary
psychological themes
psychological exploration
dream sequences
fragmented narratives
|
|
gptkbp:country
|
gptkb:Canada
gptkb:United_Kingdom
|
|
gptkbp:cover_artist
|
gptkb:David_Pelham
|
|
gptkbp:critical_reception
|
controversial
mixed reviews
|
|
gptkbp:cultural_impact
|
cult film status
|
|
gptkbp:director
|
gptkb:David_Cronenberg
|
|
gptkbp:discusses
|
gptkb:identity
gptkb:media_representation
trauma
violence
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
Ronald Sanders
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:film_technique
|
symbolic imagery
experimental editing
disjointed narrative
|
|
gptkbp:filming_location
|
gptkb:Toronto
gptkb:Montreal
|
|
gptkbp:first_edition
|
gptkb:1970
hardcover
paperback
|
|
gptkbp:genre
|
gptkb:novel
psychological horror
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Atrocity Exhibition
|
|
gptkbp:influenced
|
gptkb:video_games
gptkb:David_Foster_Wallace
gptkb:David_Cronenberg
gptkb:Don_De_Lillo
gptkb:Thomas_Pynchon
gptkb:performance_art
gptkb:conceptual_art
gptkb:installation_art
gptkb:music
gptkb:video_art
gptkb:film
futurism
postmodern literature
art installations
critical theory
art movements
cultural criticism
media studies
music videos
subsequent filmmakers
post-structuralism
cyberpunk
avant-garde literature
philosophy of technology
cultural theory
dadaism
|
|
gptkbp:influenced_by
|
gptkb:postmodernism
gptkb:Surrealism
surrealism
|
|
gptkbp:influences
|
surrealism
|
|
gptkbp:inspired
|
postmodern literature
|
|
gptkbp:inspired_by
|
gptkb:J._G._Ballard
|
|
gptkbp:is_available_in
|
gptkb:audiobook
ebook
hardcover
paperback
|
|
gptkbp:is_cited_in
|
academic studies
media studies
literary critiques
psychological analyses
cultural analyses
|
|
gptkbp:is_considered
|
cult classic
|
|
gptkbp:is_part_of
|
Ballard's body of work
|
|
gptkbp:is_reviewed_by
|
gptkb:The_Times_Literary_Supplement
gptkb:The_Guardian
gptkb:The_New_York_Times
|
|
gptkbp:isbn
|
978-0006542022
978-0006542024
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Howard_Shore
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_scene
|
non-linear narrative
dream sequences
violent imagery
|
|
gptkbp:notable_work
|
gptkb:J._G._Ballard
|
|
gptkbp:pages
|
192
224
|
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:published_year
|
gptkb:1970
|
|
gptkbp:publisher
|
gptkb:Jonathan_Cape
|
|
gptkbp:release_year
|
gptkb:1970
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
105 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_Cronenberg
|
|
gptkbp:setting
|
gptkb:United_States
postmodern society
|
|
gptkbp:starring
|
gptkb:Sonia_Smits
gptkb:James_Woods
gptkb:Deborah_Harry
|
|
gptkbp:themes
|
gptkb:identity
trauma
violence
psychological trauma
media saturation
psychological disintegration
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Italian
gptkb:Japanese
gptkb:Spanish
gptkb:German
|
|
gptkbp:bfsParent
|
gptkb:J._G._Ballard
gptkb:The_Crystal_World
|
|
gptkbp:bfsLayer
|
5
|