Statements (62)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
Adapted into films and television.
|
| gptkbp:adaptations |
Various adaptations in modern theatre.
|
| gptkbp:artistic_expression |
A form of artistic expression of Buddhist philosophy.
|
| gptkbp:audience |
Encourages reflection on personal beliefs.
Primarily Buddhist communities. |
| gptkbp:author |
gptkb:Ashvagosa
|
| gptkbp:character_arc |
The Bodhisattva's journey towards enlightenment.
|
| gptkbp:character_development |
Focuses on the transformation of the Bodhisattva.
|
| gptkbp:character_motivation |
Characters driven by spiritual goals.
|
| gptkbp:character_relationships |
Explores complex relationships between characters.
Characters face moral and ethical dilemmas. |
| gptkbp:conflict |
Conflict between desire and enlightenment.
|
| gptkbp:critical_reception |
Regarded as a classic of Indian literature.
|
| gptkbp:cultural_aspect |
Reflects the values of ancient Indian society.
|
| gptkbp:cultural_impact |
Influenced Buddhist art and literature.
|
| gptkbp:cultural_representation |
Represents Buddhist values and teachings.
|
| gptkbp:cultural_significance |
Influential in the development of Buddhist theatrical traditions.
|
| gptkbp:cultural_symbol |
Naga symbolizes the connection between the earthly and spiritual realms.
|
| gptkbp:first_performance |
1st century CE
|
| gptkbp:genre |
Buddhist drama
|
| gptkbp:historical_context |
Contextualized within the history of Buddhism.
Written during the reign of the Kushan Empire. |
| gptkbp:historical_figures |
References to historical Buddhist figures.
|
| gptkbp:historical_legacy |
Continues to be studied and performed today.
|
| gptkbp:historical_significance |
Reflects the cultural and religious milieu of its time.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Nagananda
|
| gptkbp:influence |
gptkb:Buddhism
|
| gptkbp:influenced_artists |
Influenced later playwrights.
|
| gptkbp:influenced_by |
Earlier Indian epics.
|
| gptkbp:inspiration |
Inspired later Buddhist plays.
|
| gptkbp:is_symbolic_of |
Naga represents wisdom and protection.
|
| gptkbp:language |
gptkb:Sanskrit
|
| gptkbp:literary_devices |
Employs metaphors and allegories.
|
| gptkbp:modern_relevance |
Still relevant in discussions of spirituality.
|
| gptkbp:moral |
Teaches compassion and selflessness.
|
| gptkbp:music_style |
Incorporates elements of tragedy and comedy.
Uses traditional Indian theatrical techniques. |
| gptkbp:narrative |
Utilizes a mix of dialogue and monologue.
|
| gptkbp:narrative_style |
Poetic and lyrical.
|
| gptkbp:notable_character |
gptkb:Buddhism
gptkb:Naga_Kanya King of Varanasi |
| gptkbp:notable_quote |
Contains many memorable lines about life and enlightenment.
|
| gptkbp:performance |
Stage play.
Has a long history of performances in Asia. |
| gptkbp:performance_style |
Traditional Indian theatre.
|
| gptkbp:performance_tradition |
Performed in religious festivals.
|
| gptkbp:philosophy |
Encourages philosophical inquiry into existence.
|
| gptkbp:plot |
The story revolves around the Bodhisattva's quest for enlightenment.
|
| gptkbp:preservation_efforts |
Manuscripts found in various ancient libraries.
|
| gptkbp:related_works |
Buddhist texts.
|
| gptkbp:research_interest |
Subject of numerous academic papers.
|
| gptkbp:scholarly_analysis |
Studied for its philosophical themes.
|
| gptkbp:setting |
Ancient India
|
| gptkbp:symbolism |
Uses rich symbolism related to enlightenment.
|
| gptkbp:thematic_element |
Explores themes of love, sacrifice, and enlightenment.
|
| gptkbp:theme |
gptkb:Buddhism
|
| gptkbp:themes |
Explores the nature of suffering and liberation.
|
| gptkbp:bfsParent |
gptkb:Harsha
gptkb:Harsha_Vardhana's_court |
| gptkbp:bfsLayer |
6
|