gptkbp:instance_of
|
gptkb:theater_productions
|
gptkbp:adaptation
|
gptkb:stage_adaptation
|
gptkbp:adapted_into
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gptkb:Much_Ado_About_Nothing
|
gptkbp:audience
|
gptkb:students
general public
critics
theatre-goers
Shakespeare enthusiasts
|
gptkbp:cast
|
gptkb:Eve_Myles
gptkb:Johnathan_Cake
gptkb:Katherine_Kelly
gptkb:David_Oakes
Michael Matus
|
gptkbp:contains_themes
|
gptkb:betrayal
gptkb:honor
gptkb:friendship
love
|
gptkbp:directed_by
|
gptkb:David_Tennant
|
gptkbp:explores
|
gptkb:deception
|
gptkbp:features
|
gptkb:Catherine_Tate
|
gptkbp:features_character
|
gptkb:Hero
gptkb:Beatrice
gptkb:Benedick
gptkb:Claudio
|
https://www.w3.org/2000/01/rdf-schema#label
|
Much Ado About Nothing (revival)
|
gptkbp:includes
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romantic themes
|
gptkbp:influenced_by
|
gptkb:Elizabethan_theatre
contemporary theatre
Shakespearean comedy
original play
|
gptkbp:inspired_by
|
gptkb:historical_context
classic literature
cultural themes
Shakespeare's original works
|
gptkbp:is_a
|
gptkb:comedy
|
gptkbp:notable_aspect
|
gptkb:Set
gptkb:original_score
gptkb:choreography
gptkb:designers
audience engagement
cultural impact
critical reception
thematic depth
cast diversity
|
gptkbp:notable_for
|
modern interpretation
|
gptkbp:performed_at
|
gptkb:The_Courtyard_Theatre
|
gptkbp:premiered_on
|
gptkb:2011
|
gptkbp:produced_by
|
gptkb:Royal_Shakespeare_Company
|
gptkbp:received
|
critical acclaim
|
gptkbp:runs_through
|
several weeks
|
gptkbp:set_in
|
gptkb:Messina
|
gptkbp:style
|
gptkb:romantic_comedy
farce
|
gptkbp:written_by
|
gptkb:William_Shakespeare
|
gptkbp:bfsParent
|
gptkb:The_Marquis_Theatre
|
gptkbp:bfsLayer
|
5
|