Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Sanskrit_literature
|
| gptkbp:adaptation |
gptkb:film
television adaptations |
| gptkbp:author |
gptkb:Shudraka
|
| gptkbp:critical_reception |
considered a classic
well-received by audiences analyzed by critics |
| gptkbp:cultural_impact |
inspired playwrights
influenced modern adaptations |
| gptkbp:cultural_significance |
Indian literature
|
| gptkbp:first_performance |
gptkb:unknown
|
| gptkbp:genre |
gptkb:musical
|
| gptkbp:historical_context |
gptkb:Gupta_period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Mrichchhakatika
|
| gptkbp:influence |
Indian theatre
|
| gptkbp:influenced |
theatrical techniques
modern playwrights subsequent Indian dramas |
| gptkbp:is_available_in |
gptkb:publishing_company
anthologies translations |
| gptkbp:language |
gptkb:poet
|
| gptkbp:main_character |
Charudatta
|
| gptkbp:notable_character |
gptkb:Madhav
Vasantika Kanchuki Samsthanaka |
| gptkbp:notable_performance |
performed internationally
performed in festivals performed in universities |
| gptkbp:notable_quote |
" Love conquers all"
|
| gptkbp:performance |
classical Indian theatre
|
| gptkbp:plot |
social commentary
moral dilemmas romantic intrigue |
| gptkbp:scholarly_analysis |
studied in literature courses
interpreted in various cultural contexts analyzed for themes of love and class |
| gptkbp:setting |
ancient India
|
| gptkbp:theme |
gptkb:class
love morality |
| gptkbp:themes |
gptkb:political_movement
human emotions fate and destiny friendship and loyalty sacrifice and redemption wealth and poverty justice and injustice deception and truth |