Statements (30)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film_editing_technique
|
| gptkbp:category |
film techniques
editing techniques |
| gptkbp:firstUsedInFilm |
1920s
|
| gptkbp:influenced |
modern film editing
|
| gptkbp:influencedBy |
gptkb:Soviet_Montage_Theory
|
| gptkbp:language |
gptkb:French
|
| gptkbp:meaningInFrench |
assembly or editing
|
| gptkbp:notableContributor |
gptkb:Sergei_Eisenstein
gptkb:Lev_Kuleshov |
| gptkbp:notableExample |
gptkb:Battleship_Potemkin_Odessa_Steps_sequence
Rocky training sequence |
| gptkbp:originatedIn |
Soviet filmmakers
|
| gptkbp:purpose |
condense space and time
create emotional effect show passage of time |
| gptkbp:relatedConcept |
gptkb:Kuleshov_Effect
parallel editing cross-cutting jump cut sequence shot |
| gptkbp:usedIn |
gptkb:film
gptkb:television video production |
| gptkbp:bfsParent |
gptkb:Yamaha_Montage_Synthesizer
gptkb:Jackie_McLean gptkb:FUSE_Labs gptkb:The_Left_Banke |
| gptkbp:bfsLayer |
6
|
| https://www.w3.org/2000/01/rdf-schema#label |
Montage
|