|
gptkbp:instanceOf
|
film director
|
|
gptkbp:activeYears
|
1923
1956
|
|
gptkbp:artwork
|
natural lighting
historical accuracy
symbolic imagery
character-driven stories
complex narratives
emphasis on emotion
use of silence
deep focus
subtle performances
cultural authenticity
|
|
gptkbp:awards
|
gptkb:Venice_Film_Festival_Best_Director
|
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gptkbp:birthDate
|
1898-05-16
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|
gptkbp:burialPlace
|
gptkb:Aoyama_Cemetery
|
|
gptkbp:children
|
gptkb:Mizoguchi_Masako
|
|
gptkbp:collaboratedWith
|
gptkb:Masayuki_Mori
gptkb:Kazuo_Miyagawa
Toshiro Mifune
Kinuyo Tanaka
|
|
gptkbp:deathDate
|
1956-08-24
|
|
gptkbp:filmFestival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:filmography
|
gptkb:Tokyo_University_of_the_Arts
|
|
gptkbp:genre
|
drama
romance
historical film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mizoguchi Kenji
|
|
gptkbp:influenced
|
gptkb:Satyajit_Ray
gptkb:Yasujirō_Ozu
gptkb:Akira_Kurosawa
|
|
gptkbp:influencedBy
|
gptkb:D.W._Griffith
|
|
gptkbp:knownFor
|
feminist themes
historical dramas
long takes
|
|
gptkbp:legacy
|
inspired future filmmakers
recognized for artistic innovation
pioneered women's roles in film
influential_in_Japanese_cinema
|
|
gptkbp:nationality
|
Japanese
|
|
gptkbp:notableWork
|
gptkb:The_Life_of_Oharu
gptkb:Ugetsu
Sansho the Bailiff
The Crucified Lovers
|
|
gptkbp:spouse
|
gptkb:Yoshiko_Kuga
|
|
gptkbp:style
|
social realism
visual storytelling
poetic realism
|