|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:amended_by
|
later performances
|
|
gptkbp:arrangements
|
choir and orchestra
|
|
gptkbp:associated_with
|
gptkb:church
historical context of war
|
|
gptkbp:celebrates
|
divine service
|
|
gptkbp:commissioned
|
gptkb:Prince_Nikolaus_Esterházy
|
|
gptkbp:composer
|
gptkb:Joseph_Haydn
|
|
gptkbp:conducted
|
gptkb:Nikolaus_Harnoncourt
|
|
gptkbp:cultural_significance
|
symbol of resilience
important work in choral repertoire
|
|
gptkbp:dedicated_to
|
gptkb:Lord_Nelson
gptkb:Emperor_Joseph_II
|
|
gptkbp:duration
|
approximately 60 minutes
|
|
gptkbp:features
|
gptkb:Gloria
gptkb:Agnus_Dei
gptkb:Kyrie
gptkb:Sanctus
Credo
|
|
gptkbp:filming_location
|
gptkb:St._Stephen's_Cathedral,_Vienna
|
|
gptkbp:first_performance
|
Eisenstadt
October 30, 1798
|
|
gptkbp:genre
|
gptkb:legal_case
|
|
gptkbp:has
|
widely performed
|
|
gptkbp:has_written
|
gptkb:special_occasions
|
|
gptkbp:historical_context
|
post-Napoleonic era
post-Reformation era
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Missa in Angustiis
|
|
gptkbp:influenced
|
gptkb:music_festival
later composers
choral traditions
|
|
gptkbp:influenced_by
|
gptkb:church
Baroque music
Classical music
classical music
sacred music traditions
Haydn's experiences
|
|
gptkbp:inspired
|
later composers
|
|
gptkbp:inspired_by
|
gptkb:historical_event
political events of the time
|
|
gptkbp:instrument
|
brass
strings
strings, woodwinds, brass, percussion
percussion
woodwinds
|
|
gptkbp:is_analyzed_in
|
musicology studies
|
|
gptkbp:is_celebrated_in
|
its choral writing
|
|
gptkbp:is_characterized_by
|
emotional depth
expressive melodies
|
|
gptkbp:is_considered
|
a masterpiece
|
|
gptkbp:is_featured_in
|
music festivals
|
|
gptkbp:is_influential_in
|
Kyrie, Gloria, Credo, Sanctus, Agnus Dei
|
|
gptkbp:is_known_for
|
gptkb:Lord_Nelson_Mass
|
|
gptkbp:is_part_of
|
classical repertoire
|
|
gptkbp:is_recognized_by
|
a significant work
a significant contribution to sacred music
masterpiece of the Classical period
|
|
gptkbp:is_reviewed_by
|
audiences
|
|
gptkbp:is_studied_in
|
music education programs
|
|
gptkbp:is_used_in
|
liturgical settings
|
|
gptkbp:key
|
B-flat major
|
|
gptkbp:known_for
|
its grandeur
|
|
gptkbp:language
|
gptkb:Latin
|
|
gptkbp:length
|
approximately 60 minutes
|
|
gptkbp:movement
|
gptkb:6
|
|
gptkbp:notable_feature
|
gptkb:archaeological_site
gptkb:artwork
spiritual themes
emotional depth
thematic development
dynamic contrasts
reflection of society
expressive melodies
dramatic contrasts
orchestral color
contrapuntal writing
use of soloists
celebration of faith
choral harmonies
use of organ
|
|
gptkbp:notable_features
|
dramatic contrasts
dramatic choral writing
|
|
gptkbp:notable_for
|
its emotional depth
dramatic choral writing
|
|
gptkbp:notable_performance
|
conducted by Nikolaus Harnoncourt
|
|
gptkbp:notable_recordings
|
gptkb:Academy_of_St._Martin_in_the_Fields
gptkb:Vienna_Philharmonic_Orchestra
gptkb:London_Symphony_Orchestra
Nikolaus Harnoncourt's interpretation
|
|
gptkbp:part_of
|
gptkb:Haydn's_late_works
gptkb:Haydn's_mass_settings
|
|
gptkbp:performed_by
|
gptkb:Vienna_Philharmonic_Orchestra
gptkb:Arnold_Schoenberg_Choir
gptkb:church
gptkb:liturgical_celebrations
gptkb:the_Napoleonic_Wars
gptkb:concert_tour
gptkb:St._Stephen's_Cathedral,_Vienna
orchestras
choirs
orchestra and choir
concert halls worldwide
choirs worldwide
the Esterházy court.
|
|
gptkbp:premiere_date
|
1798
|
|
gptkbp:premiered_on
|
1798
|
|
gptkbp:published_by
|
1799
1800
1802
|
|
gptkbp:recorded_by
|
gptkb:Nikolaus_Harnoncourt
1990s
various artists
|
|
gptkbp:social_structure
|
traditional mass form
|
|
gptkbp:style
|
gptkb:classical
Classical
classical style
|
|
gptkbp:text
|
Latin liturgical text
traditional mass text
|
|
gptkbp:uses
|
gptkb:orchestra
mixed choir
soprano solo
alto solo
bass solo
tenor solo
|
|
gptkbp:year_composed
|
1798
|
|
gptkbp:bfsParent
|
gptkb:Joseph_Haydn
gptkb:Haydn
|
|
gptkbp:bfsLayer
|
4
|