Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
acting school
|
| gptkbp:associatedWith |
realism
performance art theatrical aesthetics artistic collaboration cultural impact theatrical history theatrical innovation dramatic realism theatrical experimentation dramatic literature theatre reform actor training methods |
| gptkbp:contributedTo |
stage design
theatrical production actor training theatrical realism |
| gptkbp:foundedBy |
gptkb:Georg_II,_Duke_of_Saxe-Meiningen
|
| https://www.w3.org/2000/01/rdf-schema#label |
Meiningen School of Acting
|
| gptkbp:influenced |
modern theatre
|
| gptkbp:influencedBy |
gptkb:Richard_Wagner
August Strindberg Henrik Ibsen |
| gptkbp:legacy |
development of modern acting techniques
influence_on_American_theatre influence_on_European_theatre |
| gptkbp:location |
gptkb:Meiningen,_Germany
|
| gptkbp:notable_member |
gptkb:Max_Reinhardt
Erwin Piscator Konstantin Stanislavski |
| gptkbp:notableEvent |
gptkb:Fritz_Kortner
gptkb:Duke_Georg_II gptkb:Hans_von_Hofmannsthal gptkb:A_Midsummer_Night's_Dream Hamlet The Robbers |
| gptkbp:notableFor |
ensemble acting
|
| gptkbp:performances |
psychological depth
emphasis on ensemble historically accurate settings realistic performances |
| gptkbp:style |
naturalism
psychological realism |
| gptkbp:timePeriod |
19th century
early 20th century |