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gptkbp:instance_of
|
gptkb:Duke
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|
gptkbp:advocated_for
|
actor training
|
|
gptkbp:advocates_for
|
artistic freedom in theatre
|
|
gptkbp:associated_with
|
Baroque music
|
|
gptkbp:birth_date
|
1824-05-02
|
|
gptkbp:born_in
|
1819
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|
gptkbp:burial_place
|
gptkb:Meiningen_Cemetery
|
|
gptkbp:collaborated_with
|
gptkb:Heinrich_von_Kleist
gptkb:artists
|
|
gptkbp:commissioned
|
paintings
|
|
gptkbp:contemporary
|
August Wilhelm Iffland
|
|
gptkbp:death_date
|
1895-10-12
|
|
gptkbp:died_in
|
1890
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|
gptkbp:emphasizes
|
realism in theatre
|
|
gptkbp:encouraged
|
gptkb:new_playwrights
gptkb:theater_productions
art exhibitions
|
|
gptkbp:established
|
gptkb:Meiningen_Court_Theatre
art academies
|
|
gptkbp:father
|
gptkb:Bernhard_II,_Duke_of_Saxe-Meiningen
|
|
gptkbp:fosters
|
cultural development
|
|
gptkbp:founded
|
gptkb:theater_productions
|
|
gptkbp:has_collection
|
gptkb:artworks
|
|
gptkbp:hosted_by
|
cultural events
|
|
gptkbp:house
|
gptkb:House_of_Saxe-Meiningen
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Duke Georg II
|
|
gptkbp:importance
|
dramatic literature
|
|
gptkbp:influenced
|
local artists
modern theatre
|
|
gptkbp:inspired
|
future patrons
future theatre directors
|
|
gptkbp:introduced
|
ensemble acting
|
|
gptkbp:is_a_member_of
|
gptkb:House_of_Saxe-Meiningen
cultural societies
|
|
gptkbp:is_a_supporter_of
|
theatre festivals
experimental theatre
theatre as a cultural institution
theatre as a form of public discourse
theatre for social justice
|
|
gptkbp:is_criticized_for
|
commercial theatre
|
|
gptkbp:is_enhanced_by
|
audience experience
|
|
gptkbp:is_funded_by
|
musical performances
|
|
gptkbp:is_influential_in
|
the arts community
|
|
gptkbp:is_recognized_by
|
his contributions to theatre
|
|
gptkbp:issues
|
gptkb:Georg,_Duke_of_Saxe-Meiningen
|
|
gptkbp:mentor
|
young actors
|
|
gptkbp:mother
|
gptkb:Princess_Marie_of_Hesse-Kassel
|
|
gptkbp:nationality
|
gptkb:German
|
|
gptkbp:place_of_birth
|
Meiningen
|
|
gptkbp:place_of_death
|
Meiningen
|
|
gptkbp:predecessor
|
Duke Georg I
|
|
gptkbp:promoted
|
gptkb:visual_arts
historical accuracy in productions
|
|
gptkbp:reformed
|
gptkb:theater
|
|
gptkbp:reign
|
the 18th century
|
|
gptkbp:reign_end
|
1895
|
|
gptkbp:reign_start
|
1851
|
|
gptkbp:religion
|
gptkb:Lutheranism
|
|
gptkbp:served_as
|
Duke of Saxe-Coburg-Meiningen
|
|
gptkbp:signature
|
Duke Georg II's signature
|
|
gptkbp:spouse
|
gptkb:Princess_Marie_of_Hesse-Kassel
|
|
gptkbp:successor
|
Duke Georg III
|
|
gptkbp:supported
|
gptkb:literature
gptkb:musicians
theatrical education
|
|
gptkbp:title
|
gptkb:Duke_of_Saxony
|
|
gptkbp:was_a_key_figure_in
|
the promotion of theatre arts.
the evolution of stagecraft
the development of modern acting techniques
the establishment of theatre as a profession
the history of German theatre
theatrical reform movement
|
|
gptkbp:was_a_patron_of
|
gptkb:Composer
the arts
theatrical literature
|
|
gptkbp:was_a_pioneer_in
|
theatrical realism
the director's role
|
|
gptkbp:was_a_proponent_of
|
theatre as a means of social change
theatre as a reflection of society
naturalism in theatre
theatre as an educational tool
|
|
gptkbp:was_influenced_by
|
gptkb:Richard_Wagner
the European theatre scene
|
|
gptkbp:was_involved_in
|
theatre management
theatre reform discussions
|
|
gptkbp:was_known_for
|
innovative staging techniques
theatrical innovations
his meticulous attention to detail
stage design innovations
his cultural contributions
his collaborative approach to theatre
his commitment to artistic integrity
his elaborate productions
his innovative casting choices
his innovative use of lighting
|
|
gptkbp:bfsParent
|
gptkb:Duke_Ernst_II
gptkb:Duchy_of_Saxe-Gotha-Altenburg
|
|
gptkbp:bfsLayer
|
6
|