Statements (57)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Franz_Schubert
|
gptkbp:arrangements |
arranged for various ensembles
|
gptkbp:composer |
gptkb:Franz_Schubert
|
gptkbp:critical_reception |
generally well-received
|
gptkbp:cultural_significance |
part of choral repertoire
|
gptkbp:dedication |
not specifically dedicated
|
gptkbp:duration |
approximately 30 minutes
|
gptkbp:first_performance |
1815
|
gptkbp:genre |
gptkb:music_festival
|
gptkbp:historical_context |
composed during early 19th century
|
https://www.w3.org/2000/01/rdf-schema#label |
Mass No. 2 in G major
|
gptkbp:influence |
influenced later composers
|
gptkbp:influences |
Viennese classical tradition
|
gptkbp:inspiration |
inspired by liturgical texts
|
gptkbp:involved_forces |
gptkb:orchestra
soloists SATB choir |
gptkbp:is_influential_in |
gptkb:Gloria
gptkb:Agnus_Dei gptkb:Kyrie gptkb:Sanctus Credo |
gptkbp:key |
G major
|
gptkbp:legacy |
remains popular in choral music
|
gptkbp:music_style |
multi-movement work
|
gptkbp:notable_conductors |
conducted by famous conductors
|
gptkbp:notable_features |
use of counterpoint
vocal harmonies emotional depth expressive melodies melodic development orchestral interludes rich harmonic language use of orchestral color textural richness rhythmic variety use of soloists vocal and instrumental interplay contrasting dynamics influence of folk music dramatic choral passages integration of choir and orchestra lyrical soprano lines traditional mass structure |
gptkbp:notable_performance |
performed in concert halls
performed in churches |
gptkbp:notable_recordings |
numerous recordings available
|
gptkbp:opus_number |
gptkb:D_167
|
gptkbp:performance |
performed in liturgical settings
|
gptkbp:published_by |
1826
|
gptkbp:related_works |
other masses by Schubert
|
gptkbp:style |
Classical
|
gptkbp:text |
set to Latin text
|
gptkbp:thematic_element |
uses traditional mass themes
|
gptkbp:year_composed |
1814
|