|
gptkbp:instanceOf
|
gptkb:person
|
|
gptkbp:almaMater
|
gptkb:University_of_Vienna
|
|
gptkbp:awardReceived
|
gptkb:Officer_of_the_Order_of_the_British_Empire
|
|
gptkbp:birthDate
|
1918-06-06
|
|
gptkbp:birthPlace
|
gptkb:Budapest,_Hungary
|
|
gptkbp:citizenship
|
gptkb:Hungary
gptkb:United_Kingdom
|
|
gptkbp:deathDate
|
2002-02-24
|
|
gptkbp:deathPlace
|
gptkb:London,_England
|
|
gptkbp:education
|
gptkb:University_of_Vienna
|
|
gptkbp:employer
|
gptkb:BBC
|
|
gptkbp:fieldOfWork
|
gptkb:radio_station
gptkb:theatre
literary criticism
|
|
gptkbp:genre
|
gptkb:radio_station
theatre criticism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Martin Esslin
|
|
gptkbp:influenced
|
theatre studies
|
|
gptkbp:influencedBy
|
gptkb:Harold_Pinter
gptkb:Samuel_Beckett
gptkb:Eugène_Ionesco
|
|
gptkbp:knownFor
|
coining the term 'Theatre of the Absurd'
|
|
gptkbp:language
|
gptkb:German
English
|
|
gptkbp:nationality
|
British
Hungarian
|
|
gptkbp:notableIdea
|
gptkb:Theatre_of_the_Absurd
|
|
gptkbp:notableWork
|
gptkb:The_Theatre_of_the_Absurd
|
|
gptkbp:occupation
|
gptkb:scholar
author
literary criticism
drama producer
|
|
gptkbp:position
|
Head of Radio Drama, BBC
|
|
gptkbp:residence
|
gptkb:London,_England
gptkb:Vienna,_Austria
|
|
gptkbp:spouse
|
gptkb:Renate_Gerstenberg
|
|
gptkbp:subjectOf
|
gptkb:Absurd_Drama
gptkb:Mediations:_Essays_on_Brecht,_Beckett,_and_the_Media
gptkb:The_Peopled_Wound:_The_Work_of_Harold_Pinter
gptkb:The_Theatre_of_the_Absurd
gptkb:Antonin_Artaud
|
|
gptkbp:wrote
|
gptkb:Absurd_Drama
gptkb:Mediations:_Essays_on_Brecht,_Beckett,_and_the_Media
gptkb:The_Peopled_Wound:_The_Work_of_Harold_Pinter
gptkb:The_Theatre_of_the_Absurd
gptkb:Antonin_Artaud
|
|
gptkbp:bfsParent
|
gptkb:Theatre_of_the_Absurd
|
|
gptkbp:bfsLayer
|
5
|