Marina Abramović: The Artist is Present
GPTKB entity
Statements (745)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
gptkb:artwork gptkb:film |
| gptkbp:adapted_into |
gptkb:theatre
|
| gptkbp:addresses |
existential themes
themes of time and presence |
| gptkbp:aircraft_operated |
art and audience
|
| gptkbp:analyzes |
the concept of presence
|
| gptkbp:art_movement |
community involvement
audience interaction |
| gptkbp:art_style |
gptkb:musical
gptkb:software gptkb:artwork self-awareness human emotions human experience minimalism time and space self-exploration transcendence body art international acclaim art as experience experiential art exploration of self exploration of time exploration of human connection experiential exploring human emotions challenging perceptions direct engagement the power of presence exploration of presence transcendence through art durational performance body as medium |
| gptkbp:artist |
gptkb:Marina_Abramović
|
| gptkbp:artistic_influence |
gptkb:musician
gptkb:ballet gptkb:theatre gptkb:art_installation gptkb:artwork gptkb:film global audience engagement site-specific art performance techniques cultural commentary identity politics feminist art global art community avant-garde art body politics postmodern art experiential art transformative experience social practice art performance art history artistic activism performance documentation transgressive art performance art practices relational aesthetics performance theory performance art field |
| gptkbp:artistic_legacy |
enduring
significant contribution enduring influence performance art movement influenced generations pioneering performance art |
| gptkbp:artwork |
gptkb:benchmark
gptkb:musical gptkb:art_installation human interaction |
| gptkbp:associated_with |
gptkb:artwork
performance art movement |
| gptkbp:attendance |
high
over 750,000 visitors |
| gptkbp:audience |
gptkb:football_club
gptkb:theorem gptkb:battle participants required intimate intense transformative eye contact profound intense emotional engagement central element intense emotional connection sit across from the artist |
| gptkbp:challenges |
gptkb:musician
gptkb:literary_work audiences traditional art forms traditional narratives audience expectations audience perceptions to the audience |
| gptkbp:closing_date |
June 30, 2019
June 2022 May 31, 2010 |
| gptkbp:collaborated_with |
gptkb:Ulay
gptkb:Mo_MA audience members |
| gptkbp:collaborations |
gptkb:Ulay
gptkb:Museum_of_Modern_Art Museum staff various artists with other artists other performance artists with other performers performance with audience |
| gptkbp:community_engagement |
high
workshops and talks |
| gptkbp:community_impact |
viral attention
|
| gptkbp:contains |
gptkb:book_series
essays |
| gptkbp:created |
shared experiences
a space for dialogue a transformative experience shared experience |
| gptkbp:created_by |
gptkb:Marina_Abramović
|
| gptkbp:critical_reception |
positive
widely acclaimed |
| gptkbp:cultural_impact |
gptkb:significant
global recognition inspired discussions on art and presence |
| gptkbp:cultural_significance |
exploration of time
explores vulnerability exploration of vulnerability exploration of presence performance art revival explores presence |
| gptkbp:curator |
gptkb:Kathy_Halbreich
gptkb:Klaus_Biesenbach |
| gptkbp:demographics |
gptkb:television_series
diverse large |
| gptkbp:depicts |
audience interactions
|
| gptkbp:directed_by |
gptkb:Matthew_Akers
|
| gptkbp:discusses |
the relationship between artist and audience
the impact of performance art |
| gptkbp:distribution |
gptkb:Abramorama
gptkb:Abramović_Method art bookstores |
| gptkbp:distributor |
gptkb:Abramović_Studio
|
| gptkbp:documentary |
gptkb:Marina_Abramović
Marina Abramović: The Artist is Present (2012) |
| gptkbp:duration |
100 minutes
3 months 8 hours three months 7 hours daily |
| gptkbp:editor |
gptkb:Matthew_Akers
|
| gptkbp:educational_programs |
workshops
|
| gptkbp:emphasizes |
gptkb:software
intimacy the relationship between performer and audience the act of witnessing |
| gptkbp:ends_at |
May 31, 2010
final performance with Ulay |
| gptkbp:engages_in |
the audience
the audience's emotions |
| gptkbp:evokes |
emotional responses
|
| gptkbp:examines |
gptkb:software
gptkb:Educational_Institution gptkb:film time and space time perception the nature of art art critiques the role of the artist the concept of presence the relationship between artist and audience |
| gptkbp:exhibited_at |
gptkb:Borough
gptkb:Museum_of_Modern_Art gptkb:Mo_MA artistic endurance other works by Abramović |
| gptkbp:exhibition |
gptkb:benchmark
gptkb:musical gptkb:musician gptkb:significant gptkb:Arts_Council gptkb:soundtrack 2010-2011 minimalist live performances widely acclaimed widely recognized cultural significance 3 months interactive interactive installations emotional connection favorable published cultural dialogue retrospective March 14, 2012 solo exhibition significant in contemporary art widely published June 24, 2012 influential in art history inspired new generations record attendance published in art journals 2010 to 2011 landmark event presence and absence identity and presence The Artist is Present (Mo MA) critically and commercially successful |
| gptkbp:exhibitions |
The Artist is Present (2010)
The Artist is Present: A Retrospective The Artist is Present (Mo MA) |
| gptkbp:exhibits |
interactive installations
|
| gptkbp:explores |
gptkb:software
the concept of time time perception human connection the nature of art the relationship between artist and audience the limits of the body |
| gptkbp:features |
gptkb:musical
gptkb:Database_Management_System gptkb:Marina_Abramović gptkb:archaeological_site gptkb:artwork audience participation other artists eye contact audience testimonials live art table and chairs a table and two chairs art critics' perspectives a single table and two chairs the Mo MA retrospective |
| gptkbp:filming_location |
gptkb:Borough
gptkb:Museum_of_Modern_Art |
| gptkbp:filmography |
gptkb:Kirk_P._Morrison
|
| gptkbp:first_performance |
gptkb:Mo_MA_atrium
gptkb:Mo_MA |
| gptkbp:focus |
audience interaction
human connection interaction with audience |
| gptkbp:focus_area |
gptkb:Database_Management_System
|
| gptkbp:focuses_on |
gptkb:artwork
Marina Abramović's work |
| gptkbp:followed_by |
gptkb:film
social media audience |
| gptkbp:follows |
The Artist is Present (2010 film)
Marina Abramović's performance art |
| gptkbp:form |
self-exploration
|
| gptkbp:game_mechanics |
gptkb:philosopher
|
| gptkbp:genre |
gptkb:film
|
| gptkbp:goal |
raise awareness
|
| gptkbp:has |
gptkb:musician
emotional impact celebrated in festivals performed internationally referenced in popular culture featured in books a significant cultural impact analyzed in academia analyzed in academic studies discussed in media celebrated in retrospectives analyzed in documentaries exhibited internationally discussed in lectures subject of interviews recognized in awards ceremonies recognized for its impact analyzed in critiques recreated by others replicated by other artists acknowledged by institutions awarded for its innovation featured in retrospectives of performance art. |
| gptkbp:has_artwork |
gptkb:Marina_Abramović
|
| gptkbp:has_theme |
presence
|
| gptkbp:highlights |
gptkb:literary_work
the passage of time the role of the audience key moments the concept of presence endurance art key performances the power of presence Marina's iconic performances |
| gptkbp:impact |
gptkb:Arts_Council
intense influenced contemporary art increased interest in performance art inspired future performances increased visibility of performance art increased awareness of performance art revival of interest in performance art |
| gptkbp:includes |
gptkb:Photographer
personal stories behind-the-scenes footage silent interaction The Artist is Present performance interviews with Abramović |
| gptkbp:influence |
gptkb:soundtrack
|
| gptkbp:influenced |
gptkb:musician
gptkb:soundtrack contemporary artists future performance artists |
| gptkbp:influenced_artists |
gptkb:Pina_Bausch
gptkb:Yoko_Ono gptkb:Chris_Burden gptkb:battle |
| gptkbp:influenced_by |
gptkb:Artist
gptkb:Joseph_Beuys gptkb:Fluxus_movement gptkb:artwork Eastern philosophy Meditation practices feminist art |
| gptkbp:influences |
gptkb:Fluxus_movement
gptkb:artwork Eastern philosophy future performance artists |
| gptkbp:inspiration |
personal experiences
human connection previous works by Marina Abramović |
| gptkbp:inspired |
gptkb:film
contemporary artists documentary films future performance artists performative art practices |
| gptkbp:inspired_by |
gptkb:personal_loss
Eastern philosophy personal experiences the concept of time previous works relationship dynamics the concept of presence |
| gptkbp:installation |
immersive
|
| gptkbp:invites |
self-reflection
emotional responses vulnerability from participants |
| gptkbp:involves |
self-reflection
intimacy silence eye contact sitting emotional exchange one-on-one interaction stillness long duration sitting silently |
| gptkbp:is_a |
gptkb:physicist
gptkb:political_movement celebration of life exploration of identity critique of modernity exploration of time site-specific work journey of self-discovery reflection on art performance piece celebration of presence challenge to the viewer dialogue with the audience invitation to reflect study of presence testament to endurance |
| gptkbp:is_a_culmination_of |
a shared experience
|
| gptkbp:is_a_document_that |
the 2010 performance
|
| gptkbp:is_a_fusion_of |
art and philosophy
art and life performance and installation |
| gptkbp:is_a_moment_of |
Abramović's career
|
| gptkbp:is_a_source_of |
inspiration for artists
artistic innovation inspiration for many |
| gptkbp:is_a_testament_to |
the power of art
the power of presence artistic endurance |
| gptkbp:is_a_venue_for |
gptkb:Museum_of_Modern_Art
|
| gptkbp:is_analyzed_in |
gptkb:literary_work
art critiques in academic studies art theorists |
| gptkbp:is_associated_with |
gptkb:Borough
gptkb:artwork minimalism the concept of presence performance art community performance art festivals |
| gptkbp:is_available_in |
digital format
print format |
| gptkbp:is_available_on |
gptkb:streaming_platforms
gptkb:DJ gptkb:film |
| gptkbp:is_celebrated_in |
gptkb:software
critics art festivals art communities human experience artistic freedom human existence emotional engagement the human spirit for its innovative approach pioneering performance art |
| gptkbp:is_challenged_by |
traditional art forms
|
| gptkbp:is_characterized_by |
stillness
direct engagement |
| gptkbp:is_chronicled_in |
biographies
|
| gptkbp:is_cited_in |
art literature
art history discussions |
| gptkbp:is_considered |
a landmark work
a pivotal work a landmark performance landmark work landmark performance a defining moment in Abramović's career |
| gptkbp:is_considered_as |
a pivotal work
|
| gptkbp:is_critical_for |
written about the exhibition
|
| gptkbp:is_criticized_for |
emotional intensity
societal norms consumer culture the art market artistic conventions |
| gptkbp:is_described_as |
transformative
groundbreaking |
| gptkbp:is_discussed_in |
academic papers
art theory |
| gptkbp:is_documented_in |
gptkb:books
gptkb:Photographer gptkb:film reviews documentary films in various publications performance archives |
| gptkbp:is_evaluated_by |
by art critics
|
| gptkbp:is_explored_in |
gptkb:documentaries
gptkb:book_series gptkb:Educational_Institution academic studies art history self-discovery performance studies in various media art discussions art documentaries the self artistic identity. |
| gptkbp:is_featured_in |
gptkb:The_Lovers
gptkb:documentaries gptkb:film art exhibitions documentary films art publications art history discussions |
| gptkbp:is_influenced_by |
gptkb:artwork
Eastern philosophy Eastern philosophies |
| gptkbp:is_influential_in |
gptkb:soundtrack
future generations art education |
| gptkbp:is_known_for |
intimacy
its emotional depth its immersive experience intense focus |
| gptkbp:is_organized_by |
gptkb:Museum_of_Modern_Art
|
| gptkbp:is_part_of |
gptkb:artwork
art exhibitions art history art movements art history discussions performance art history performance art canon the contemporary art dialogue Mo MA's collection the Mo MA collection Marina Abramović's body of work Marina Abramović's legacy Marina Abramović's oeuvre art documentary genre |
| gptkbp:is_recognized_by |
gptkb:literary_work
gptkb:art_historians critics art institutions a cultural phenomenon a landmark performance a pivotal work in performance art. as a pioneer in performance art |
| gptkbp:is_recognized_for |
its emotional depth
artistic innovation innovative techniques its artistic significance its cultural impact its innovative approach its unique storytelling style its engagement with the audience its visual aesthetics pioneering performance art its exploration of presence its commentary on performance art. its portrayal of vulnerability its reflection on art and life |
| gptkbp:is_referenced_in |
gptkb:organization
art exhibitions |
| gptkbp:is_reflected_in |
cultural values
personal experiences artistic practices time and space the human condition in popular culture the nature of existence the role of the artist personal philosophy the artist's philosophy the artist's journey Abramović's artistic philosophy on personal history |
| gptkbp:is_related_to |
performance art movement
The Artist is Present (2010) |
| gptkbp:is_represented_in |
artistic identity
|
| gptkbp:is_reviewed_by |
art magazines
|
| gptkbp:is_studied_in |
human emotion
|
| gptkbp:is_supported_by |
art grants
|
| gptkbp:is_symbolic_of |
gptkb:artwork
the artist's vision |
| gptkbp:is_used_in |
academic studies
|
| gptkbp:landmark |
performance history
performance art. |
| gptkbp:language |
English
modern society artistic intention the meaning of art artist and audience the artist and the audience |
| gptkbp:launch_date |
March 2022
March 14, 2019 March 14, 2010 |
| gptkbp:legacy |
influenced future artists
challenged traditional art forms inspired new generations of artists influenced future performance artists influential in contemporary art pioneering performance art highlighted the role of the artist performance art revival increased visibility for performance art encouraged self-reflection in viewers explored the limits of art promoted dialogue about art and life |
| gptkbp:lens_type |
to view art
|
| gptkbp:located_in |
gptkb:Borough
|
| gptkbp:location |
gptkb:Budapest
gptkb:Los_Angeles gptkb:Stockholm gptkb:São_Paulo gptkb:Museum_of_Modern_Art |
| gptkbp:media_coverage |
extensive
|
| gptkbp:medium |
gptkb:musical
gptkb:artwork |
| gptkbp:merchandise |
gptkb:museum
|
| gptkbp:monitors |
gptkb:art_installation
|
| gptkbp:narrative_style |
artistic exploration
|
| gptkbp:notable_feature |
eye contact
silent performance silent interaction |
| gptkbp:notable_for |
its historical significance
its immersive experience its emotional impact emotional engagement its innovative approach its audience engagement its critical acclaim its social commentary its unique format its commentary on the art market its exploration of identity its artistic legacy its visual aesthetics its cultural relevance its reflection on mortality its use of silence its philosophical inquiries its exploration of vulnerability its impact on performance art its conceptual depth its influence on future artists its exploration of time its challenge to traditional art forms its engagement with the audience's emotions its role in redefining performance art. exploring the relationship between performer and audience its focus on human connection |
| gptkbp:notable_performance |
sitting silently
sitting across from participants inviting participants |
| gptkbp:notable_performers |
the passage of time
human relationships modern society the nature of art artistic presence |
| gptkbp:notable_work |
gptkb:The_Artist_is_Present
The Artist is Present performance |
| gptkbp:part_of |
gptkb:Abramović's_retrospective
gptkb:Mo_MA's_retrospective performance art movement retrospective exhibition Mo MA's collection Mo MA's retrospective exhibition Marina Abramović retrospective The Artist is Present series |
| gptkbp:participants |
over 1,500
|
| gptkbp:performance |
gptkb:Mo_MA_atrium
silence intimate eye contact stillness 736 hours and 30 minutes dedicated area 8 hours daily durational performance sitting with visitors stillness and gaze |
| gptkbp:performed_by |
gptkb:Marina_Abramović
live live for 736 hours |
| gptkbp:platform |
social commentary
|
| gptkbp:portrayed_by |
the emotional journey of the artist
|
| gptkbp:premiered_on |
gptkb:film_festival
gptkb:Borough gptkb:Museum_of_Modern_Art gptkb:Mo_MA March 14, 2010 |
| gptkbp:presented_by |
gptkb:Museum_of_Modern_Art
|
| gptkbp:produced_by |
gptkb:Akers_and_Abramović
gptkb:Matthew_Akers gptkb:Marina_Abramović gptkb:Akers_Productions |
| gptkbp:promotes |
self-reflection
|
| gptkbp:public_perception |
emotional
emotional responses |
| gptkbp:published_by |
gptkb:2010
gptkb:The_Museum_of_Modern_Art |
| gptkbp:rating |
not rated
|
| gptkbp:received |
critical acclaim
numerous awards |
| gptkbp:related_event |
gptkb:music_festival
The Artist is Present performance piece |
| gptkbp:related_to |
performance art history
The Artist is Present (book) The Artist is Present (film) The Artist is Present (performance) |
| gptkbp:related_works |
gptkb:The_House_with_the_Ocean_View
gptkb:Rhythm_0 gptkb:The_Lovers gptkb:Balkan_Baroque |
| gptkbp:release_year |
gptkb:2018
|
| gptkbp:released |
gptkb:2012
|
| gptkbp:represents |
gptkb:software
|
| gptkbp:requires |
patience
|
| gptkbp:research |
human behavior
human interaction the relationship between artist and audience |
| gptkbp:runtime |
104 minutes
|
| gptkbp:sales |
intimacy
emotional depth |
| gptkbp:season |
gptkb:2021
gptkb:2022 |
| gptkbp:series |
The Artist is Present series
|
| gptkbp:showcases |
live performances
|
| gptkbp:significance |
cultural impact
exploration of time exploration of human connection landmark in performance art landmark in performance art history |
| gptkbp:significant_event |
performance art history
|
| gptkbp:social_media |
human relationships
|
| gptkbp:social_media_presence |
active
|
| gptkbp:sponsor |
various sponsors
|
| gptkbp:stations |
critical acclaim
|
| gptkbp:style |
gptkb:artwork
minimalist |
| gptkbp:symbolizes |
gptkb:software
artistic endurance |
| gptkbp:theme |
presence
presence and absence |
| gptkbp:themes |
gptkb:TV_series
gptkb:Magic:_The_Gathering_set gptkb:Trust gptkb:software gptkb:automobile gptkb:mythological_figure intimacy presence identity and self |
| gptkbp:ticket_sales |
high
high demand |
| gptkbp:type |
gptkb:art_exhibition
gptkb:art_installation gptkb:artwork |
| gptkbp:uses |
minimalism
minimalist approach minimal props time as a medium audience as medium body as medium space as medium time as medium |
| gptkbp:utilizes |
silence
minimalist approach live interaction body as a medium |
| gptkbp:viewership |
high
over 750,000 visitors high attendance |
| gptkbp:visitors |
intimate
contemplative |
| gptkbp:was_a_catalyst_for |
artistic dialogue
|
| gptkbp:was_a_response_to |
modern society
|
| gptkbp:written_by |
gptkb:Matthew_Akers
|
| gptkbp:year |
gptkb:2010
gptkb:2012 gptkb:2013 gptkb:2014 gptkb:2015 gptkb:2016 gptkb:2017 gptkb:2018 gptkb:2019 gptkb:2020 gptkb:2021 gptkb:2022 2024 |
| gptkbp:bfsParent |
gptkb:Marina_Abramović
gptkb:The_Artist_is_Present gptkb:The_Museum_of_Contemporary_Art,_Kanazawa |
| gptkbp:bfsLayer |
4
|