Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Composer
|
| gptkbp:associatedAct |
gptkb:The_New_York_Philharmonic
gptkb:Hollywood_film_industry |
| gptkbp:awards |
gptkb:American_Academy_of_Arts_and_Letters
|
| gptkbp:born |
July 8, 1900
|
| gptkbp:collaboratedWith |
gptkb:Leonard_Bernstein
gptkb:Marcel_Duchamp |
| gptkbp:died |
February 12, 1959
|
| gptkbp:education |
gptkb:University_of_Pennsylvania
|
| gptkbp:famousFor |
Pioneering electronic music
Rhythmic complexity Music for dance Music for theater Music for orchestra Music for solo instruments Music for chamber ensembles Music for film Music for radio Innovative use of technology in music Music for ballet Music for installations Cinematic compositions Dissonance in music Experimental theater music Music for avant-garde performances Music for conceptual art Music for experimental films Music for multimedia Music for performance art Music for sound art Music for visual art Music for voice Use of mechanical instruments |
| gptkbp:genre |
Classical
|
| https://www.w3.org/2000/01/rdf-schema#label |
George Antheil
|
| gptkbp:influenced |
gptkb:John_Cage
|
| gptkbp:influencedBy |
gptkb:Igor_Stravinsky
|
| gptkbp:instrument |
Piano
|
| gptkbp:knownFor |
Ballet Mécanique
|
| gptkbp:nationality |
American
|
| gptkbp:notableFeature |
Experimental music
Film scoring |
| gptkbp:notableWork |
Sonata for Prepared Piano
|
| gptkbp:occupation |
Composer
|
| gptkbp:productionCompany |
20th century
|
| gptkbp:residence |
gptkb:Los_Angeles
gptkb:Paris |
| gptkbp:style |
Avant-garde
|