Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:orchestra
|
| gptkbp:catalogueNumber |
Mahler's own catalogue, No. 6
|
| gptkbp:composer |
gptkb:Gustav_Mahler
|
| gptkbp:dedicatedTo |
gptkb:Alma_Mahler
|
| gptkbp:duration |
approximately 80 minutes
|
| gptkbp:firstMovement |
Allegro energico, ma non troppo
|
| gptkbp:followedBy |
gptkb:Mahler_7
|
| gptkbp:fourthPlace |
Finale: Allegro moderato
|
| https://www.w3.org/2000/01/rdf-schema#label |
Mahler 6
|
| gptkbp:influenced |
20th-century symphonic music
|
| gptkbp:influencedBy |
late Romanticism
|
| gptkbp:key |
A minor
|
| gptkbp:movement |
4
|
| gptkbp:nickname |
Tragic
|
| gptkbp:notableFeature |
Complex rhythmic structure
Controversy over Andante/Scherzo order Debate over movement order Dramatic contrasts Emotional intensity Frequent changes in orchestration Hammer blows in the finale Themes of fate and tragedy Three hammer blows in original score Unusual orchestration Use of celesta Use of cowbells Use of offstage percussion Mahler removed third hammer blow in later performances |
| gptkbp:notableRecording |
gptkb:Bernard_Haitink,_Concertgebouw_Orchestra
gptkb:Herbert_von_Karajan,_Berlin_Philharmonic gptkb:Georg_Solti,_Chicago_Symphony_Orchestra Leonard Bernstein, New York Philharmonic Benjamin Zander, Philharmonia Orchestra Claudio Abbado, Berlin Philharmonic Michael Tilson Thomas, San Francisco Symphony Pierre Boulez, Vienna Philharmonic Sir Simon Rattle, Berlin Philharmonic Valery Gergiev, London Symphony Orchestra |
| gptkbp:officialName |
gptkb:Symphony_No._6_in_A_minor
|
| gptkbp:orchestration |
large orchestra
|
| gptkbp:precededBy |
gptkb:Mahler_5
|
| gptkbp:premiereDate |
1906-05-27
|
| gptkbp:premiereLocation |
gptkb:Essen,_Germany
|
| gptkbp:publishedBy |
gptkb:Universal_Edition
|
| gptkbp:secondMovement |
Scherzo: Wuchtig
|
| gptkbp:thirdPlace |
Andante moderato
|
| gptkbp:yearComposed |
1903
1904 |
| gptkbp:bfsParent |
gptkb:Symphony_No._6_(Mahler)
|
| gptkbp:bfsLayer |
6
|