Statements (80)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestra
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Anna_Netrebko
gptkb:Gustavo_Dudamel gptkb:Lucia_Popp gptkb:Valery_Gergiev gptkb:Jaap_van_Zweden |
| gptkbp:associated_band |
multiple choirs involved
|
| gptkbp:audience |
often described as overwhelming
|
| gptkbp:celebrates |
the power of love
|
| gptkbp:composed_of |
gptkb:Gustav_Mahler
|
| gptkbp:composer |
gptkb:Gustav_Mahler
|
| gptkbp:critical_reception |
initially mixed, later acclaimed
|
| gptkbp:cultural_events |
featured in major music festivals
|
| gptkbp:cultural_impact |
widely performed in concert halls
|
| gptkbp:cultural_significance |
represents the culmination of Mahler's symphonic vision
|
| gptkbp:dedicated_to |
the memory of the dead
|
| gptkbp:dedication |
dedicated to the memory of his daughter
|
| gptkbp:demographics |
often performed for large audiences
|
| gptkbp:duration |
approximately 80 minutes
|
| gptkbp:features |
gptkb:choir
soloists |
| gptkbp:filming_location |
gptkb:Munich,_Germany
|
| gptkbp:first_performance |
gptkb:Munich
|
| gptkbp:historical_context |
composed during the early 20th century
|
| gptkbp:historical_impact |
significant in the development of symphonic music.
|
| gptkbp:influenced_artists |
inspired later choral symphonies
|
| gptkbp:influenced_by |
gptkb:Beethoven's_choral_works
Romantic music Wagner's music the philosophy of the time Brahms' symphonic style |
| gptkbp:influences |
Romantic music
|
| gptkbp:innovation |
combines orchestral and vocal elements
|
| gptkbp:inspiration |
spiritual themes
|
| gptkbp:involved_forces |
soloists, chorus, and orchestra
|
| gptkbp:is_a_venue_for |
performed in major concert halls worldwide
|
| gptkbp:is_considered_as |
a monumental work
one of the greatest symphonies |
| gptkbp:is_divided_into |
two parts
|
| gptkbp:is_known_for |
gptkb:Symphony_of_a_Thousand
|
| gptkbp:is_part_of |
gptkb:Mahler's_symphonic_cycle
|
| gptkbp:legacy |
remains a staple of the orchestral repertoire
|
| gptkbp:movement |
2
|
| gptkbp:music_style |
two large movements
rich and complex orchestration |
| gptkbp:nickname |
gptkb:Symphony_of_a_Thousand
|
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
gptkb:Gustavo_Dudamel gptkb:Riccardo_Chailly gptkb:Simon_Rattle gptkb:Bruno_Walter gptkb:Bernstein |
| gptkbp:notable_for |
its choral finale
|
| gptkbp:notable_performance |
gptkb:Vienna_Philharmonic
often performed in festivals |
| gptkbp:notable_recordings |
conducted by Leonard Bernstein
conducted by Herbert von Karajan conducted by Gustavo Dudamel numerous commercial recordings exist conducted by Simon Rattle conducted by Riccardo Chailly |
| gptkbp:orchestration |
large orchestra and chorus
|
| gptkbp:performance |
performed at the 1910 World Premiere
requires large forces and logistics |
| gptkbp:performed_by |
gptkb:orchestra
worldwide concert halls in festivals large choirs |
| gptkbp:premiere_date |
September 12, 1910
|
| gptkbp:premiered_on |
September 12, 1910
|
| gptkbp:record_label |
various labels have recorded it
|
| gptkbp:significance |
one of the largest choral works in the repertoire
|
| gptkbp:style |
late-Romantic
|
| gptkbp:text |
based on the final scene of Goethe's Faust
|
| gptkbp:thematic_element |
explores existential themes
|
| gptkbp:theme |
explores themes of creation and redemption
|
| gptkbp:uses |
large orchestra
|
| gptkbp:vocalization |
features multiple soloists and choirs
|