|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:The_Tragedy_of_Macbeth
|
|
gptkbp:adaptation
|
opera adaptation of Shakespeare's play
|
|
gptkbp:associated_act
|
gptkb:4
|
|
gptkbp:based_on
|
Macbeth (play) by William Shakespeare
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:collaborations
|
Duo of Macbeth and Lady Macbeth
|
|
gptkbp:composed_of
|
gptkb:Francesco_Maria_Piave
|
|
gptkbp:composer
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:critical_reception
|
mixed reviews at premiere
|
|
gptkbp:cultural_impact
|
influenced later operas
|
|
gptkbp:cultural_significance
|
explores themes of power and morality
|
|
gptkbp:famous_quote
|
“ Double, double toil and trouble.”
“ Is this a dagger which I see before me?”
“ Out, out brief candle!”
“ Tomorrow, and tomorrow, and tomorrow.”
|
|
gptkbp:first_performance
|
gptkb:Teatro_della_Pergola
|
|
gptkbp:genre
|
gptkb:earthquake
|
|
gptkbp:historical_context
|
19th-century Italy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Macbeth (opera, 1847)
|
|
gptkbp:influence
|
gptkb:painting
|
|
gptkbp:influenced_by
|
French grand opera
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:music_style
|
romanticism
|
|
gptkbp:notable_appearance
|
gptkb:Murder_of_Duncan
Final battle scene
Banquo's ghost appearance
Sleepwalking scene
|
|
gptkbp:notable_character
|
gptkb:Macbeth
gptkb:Lady_Macbeth
gptkb:Macduff
gptkb:The_Witches
gptkb:Banquo
|
|
gptkbp:notable_performance
|
performed worldwide
|
|
gptkbp:notable_production
|
gptkb:San_Francisco_Opera_production
Royal Opera House production
La Scala production
Metropolitan Opera production
Vienna State Opera production
|
|
gptkbp:notable_recordings
|
multiple recordings available
|
|
gptkbp:notable_song
|
La luce langue
Witches' chorus
|
|
gptkbp:orchestration
|
full orchestra
|
|
gptkbp:performance
|
approximately 2.5 hours
|
|
gptkbp:premiere
|
1847
|
|
gptkbp:reunion
|
gptkb:1952
|
|
gptkbp:setting
|
gptkb:Scotland
|
|
gptkbp:thematic_element
|
gptkb:Order
supernatural
ambition
guilt
|