Statements (74)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:art_movement |
gptkb:Neo-Concrete
that emphasizes viewer participation. |
| gptkbp:artistic_exploration |
of identity.
|
| gptkbp:characteristic |
playful and engaging.
|
| gptkbp:collection |
gptkb:Museum_of_Modern_Art,_New_York
Museum of Contemporary Art. |
| gptkbp:conducts_research_on |
on Brazilian modernism.
|
| gptkbp:constructed_in |
the Brazilian avant-garde movement.
|
| gptkbp:created_by |
gptkb:Lygia_Clark
|
| gptkbp:depicted_in |
a precursor to installation art.
|
| gptkbp:description |
modular sculptures that can be manipulated by the viewer.
|
| gptkbp:dimensions |
variable
|
| gptkbp:example |
art that challenges traditional boundaries.
|
| gptkbp:exemplified_by |
the use of tactile materials.
|
| gptkbp:exemplifies |
the principles of Neo-Concrete art.
|
| gptkbp:exhibited_at |
gptkb:São_Paulo_Biennial
various international art exhibitions. |
| gptkbp:exhibition |
gptkb:Museum_of_Modern_Art
' Lygia Clark: The Abandonment of Art'. |
| gptkbp:explores |
the concept of transformation in art.
|
| gptkbp:has_culture |
on art and society.
on interactive and participatory art. |
| https://www.w3.org/2000/01/rdf-schema#label |
Lygia Clark's Bichos
|
| gptkbp:impact |
pioneered interactive art.
|
| gptkbp:influenced |
contemporary art practices.
|
| gptkbp:influenced_by |
Constructivism
|
| gptkbp:inspired_by |
the relationship between art and the viewer.
|
| gptkbp:is_analyzed_in |
art critiques.
art critics. |
| gptkbp:is_associated_with |
the Neo-Concrete movement.
|
| gptkbp:is_celebrated_for |
its innovative approach.
|
| gptkbp:is_cited_in |
academic papers.
|
| gptkbp:is_considered |
a landmark in Brazilian art.
|
| gptkbp:is_considered_as |
key work in Lygia Clark's oeuvre.
|
| gptkbp:is_considered_to_be |
a significant contribution to modern art.
|
| gptkbp:is_discussed_in |
art forums.
|
| gptkbp:is_displayed_in |
galleries worldwide.
|
| gptkbp:is_documented_in |
art literature.
|
| gptkbp:is_examined_in |
art theory.
|
| gptkbp:is_explored_in |
various mediums.
art exhibitions. |
| gptkbp:is_featured_in |
art documentaries.
|
| gptkbp:is_influential_in |
the field of participatory art.
|
| gptkbp:is_noted_for |
its innovative design.
|
| gptkbp:is_part_of |
Lygia Clark's exploration of the body.
|
| gptkbp:is_part_of_artistic_dialogue |
on the role of the artist.
|
| gptkbp:is_part_of_artistic_experimentation |
with form and function.
|
| gptkbp:is_part_of_artistic_inquiry |
into the nature of art.
|
| gptkbp:is_part_of_artistic_tradition |
of Brazilian art.
|
| gptkbp:is_part_of_exhibition_series |
' The Art of Participation'.
|
| gptkbp:is_part_of_study |
on viewer engagement.
|
| gptkbp:is_recognized_as |
a transformative work.
|
| gptkbp:is_recognized_by |
art historians.
|
| gptkbp:is_recognized_for |
its cultural significance.
|
| gptkbp:is_referenced_in |
art history books.
|
| gptkbp:is_reflected_in |
the evolution of art practices.
|
| gptkbp:is_studied_in |
art schools.
|
| gptkbp:is_symbolic_of |
the search for new forms of expression.
|
| gptkbp:language_spoken |
about the role of the viewer in art.
|
| gptkbp:legacy |
of interactive art.
|
| gptkbp:location |
gptkb:Brazil
|
| gptkbp:material |
cardboard
|
| gptkbp:part_of |
Lygia Clark's artistic legacy.
|
| gptkbp:promotes |
viewer interaction.
|
| gptkbp:reflects |
the socio-political context of Brazil.
|
| gptkbp:related_to |
Lygia Clark's other works.
|
| gptkbp:significance |
explores the boundaries of art and participation.
|
| gptkbp:type |
gptkb:interactive_art
|
| gptkbp:utilizes |
simple geometric forms.
|
| gptkbp:year_created |
1960s
|
| gptkbp:bfsParent |
gptkb:Neo-Concrete_art
gptkb:The_1983_São_Paulo_Biennial |
| gptkbp:bfsLayer |
7
|