|
gptkbp:instanceOf
|
gptkb:artist
gptkb:person
|
|
gptkbp:awardReceived
|
gptkb:Prêmio_Nacional_de_Arte_Moderna_(1960)
|
|
gptkbp:birthDate
|
1920-10-23
|
|
gptkbp:birthPlace
|
gptkb:Belo_Horizonte
|
|
gptkbp:children
|
gptkb:Álvaro_Clark
gptkb:Eduardo_Clark
gptkb:Elizabeth_Clark
|
|
gptkbp:deathDate
|
1988-04-25
|
|
gptkbp:deathPlace
|
gptkb:Rio_de_Janeiro
|
|
gptkbp:education
|
gptkb:Escola_Nacional_de_Belas_Artes
|
|
gptkbp:exhibitedAt
|
gptkb:Tate_Modern
gptkb:Museum_of_Modern_Art,_New_York
gptkb:Museu_de_Arte_Moderna_do_Rio_de_Janeiro
gptkb:Bienal_de_São_Paulo
|
|
gptkbp:field
|
gptkb:art
contemporary art
installation art
participatory art
|
|
gptkbp:gender
|
female
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Lygia Clark
|
|
gptkbp:influenced
|
gptkb:Hélio_Oiticica
gptkb:Lygia_Pape
|
|
gptkbp:influencedBy
|
gptkb:Roberto_Burle_Marx
gptkb:Fernand_Léger
gptkb:Piet_Mondrian
|
|
gptkbp:language
|
Portuguese
|
|
gptkbp:movement
|
gptkb:Neo-Concrete_Movement
Brazilian modernism
|
|
gptkbp:nationality
|
gptkb:Brazilian
|
|
gptkbp:notableWork
|
gptkb:Bichos
gptkb:Sensorial_Masks
Caminhando
Relational Objects
|
|
gptkbp:occupation
|
gptkb:artist
gptkb:sculptor
|
|
gptkbp:signature
|
gptkb:art
gptkb:Bichos
gptkb:Sensorial_Masks
constructivism
interactive art
participatory art
Caminhando
Relational Objects
|
|
gptkbp:spouse
|
gptkb:Aluízio_Clark_Ribeiro
|
|
gptkbp:subjectOf
|
gptkb:Lygia_Clark:_Organic_Planes_(Tate_Modern_exhibition)
gptkb:Lygia_Clark:_Painting_as_an_Experimental_Field,_1948–1958_(Guggenheim_exhibition)
gptkb:Lygia_Clark:_The_Abandonment_of_Art,_1948–1988_(MoMA_exhibition)
|
|
gptkbp:taughtAt
|
gptkb:Sorbonne
|
|
gptkbp:teacherOf
|
students at Sorbonne
|
|
gptkbp:website
|
https://www.lygiaclark.org.br/
|
|
gptkbp:bfsParent
|
gptkb:Lygia
gptkb:Museo_de_la_Solidaridad_Salvador_Allende
|
|
gptkbp:bfsLayer
|
5
|