Statements (131)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical
gptkb:play |
| gptkbp:adaptation |
gptkb:musical_adaptation
gptkb:television_adaptation film adaptation 2000 BBC television adaptation 1985 Royal Shakespeare Company production 2014 |
| gptkbp:author |
gptkb:William_Shakespeare
|
| gptkbp:based_on |
gptkb:William_Shakespeare's_play
|
| gptkbp:character |
gptkb:Nathaniel
gptkb:Maria gptkb:Rosaline gptkb:King_Ferdinand gptkb:Holofernes gptkb:Princess_of_France gptkb:Wasp gptkb:Jaquenetta gptkb:The_King_of_Navarre gptkb:The_Lord_of_Berowne gptkb:The_Lord_of_Dumaine gptkb:The_Lord_of_France gptkb:The_Lord_of_Holofernes gptkb:The_Lord_of_Longaville gptkb:The_Lord_of_Navarre Berowne Dumaine Costard The Princess's Father Boyet Longaville The Lord of Boyet The Lord of Costard The Lord of Jaquenetta The Lord of Moth The Lord of Nathaniel |
| gptkbp:choreography |
gptkb:Marlon_D._Chappell
|
| gptkbp:composer |
gptkb:Michael_Friedman
|
| gptkbp:critical_reception |
mixed reviews
mixed reviews over the years considered one of Shakespeare's lesser-known plays |
| gptkbp:cultural_impact |
referenced in popular culture
performed in theaters worldwide influenced modern romantic comedies adapted into various languages studied in academic settings performed in educational institutions |
| gptkbp:directed_by |
gptkb:Alex_Timbers
|
| gptkbp:famous_quote |
“ I do much wonder that one man, seeing how much another man is a fool when he dedicates his behaviours to love.”
“ At Christmas I no more desire a rose than wish a snow in May's new fangled mirth.” “ The finest wits in the world.” |
| gptkbp:first_performance |
gptkb:2007
1597 |
| gptkbp:genre |
gptkb:musical_comedy
gptkb:comedy |
| https://www.w3.org/2000/01/rdf-schema#label |
Love's Labour's Lost
|
| gptkbp:influence |
inspired films
inspired theatrical productions inspired other works of literature |
| gptkbp:influenced_by |
Shakespearean comedy
|
| gptkbp:language |
English
|
| gptkbp:lyricist |
gptkb:Michael_Friedman
|
| gptkbp:main_character |
gptkb:Maria
gptkb:Rosaline gptkb:Ferdinand,_King_of_Navarre Katharine Berowne Dumaine Boyet Longaville |
| gptkbp:main_theme |
love
|
| gptkbp:notable_character |
gptkb:Rosaline
gptkb:Holofernes gptkb:Princess_of_France gptkb:Wasp Berowne Dumaine Costard Longaville Sir Nathaniel |
| gptkbp:notable_production |
The Public Theater's production
|
| gptkbp:notable_quote |
“ I do much wonder that one man, seeing how much another man is a fool when he dedicates his behaviours to love.”
“ At Christmas I no more desire a rose than wish a snow in May.” “ Love is a familiar; Love is a devil.” “ The best in this kind are but shadows.” “ When I see birches bend to left and right.” |
| gptkbp:notable_song |
' The King of Navarre's Oath'
' The Love Song' ' The Princess of France' |
| gptkbp:original_language |
English
|
| gptkbp:performance |
performed at the Globe Theatre
performed at the National Theatre performed at the Royal Shakespeare Company performed at the Royal Shakespeare Theatre performed at the Stratford Festival performed at the Oregon Shakespeare Festival |
| gptkbp:plot_summary |
A group of young men swear off women for three years to focus on study, but their resolve is tested when the Princess of France and her ladies arrive.
|
| gptkbp:premiered_on |
gptkb:2007
|
| gptkbp:produced_by |
gptkb:The_Public_Theater
|
| gptkbp:scholarly_analysis |
considered a precursor to later works
analyzed for its character development interpreted through various critical lenses discussed in feminist literary criticism analyzed for its linguistic complexity compared to other Shakespearean comedies debated for its ambiguous ending discussed in the context of romantic comedy examined for its use of wordplay explored in the context of Elizabethan society studied for its themes of love and friendship |
| gptkbp:setting |
gptkb:Navarre,_France
gptkb:Navarre |
| gptkbp:style |
contemporary musical theatre
|
| gptkbp:thematic_element |
gptkb:youth
gptkb:deception gptkb:friendship gptkb:identity gptkb:humor love intellect courtly love gender roles intellectualism language play |
| gptkbp:theme |
love
intellectualism courtship |
| gptkbp:written_by |
gptkb:William_Shakespeare
|
| gptkbp:bfsParent |
gptkb:Shakespeare
gptkb:William_Shakespeare gptkb:Ferdinand |
| gptkbp:bfsLayer |
4
|