Statements (620)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:town
gptkb:character |
| gptkbp:accepts |
her Role In Marriage
|
| gptkbp:adaptations |
Film, Musical, Novel
|
| gptkbp:affiliation |
gptkb:WLF
gptkb:US_Navy |
| gptkbp:age |
gptkb:unknown
|
| gptkbp:appearance |
gptkb:military_vehicles
dark hair short hair tactical clothing realistic design scar on face |
| gptkbp:appears_in |
gptkb:The_Boss
gptkb:The_Goldbergs gptkb:The_Good_Doctor gptkb:The_Last_Ship gptkb:The_Last_of_Us gptkb:The_Last_of_Us_Part_II gptkb:The_Taming_of_the_Shrew gptkb:The_Last_Kingdom gptkb:The_Other_Boleyn_Girl gptkb:The_Phantom_of_the_Opera gptkb:The_Haunting gptkb:The_Terminal_List gptkb:The_Secret_of_Crickley_Hall gptkb:The_Lost_Room gptkb:The_Last_of_Us_HBO_series gptkb:The_New_World |
| gptkbp:audience |
mixed
|
| gptkbp:author |
gptkb:Gaston_Leroux
|
| gptkbp:average_rainfall |
1,200 mm
|
| gptkbp:average_temperature |
34° C in summer
|
| gptkbp:birth_year |
1485
|
| gptkbp:can_transform_into |
her relationship with Petruchio
Becomes obedient Petruchio's Taming |
| gptkbp:challenges |
traditional gender roles
her father's authority |
| gptkbp:character_arc |
seeking power
|
| gptkbp:character_development |
complex antagonist
evolves throughout the story faces challenges learns from experiences makes difficult choices experiences trauma grows closer to Ellie |
| gptkbp:character_traits |
gptkb:Brave
Compassionate loyal brave determined Resilient resourceful |
| gptkbp:child |
gptkb:Baptista_Minola
gptkb:Bianca_Minola gptkb:Bianca Unknown Father |
| gptkbp:climate |
tropical
tropical savanna |
| gptkbp:community_events |
gptkb:Katherine_Show
|
| gptkbp:community_involvement |
gptkb:Katherine_Arts_Council
Adversity the face of adversity |
| gptkbp:community_service |
youth programs
|
| gptkbp:conflict |
gptkb:Ellie
gptkb:Abby dealing with loss facing moral dilemmas struggling with trust issues |
| gptkbp:country |
gptkb:Australia
|
| gptkbp:created_by |
gptkb:Naughty_Dog
|
| gptkbp:cuisine |
bush tucker
|
| gptkbp:cultural_events |
gptkb:Katherine_Festival
|
| gptkbp:cultural_heritage |
Aboriginal culture
|
| gptkbp:death_year |
1536
|
| gptkbp:demographics |
diverse population
|
| gptkbp:depicted_in |
gptkb:Courageous
gptkb:Native_American_culture a symbol of resistance a foil to Bianca a representation of the 'taming' concept a complex Character |
| gptkbp:development |
character arc throughout the game
|
| gptkbp:develops |
Relationships with other characters
a friendship with a young girl |
| gptkbp:diagnosis |
gptkb:Oncology
|
| gptkbp:economic_activity |
cattle farming
|
| gptkbp:education_institution |
gptkb:Katherine_High_School
|
| gptkbp:elevation |
120 meters
|
| gptkbp:engages_in |
verbal sparring
|
| gptkbp:environment |
natural parks
|
| gptkbp:established |
1862
|
| gptkbp:eventually_submits_to |
Petruchio's Will
|
| gptkbp:exhibition |
gptkb:Katherine_Cultural_Centre
|
| gptkbp:exhibits |
intelligence and wit
|
| gptkbp:faced |
legal challenges
Supernatural Events Difficult choices Paranormal occurrences |
| gptkbp:famous_event |
gptkb:Katherine_Country_Music_Festival
gptkb:Katherine_Christmas_Carnival |
| gptkbp:famous_for |
bushwalking trails
outdoor adventures bush tucker tours crocodile spotting |
| gptkbp:famous_landmark |
gptkb:Katherine_Hot_Springs
|
| gptkbp:famous_quote |
' I am no beast, I am a woman'
|
| gptkbp:fan_reception |
generally positive
|
| gptkbp:fate |
killed by Joel
|
| gptkbp:first_appearance |
gptkb:The_Last_of_Us_Part_II
gptkb:Season_1 1910 Episode 5 |
| gptkbp:first_inhabitants |
gptkb:Jawoyn_people
|
| gptkbp:flood_control |
significant floods in 1998
|
| gptkbp:gender |
gptkb:Female
|
| gptkbp:genre |
gptkb:musical
action-adventure |
| gptkbp:goal |
Find a cure for the virus
|
| gptkbp:has_a |
gptkb:rivalry
gptkb:Company personal transformation business plan signature catchphrase personal assistant unique vision mentor relationship signature product unique management style |
| gptkbp:has_ability |
Time manipulation
|
| gptkbp:has_authority_over |
her friends
|
| gptkbp:has_backstory |
gptkb:noble_family
Tragic past former leader of a group |
| gptkbp:has_child |
gptkb:4
|
| gptkbp:has_conflict_with |
gptkb:Petruchio
gptkb:Eleanor_Vance gptkb:Survivor gptkb:antagonist gptkb:Aethelflaed The supernatural societal Expectations Petruchio's Family |
| gptkbp:has_developed |
throughout the play
|
| gptkbp:has_facilities |
gptkb:Katherine_Hospital
|
| gptkbp:has_family |
gptkb:Goldberg_Family
|
| gptkbp:has_function |
enemies
her followers her husband Petruchio |
| gptkbp:has_impact_on |
psychological horror
Uhtred's decisions the play's themes |
| gptkbp:has_occupation |
gptkb:Housewife
|
| gptkbp:has_parent |
gptkb:Baptista_Minola
|
| gptkbp:has_public_transport |
gptkb:bus_services
|
| gptkbp:has_relationship_with |
gptkb:Dr._John_Markway
gptkb:Murray_Goldberg gptkb:John_Smith gptkb:Uhtred Other residents of Crickley Hall |
| gptkbp:has_role |
gptkb:supporting_character
Supernatural events |
| gptkbp:has_sibling |
gptkb:Bianca
|
| gptkbp:has_symbol |
the shrew
|
| gptkbp:has_tradition |
Throughout the series
|
| gptkbp:has_transport_link |
gptkb:Stuart_Highway
|
| gptkbp:historical_event |
World War II military base
|
| gptkbp:historical_significance |
gptkb:Gold_Rush
gateway to the outback. First wife of King Henry VIII |
| gptkbp:historical_site |
gptkb:Old_Katherine_Railway_Station
|
| https://www.w3.org/2000/01/rdf-schema#label |
Katherine
|
| gptkbp:impact |
on the game's story
|
| gptkbp:influence |
gptkb:character_development
narrative complexity post-apocalyptic themes on other characters drives the narrative forward WLF's actions |
| gptkbp:inspiration |
from real-life experiences
|
| gptkbp:is_a |
gptkb:marriage
gptkb:cultural_heritage gptkb:fictional_character gptkb:protagonist gptkb:Businesswoman gptkb:Ghost gptkb:Mother gptkb:noblewoman iconic character Tragic figure female character mysterious figure symbol of fear bride complex character timeless character catalyst for events haunting presence Key character dynamic Character |
| gptkbp:is_acharacter_in |
Shakespearean comedy
|
| gptkbp:is_affected_by |
gptkb:Historical_events
gptkb:war The house's history The haunting The house's secrets The past events of the house |
| gptkbp:is_analyzed_in |
film studies
her character arc |
| gptkbp:is_associated_with |
gptkb:The_Saxon_Stories
gptkb:Hill_House gptkb:colonialism the theme of obedience the theme of loss psychological themes the theme of memory |
| gptkbp:is_challenged_by |
Societal norms
her own insecurities Cultural expectations her father's expectations her past mistakes her own ambitions her own doubts the expectations of her society her competitors Petruchio's tactics Petruchio's Dominance Petruchio's Methods |
| gptkbp:is_characterized_by |
Empathy
Strong-willed her Fiery Temper |
| gptkbp:is_compared_to |
gptkb:Bianca
|
| gptkbp:is_connected_to |
gptkb:Historical_events
gptkb:The_Danes the theme of isolation The history of England the narrative structure The fate of kingdoms The series' themes of loss Uhtred's family The series' narrative structure The emotional themes The history of Crickley Hall |
| gptkbp:is_considered |
a strong female character
a classic character a pivotal character in the narrative. a controversial figure in literature |
| gptkbp:is_critiqued_by |
feminist scholars
|
| gptkbp:is_described_as |
sensitive
tragic heroine headstrong enigmatic hauntingly beautiful the shrew |
| gptkbp:is_driven_by |
ambition
Desire to find her children |
| gptkbp:is_explored_in |
gptkb:Character_development
gptkb:Flashbacks gptkb:character_development gptkb:literary_analysis gptkb:Character_arcs psychological analysis thematic studies cultural studies Thematic elements narrative perspective her interactions with other characters character studies Her interactions with other characters dialogue and action the context of Elizabethan society |
| gptkbp:is_featured_in |
gptkb:film_adaptations
gptkb:Season_4 Historical drama Multiple Seasons |
| gptkbp:is_from |
gptkb:Padua
|
| gptkbp:is_in |
comedic situations
a mentorship program a pivotal scene a comedic climax a comedic resolution a comedic rivalry a transformative journey a dramatic moment a leadership role a comedic film a pivotal role a final showdown a climactic event a heartwarming conclusion a business meeting a comedic finale a heartfelt moment a successful venture |
| gptkbp:is_in_love_with |
gptkb:Petruchio
|
| gptkbp:is_influenced_by |
societal expectations
the supernatural Political tensions |
| gptkbp:is_influential_in |
psychological thrillers
horror literature cinematic horror Uhtred's journey |
| gptkbp:is_inspired_by |
her family
|
| gptkbp:is_involved_in |
gptkb:Character_arcs
Personal growth Military operations Family dynamics Romantic subplot Political intrigue Love triangles Crisis situations Cultural conflicts Strategic alliances the plot twists Mystery solving the character dynamics the theme of power dynamics The resolution of the mystery the play's climax The resolution of the story the resolution of the play a battle of wits The series' climax The exploration of grief the subplot of the play the play's resolution of conflicts a business venture the emotional conflicts the haunting events Battles for power The plot's climax The series' climax and resolution The series' emotional impact The supernatural investigation a marriage Plot |
| gptkbp:is_known_for |
her psychic abilities
Being a caring mother her leadership skills her strong-willed personality her entrepreneurial spirit her tenacity her innovative ideas her bold personality being strong-willed being a successful entrepreneur Her relationship with Uhtred her sharp Tongue |
| gptkbp:is_linked_to |
the theme of identity
the exploration of fear the theme of the supernatural the exploration of madness |
| gptkbp:is_married_to |
gptkb:Petruchio
gptkb:Daniel gptkb:Adam gptkb:Joe_Miller |
| gptkbp:is_motivated_by |
gptkb:power
gptkb:Love gptkb:Survival gptkb:revenge gptkb:survival her past experiences Love for her family protecting her friends Love and loyalty her desire to succeed defy societal norms her desire to prove herself her passion for business her vision for success |
| gptkbp:is_often_compared_to |
gptkb:Eleanor_Vance
|
| gptkbp:is_part_of |
gptkb:Wessex
gptkb:The_Taming_of_the_Shrew gptkb:horror_genre gptkb:film Family dynamics the story's climax the ensemble cast the story's resolution The main cast the comedic elements of the play The narrative arc The Haunting narrative the comedic resolution the haunting atmosphere The Last Kingdom series The Lost Room series The emotional core of the story the Minola family the play's exploration of marriage dynamics The Last Kingdom fandom The Last Kingdom lore The Last Kingdom narrative The Last Kingdom's themes The emotional resolution The series' main themes a comedic Narrative |
| gptkbp:is_played_by |
gptkb:Constance_Wu
|
| gptkbp:is_portrayed_as |
gptkb:film_adaptations
gptkb:Suranne_Jones gptkb:Courageous gptkb:tragic_figure gptkb:Strong Compassionate Resourceful a complex character various actresses in adaptations A strong female character A complex character A survivor a victim of circumstance a strong-willed woman A strategist A mediator a dynamic character |
| gptkbp:is_recognized_for |
Her loyalty
|
| gptkbp:is_recommended_by |
a mentor
|
| gptkbp:is_related_to |
gptkb:Barry_Goldberg
gptkb:Uhtred_of_Bebbanburg gptkb:James_Reece gptkb:Adam_Goldberg gptkb:Erica_Goldberg gptkb:Beverly_Goldberg the concept of fear her childhood friend |
| gptkbp:is_represented_in |
gptkb:film_adaptations
gptkb:various_adaptations various media various actresses various interpretations A grieving mother a foil To Petruchio |
| gptkbp:is_respected_by |
Her peers
The audience some characters by the end |
| gptkbp:is_set_in |
gptkb:Padua
9th century England 1980s America 17th century Virginia |
| gptkbp:is_sought_after_by |
Her Missing Children
|
| gptkbp:is_subject_to |
Petruchio's taming methods
|
| gptkbp:is_supported_by |
her family
her community her team her business partners her loyal employees |
| gptkbp:is_symbolic_of |
the unknown
inner turmoil Maternal love Female strength |
| gptkbp:is_taught_in |
the value of teamwork
|
| gptkbp:is_ultimately_successful_in |
finding Love With Petruchio
|
| gptkbp:is_visible_from |
Multiple episodes
|
| gptkbp:key_issues |
Joel and Ellie
WLF and other factions |
| gptkbp:known_as |
gptkb:Kate
|
| gptkbp:known_for |
gptkb:Katherine_Gorge
Strong-willed personality |
| gptkbp:language_spoken |
the final monologue
|
| gptkbp:last_appearance |
gptkb:The_Last_of_Us_Part_II
gptkb:Season_1 gptkb:Season_4 Episode 5 |
| gptkbp:leadership |
authoritarian
|
| gptkbp:legacy |
emotional impact
player engagement symbol of conflict character arc exploration of morality complex motivations memorable antagonist representation of trauma impact on the story influence on players depiction of leadership challenges exploration of revenge themes reflection of societal collapse |
| gptkbp:lives_in |
gptkb:Crickley_Hall
|
| gptkbp:local_art |
Aboriginal art
|
| gptkbp:local_economy |
agriculture
tourism and agriculture |
| gptkbp:local_government |
gptkb:Roper_Gulf_Regional_Council
Roper Gulf Region |
| gptkbp:located_in |
gptkb:Northern_Territory
|
| gptkbp:location |
gptkb:Seattle
|
| gptkbp:major_industry |
gptkb:tourism
|
| gptkbp:major_rivers |
Katherine River
|
| gptkbp:meets |
gptkb:Ghost
|
| gptkbp:merchandise |
featured in collectibles
|
| gptkbp:mood |
determined
vengeful angry |
| gptkbp:mother |
gptkb:Barry_Goldberg
gptkb:Cameron gptkb:Lily gptkb:Adam_Goldberg gptkb:Erica_Goldberg gptkb:Beverly_Goldberg gptkb:Sam gptkb:Jessie Anna Miller |
| gptkbp:narrative |
catalyst for conflict
exploring themes of vengeance foreshadowing Joel's actions highlighting moral ambiguity illustrating consequences of violence representative of WLF's brutality showcasing survival instincts creating tension driving the plot forward highlighting themes of the game providing emotional depth |
| gptkbp:nationality |
gptkb:American
English |
| gptkbp:navigation_system |
the corporate world
|
| gptkbp:nearby_attractions |
gptkb:Katherine_River_Gorge
|
| gptkbp:nearest_city |
gptkb:Darwin
|
| gptkbp:notable_for |
her role in the game's narrative
leadership of WLF |
| gptkbp:notable_traits |
ruthless
|
| gptkbp:occupation |
gptkb:Soldier
|
| gptkbp:occurs_in |
transformation in behavior
|
| gptkbp:parks |
gptkb:Nitmiluk_National_Park
|
| gptkbp:personality_trait |
gptkb:Loving
Supportive determined manipulative charismatic Overprotective ruthless calculating |
| gptkbp:platform |
gptkb:Play_Station_4
|
| gptkbp:population |
approximately 10,000
|
| gptkbp:portrayed_by |
gptkb:Emily_Cox
gptkb:Sarah_Lancashire gptkb:Q'orianka_Kilcher gptkb:Julia_Mc_Ilvaine gptkb:Wendi_Mc_Lendon-Covey gptkb:Natalie_Portman gptkb:Julie_Harris gptkb:Liane_Balaban gptkb:Rhona_Mitra gptkb:Melissa_Mc_Carthy gptkb:Ashley_M._Johnson Actress Name Briahnna Brown (varies by adaptation) |
| gptkbp:postal_code |
0850
|
| gptkbp:region |
mining and agriculture
|
| gptkbp:relation_to |
gptkb:King_Henry_VIII
gptkb:Anne_Boleyn gptkb:Joe_Miller |
| gptkbp:relationship |
gptkb:Ellie
gptkb:Abby friend of Ellie |
| gptkbp:relationship_with |
gptkb:Petruchio
gptkb:Joel gptkb:The_Phantom gptkb:Dr._Shaun_Murphy gptkb:Dr._Aaron_Glassman gptkb:Ellie gptkb:Tom_Chandler her brother |
| gptkbp:released |
June 19, 2020
|
| gptkbp:represents |
the theme of marriage
|
| gptkbp:role |
gptkb:Queen
gptkb:antagonist gptkb:Doctor gptkb:supporting_character Love interest |
| gptkbp:setting |
gptkb:Paris
post-apocalyptic world post-apocalyptic America |
| gptkbp:significant_event |
fighting against enemies
surviving in a post-apocalyptic world helping Ellie |
| gptkbp:skills |
gptkb:leadership
gptkb:teamwork strategic planning survival skills combat combat proficiency strategic thinking |
| gptkbp:specialization |
Virology
|
| gptkbp:sport |
gptkb:rugby
|
| gptkbp:sports_team |
Katherine Raiders
|
| gptkbp:status |
deceased
|
| gptkbp:strategy |
manipulation
|
| gptkbp:struggles_with |
Grief
her reputation |
| gptkbp:surrounding_area |
Top End
|
| gptkbp:symbolism |
loss of humanity
the complexities of love corruption of power survival at all costs |
| gptkbp:themes |
gptkb:betrayal
gptkb:loss gptkb:revenge gptkb:survival gptkb:friendship redemption power dynamics |
| gptkbp:time_zone |
ACST
|
| gptkbp:tourist_attraction |
gptkb:Edith_Falls
|
| gptkbp:tradition |
Aboriginal ceremonies
|
| gptkbp:transportation |
gptkb:Katherine_Airport
|
| gptkbp:undergoes_transformation_in |
her Relationship With Petruchio
|
| gptkbp:user_experience |
gptkb:Loss
gptkb:Fear gptkb:tragedy setbacks Loss of her children conflict with suitors |
| gptkbp:uses_wit_to |
counter Petruchio
|
| gptkbp:voice_actor |
gptkb:Ashley_M._Johnson
|
| gptkbp:was_akey_figure_in |
the play's conflict
|
| gptkbp:was_aproponent_of |
the narrative arc
|
| gptkbp:wildlife |
kangaroos
|
| gptkbp:bfsParent |
gptkb:The_New_World
|
| gptkbp:bfsLayer |
3
|