|
gptkbp:instanceOf
|
film
|
|
gptkbp:awards
|
Best Actress
Best Cinematography
Best Director
Best Editing
|
|
gptkbp:basedOn
|
Celle qui n'était plus
|
|
gptkbp:boxOffice
|
$2.5 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:cinematographyBy
|
Armand_Thirard
|
|
gptkbp:colors
|
black-and-white
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:criticalReception
|
highly acclaimed
|
|
gptkbp:culturalImpact
|
inspired filmmakers
|
|
gptkbp:director
|
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:editor
|
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:filmingLocation
|
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:filmography
|
gptkb:Georges_Auric
gptkb:François_Truffaut
gptkb:Pauline_Kael
gptkb:Andrew_Sarris
gptkb:Jean-Luc_Godard
gptkb:Roger_Ebert
|
|
gptkbp:genre
|
mystery
thriller
|
|
gptkbp:hasDescription
|
gptkb:Robert_Bresson
|
|
gptkbp:hasFocusOn
|
female protagonists
|
|
gptkbp:homeMediaRelease
|
Blu-ray
DVD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Diaboliques (1955 film)
|
|
gptkbp:influence
|
psychological thrillers
|
|
gptkbp:influencedBy
|
gptkb:Alfred_Hitchcock
gptkb:French_New_Wave
film noir
|
|
gptkbp:language
|
French
|
|
gptkbp:musicComposer
|
gptkb:Georges_Auric
|
|
gptkbp:narrativeStyle
|
non-linear
|
|
gptkbp:notableFeature
|
twist ending
|
|
gptkbp:productionCompany
|
Cinédis
|
|
gptkbp:released
|
gptkb:France
|
|
gptkbp:releaseDate
|
1955-12-29
|
|
gptkbp:releaseFormat
|
theatrical
|
|
gptkbp:remake
|
Diabolique_(1996_film)
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:starring
|
gptkb:Paul_Meurisse
gptkb:Simone_Signoret
gptkb:Vera_Clouzot
|
|
gptkbp:theme
|
betrayal
murder
revenge
deception
guilt
|