Les Diaboliques

GPTKB entity

Statements (178)
Predicate Object
gptkbp:instance_of gptkb:TV_series
gptkb:novel
gptkb:film
gptkbp:adaptation gptkb:1955
gptkb:film
critically acclaimed.
commercially successful.
gptkbp:adapted_into gptkb:film
gptkbp:art_movement noir fiction
gptkbp:author gptkb:Boileau-Narcejac
gptkbp:awards gptkb:Cannes_Film_Festival_Award
gptkb:Best_Director
gptkb:Cannes_Film_Festival_Best_Director
Nominated for International Emmy Awards
gptkbp:based_on gptkb:novel
novel by Boileau-Narcejac
The Inhabitants of the Abyss
gptkbp:box_office $1.5 million
gptkbp:cast gptkb:Nicolas_Duvauchelle
gptkb:Olivier_Marchal
gptkb:Lucie_Lucas
gptkb:Marie_Gillain
gptkbp:character gptkb:Nicole
gptkb:Michel
gptkb:Christina
gptkbp:character_arc Christina's transformation.
Nicole's descent into madness.
gptkbp:character_development Christina evolves throughout the story.
Nicole's true nature is revealed.
gptkbp:character_relationships Christina and Nicole are lovers.
Christina is married to the victim.
gptkbp:cinematography gptkb:Armand_Thirard
gptkbp:climax the murder scene.
gptkbp:composer gptkb:Georges_Auric
gptkb:Melanie_Thierry
gptkbp:conflict internal conflict
external conflict
gptkbp:country gptkb:Monarch
gptkbp:created_by gptkb:Harlan_Coben
gptkbp:critical_reception Highly acclaimed
Positive
positive
highly acclaimed
gptkbp:cultural_impact Considered a classic
considered a classic
influenced filmmakers
gptkbp:cultural_references Referenced in various media.
referenced in various media.
Homaged in television.
Parodied in films.
gptkbp:directed_by gptkb:Henri-Georges_Clouzot
gptkbp:director gptkb:Martin_Scorsese
gptkb:David_Fincher
gptkb:Henri-Georges_Clouzot
gptkb:M._Night_Shyamalan
gptkbp:distributor gptkb:streaming_service
gptkbp:edited_by gptkb:Henri-Georges_Clouzot
gptkbp:editor gptkb:Marie-Pierre_Laffitte
gptkbp:film_festival gptkb:film_festival
gptkbp:film_score gptkb:Georges_Auric
Orchestral
gptkbp:filming_location gptkb:Saint-Maur-des-Fossés
gptkb:Monarch
gptkb:Paris
gptkbp:filmography gptkb:Les_Diaboliques_(1955_film)
gptkb:Expressionism
gptkb:Realism
gptkb:The_Sixth_Sense
gptkb:The_Others
gptkb:Henri-Georges_Clouzot
gptkb:Gone_Girl
Non-linear narrative
Black-and-white
Psychological horror
Twist ending
gptkbp:first_aired gptkb:2021
gptkbp:genre gptkb:Thriller
gptkb:High_School
gptkb:mythological_figure
gptkb:film
psychological thriller
gptkbp:home_media_release gptkb:DJ
gptkb:film
https://www.w3.org/2000/01/rdf-schema#label Les Diaboliques
gptkbp:influence gptkb:Psycho
gptkbp:influenced gptkb:film
psychological thrillers
subsequent thrillers.
gptkbp:influenced_artists gptkb:Alfred_Hitchcock
gptkbp:influenced_by gptkb:architect
gptkb:Alfred_Hitchcock
gptkb:Georges_Simenon
gptkbp:inspiration gptkb:Film_noir
gptkbp:inspired_by real-life events
Les Diaboliques (novel)
gptkbp:is_critical_for Examined for its feminist themes.
Analyzed for its visual style.
Studied for its narrative structure.
gptkbp:is_motivated_by gptkb:greed
gptkb:revenge
gptkbp:isbn 978-2-266-00000-0
gptkbp:language gptkb:French
gptkbp:legacy considered a classic.
Cited as a precursor to modern thrillers.
influenced modern crime fiction.
gptkbp:main_character gptkb:Nicole
gptkb:Christina
gptkbp:music_by gptkb:Georges_Auric
gptkbp:narrative_style third-person
unreliable narrator
foreshadowing
flashback
gptkbp:notable_appearance the final reveal
the bathtub scene
The bathtub scene
gptkbp:notable_character gptkb:Paul_Meurisse
gptkb:Simone_Signoret
gptkb:Vera_Clouzot
gptkbp:notable_for twist ending
gptkbp:notable_quote " What have we done?"
" It was all a dream"
" The perfect crime"
" You can't kill a man twice"
' The perfect crime is the one that is never discovered.'
gptkbp:number_of_episodes gptkb:6
gptkbp:number_of_seasons gptkb:musical
gptkbp:official_language gptkb:French
gptkbp:page_count 256
gptkbp:plot A wife and her lover conspire to murder her husband.
gptkbp:plot_summary A wife and her lover plot to murder her husband.
gptkbp:premiere_date October 8, 2021
gptkbp:premiered_on gptkb:film_festival
gptkbp:produced_by gptkb:Henri-Georges_Clouzot
gptkbp:production_company gptkb:streaming_service
gptkbp:published_by gptkb:1952
gptkb:Éditions_de_la_Table_Ronde
1951
gptkbp:reader_demographic creates suspense.
provokes moral questions.
gptkbp:related_to gptkb:Les_Diaboliques_(1955_film)
gptkbp:release_date gptkb:1955
gptkbp:release_format Theatrical
Streaming
gptkbp:release_region gptkb:Monarch
gptkbp:released_in gptkb:1955
gptkbp:remake gptkb:Diabolique_(1996)
gptkb:Diabolique_(1996_film)
gptkbp:resolution the aftermath of the murder.
gptkbp:runtime 117 minutes
gptkbp:screenings Restored versions
gptkbp:screenplay_by gptkb:Henri-Georges_Clouzot
gptkbp:set_in French boarding school
gptkbp:setting gptkb:Monarch
mid-20th century
A boarding school
gptkbp:starring gptkb:Paul_Meurisse
gptkb:Simone_Signoret
gptkb:Vera_Clouzot
gptkbp:symbolism gptkb:item
darkness
gptkbp:theme gptkb:betrayal
gptkb:Betrayal
gptkb:Deception
gptkb:mythological_figure
gptkb:Suspense
gptkb:Murder
gptkb:legal_case
gptkbp:themes gptkb:betrayal
gptkb:moral_ambiguity
gptkb:revenge
gptkb:military_operation
guilt
gptkbp:translated_into English
gptkbp:viewership Popular
gptkbp:writer gptkb:Harlan_Coben
gptkbp:bfsParent gptkb:Simone_Signoret
gptkb:Henri-Georges_Clouzot
gptkbp:bfsLayer 4