gptkbp:instance_of
|
gptkb:TV_series
gptkb:novel
gptkb:film
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gptkbp:adaptation
|
gptkb:1955
gptkb:film
critically acclaimed.
commercially successful.
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gptkbp:adapted_into
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gptkb:film
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gptkbp:art_movement
|
noir fiction
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gptkbp:author
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gptkb:Boileau-Narcejac
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gptkbp:awards
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gptkb:Cannes_Film_Festival_Award
gptkb:Best_Director
gptkb:Cannes_Film_Festival_Best_Director
Nominated for International Emmy Awards
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gptkbp:based_on
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gptkb:novel
novel by Boileau-Narcejac
The Inhabitants of the Abyss
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gptkbp:box_office
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$1.5 million
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gptkbp:cast
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gptkb:Nicolas_Duvauchelle
gptkb:Olivier_Marchal
gptkb:Lucie_Lucas
gptkb:Marie_Gillain
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gptkbp:character
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gptkb:Nicole
gptkb:Michel
gptkb:Christina
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gptkbp:character_arc
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Christina's transformation.
Nicole's descent into madness.
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gptkbp:character_development
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Christina evolves throughout the story.
Nicole's true nature is revealed.
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gptkbp:character_relationships
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Christina and Nicole are lovers.
Christina is married to the victim.
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gptkbp:cinematography
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gptkb:Armand_Thirard
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gptkbp:climax
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the murder scene.
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gptkbp:composer
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gptkb:Georges_Auric
gptkb:Melanie_Thierry
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gptkbp:conflict
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internal conflict
external conflict
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gptkbp:country
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gptkb:Monarch
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gptkbp:created_by
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gptkb:Harlan_Coben
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gptkbp:critical_reception
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Highly acclaimed
Positive
positive
highly acclaimed
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gptkbp:cultural_impact
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Considered a classic
considered a classic
influenced filmmakers
|
gptkbp:cultural_references
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Referenced in various media.
referenced in various media.
Homaged in television.
Parodied in films.
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gptkbp:directed_by
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gptkb:Henri-Georges_Clouzot
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gptkbp:director
|
gptkb:Martin_Scorsese
gptkb:David_Fincher
gptkb:Henri-Georges_Clouzot
gptkb:M._Night_Shyamalan
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gptkbp:distributor
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gptkb:streaming_service
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gptkbp:edited_by
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gptkb:Henri-Georges_Clouzot
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gptkbp:editor
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gptkb:Marie-Pierre_Laffitte
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gptkbp:film_festival
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gptkb:film_festival
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gptkbp:film_score
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gptkb:Georges_Auric
Orchestral
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gptkbp:filming_location
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gptkb:Saint-Maur-des-Fossés
gptkb:Monarch
gptkb:Paris
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gptkbp:filmography
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gptkb:Les_Diaboliques_(1955_film)
gptkb:Expressionism
gptkb:Realism
gptkb:The_Sixth_Sense
gptkb:The_Others
gptkb:Henri-Georges_Clouzot
gptkb:Gone_Girl
Non-linear narrative
Black-and-white
Psychological horror
Twist ending
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gptkbp:first_aired
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gptkb:2021
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gptkbp:genre
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gptkb:Thriller
gptkb:High_School
gptkb:mythological_figure
gptkb:film
psychological thriller
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gptkbp:home_media_release
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gptkb:DJ
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Diaboliques
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gptkbp:influence
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gptkb:Psycho
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gptkbp:influenced
|
gptkb:film
psychological thrillers
subsequent thrillers.
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gptkbp:influenced_artists
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gptkb:Alfred_Hitchcock
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gptkbp:influenced_by
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gptkb:architect
gptkb:Alfred_Hitchcock
gptkb:Georges_Simenon
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gptkbp:inspiration
|
gptkb:Film_noir
|
gptkbp:inspired_by
|
real-life events
Les Diaboliques (novel)
|
gptkbp:is_critical_for
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Examined for its feminist themes.
Analyzed for its visual style.
Studied for its narrative structure.
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gptkbp:is_motivated_by
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gptkb:greed
gptkb:revenge
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gptkbp:isbn
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978-2-266-00000-0
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gptkbp:language
|
gptkb:French
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gptkbp:legacy
|
considered a classic.
Cited as a precursor to modern thrillers.
influenced modern crime fiction.
|
gptkbp:main_character
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gptkb:Nicole
gptkb:Christina
|
gptkbp:music_by
|
gptkb:Georges_Auric
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gptkbp:narrative_style
|
third-person
unreliable narrator
foreshadowing
flashback
|
gptkbp:notable_appearance
|
the final reveal
the bathtub scene
The bathtub scene
|
gptkbp:notable_character
|
gptkb:Paul_Meurisse
gptkb:Simone_Signoret
gptkb:Vera_Clouzot
|
gptkbp:notable_for
|
twist ending
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gptkbp:notable_quote
|
" What have we done?"
" It was all a dream"
" The perfect crime"
" You can't kill a man twice"
' The perfect crime is the one that is never discovered.'
|
gptkbp:number_of_episodes
|
gptkb:6
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gptkbp:number_of_seasons
|
gptkb:musical
|
gptkbp:official_language
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gptkb:French
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gptkbp:page_count
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256
|
gptkbp:plot
|
A wife and her lover conspire to murder her husband.
|
gptkbp:plot_summary
|
A wife and her lover plot to murder her husband.
|
gptkbp:premiere_date
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October 8, 2021
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gptkbp:premiered_on
|
gptkb:film_festival
|
gptkbp:produced_by
|
gptkb:Henri-Georges_Clouzot
|
gptkbp:production_company
|
gptkb:streaming_service
|
gptkbp:published_by
|
gptkb:1952
gptkb:Éditions_de_la_Table_Ronde
1951
|
gptkbp:reader_demographic
|
creates suspense.
provokes moral questions.
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gptkbp:related_to
|
gptkb:Les_Diaboliques_(1955_film)
|
gptkbp:release_date
|
gptkb:1955
|
gptkbp:release_format
|
Theatrical
Streaming
|
gptkbp:release_region
|
gptkb:Monarch
|
gptkbp:released_in
|
gptkb:1955
|
gptkbp:remake
|
gptkb:Diabolique_(1996)
gptkb:Diabolique_(1996_film)
|
gptkbp:resolution
|
the aftermath of the murder.
|
gptkbp:runtime
|
117 minutes
|
gptkbp:screenings
|
Restored versions
|
gptkbp:screenplay_by
|
gptkb:Henri-Georges_Clouzot
|
gptkbp:set_in
|
French boarding school
|
gptkbp:setting
|
gptkb:Monarch
mid-20th century
A boarding school
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gptkbp:starring
|
gptkb:Paul_Meurisse
gptkb:Simone_Signoret
gptkb:Vera_Clouzot
|
gptkbp:symbolism
|
gptkb:item
darkness
|
gptkbp:theme
|
gptkb:betrayal
gptkb:Betrayal
gptkb:Deception
gptkb:mythological_figure
gptkb:Suspense
gptkb:Murder
gptkb:legal_case
|
gptkbp:themes
|
gptkb:betrayal
gptkb:moral_ambiguity
gptkb:revenge
gptkb:military_operation
guilt
|
gptkbp:translated_into
|
English
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gptkbp:viewership
|
Popular
|
gptkbp:writer
|
gptkb:Harlan_Coben
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gptkbp:bfsParent
|
gptkb:Simone_Signoret
gptkb:Henri-Georges_Clouzot
|
gptkbp:bfsLayer
|
4
|