|
gptkbp:instance_of
|
gptkb:Piano_Sonata
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Beethoven
|
|
gptkbp:analysis
|
Examined for its thematic development
Considered a masterpiece of the piano repertoire
Studied for its harmonic language
Discussed in music theory courses
|
|
gptkbp:characteristics
|
Emotional depth
Expressive melodies
Dynamic contrasts
Innovative structure
Technical challenges for pianists
|
|
gptkbp:composer
|
gptkb:Ludwig_van_Beethoven
|
|
gptkbp:cultural_impact
|
Influenced later piano compositions
|
|
gptkbp:dedication
|
gptkb:Archduke_Rudolf_of_Austria
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:filming_location
|
gptkb:Vienna
|
|
gptkbp:historical_context
|
Composed during Beethoven's middle period
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Adieux Sonata
|
|
gptkbp:influences
|
gptkb:award
|
|
gptkbp:inspiration
|
Inspired by personal relationships
Reflects Beethoven's emotional state
Symbolizes farewell and reunion themes
|
|
gptkbp:key
|
E-flat major
|
|
gptkbp:legacy
|
Studied in music conservatories
Part of the standard piano repertoire
Frequently performed in recitals
Analyzed in musicology
|
|
gptkbp:movement
|
gptkb:3
gptkb:Abschied_(The_Absence)
gptkb:Das_Wiedersehen_(The_Return)
Das Lebewohl (The Farewell)
|
|
gptkbp:music_style
|
Sonata form
|
|
gptkbp:notable_performers
|
gptkb:Lang_Lang
gptkb:Artur_Schnabel
gptkb:Mitsuko_Uchida
gptkb:Daniel_Barenboim
gptkb:Alfred_Brendel
gptkb:Yuja_Wang
gptkb:Emil_Gilels
|
|
gptkbp:notable_recordings
|
Multiple recordings available
|
|
gptkbp:opus_number
|
81a
|
|
gptkbp:performance
|
Commonly played in competitions
Varied interpretations by different pianists
Often included in piano exams
|
|
gptkbp:premiere_date
|
1810
|
|
gptkbp:publisher
|
Artaria
|
|
gptkbp:related_works
|
gptkb:Piano_Sonata_No._29
gptkb:Piano_Sonata_No._30
gptkb:Piano_Sonata_No._31
gptkb:Piano_Sonata_No._32
gptkb:Piano_Sonata_No._28
|
|
gptkbp:significance
|
One of Beethoven's important works
|
|
gptkbp:style
|
Classical
|
|
gptkbp:year_composed
|
1810
|