Statements (99)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Ludwig_van_Beethoven
gptkb:Beethoven gptkb:Sergei_Prokofiev gptkb:Pierre_Boulez |
| gptkbp:analysis |
Often analyzed in musicology
Commonly studied in music theory courses |
| gptkbp:character |
Introspective and complex
|
| gptkbp:composed_of |
gptkb:Ludwig_van_Beethoven
Available in various editions |
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:critical_reception |
Highly acclaimed by critics
|
| gptkbp:cultural_impact |
Influenced later composers
|
| gptkbp:cultural_significance |
Important in Western classical music
|
| gptkbp:dedicated_to |
gptkb:Archduke_Rudolf_of_Austria
|
| gptkbp:dedication |
gptkb:Count_Joseph_von_Erdödy
|
| gptkbp:depth |
Wide emotional range
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:first_performance |
1822
|
| gptkbp:form |
Sonata form
|
| gptkbp:genre |
Classical music
|
| gptkbp:historical_context |
Subject to various interpretations
Composed during Beethoven's late period |
| gptkbp:historical_significance |
Represents the culmination of Beethoven's piano writing.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Sonata No. 32
|
| gptkbp:influenced |
20th-century composers
piano sonata form |
| gptkbp:influenced_by |
gptkb:Friedrich_Gulda
Romantic music Beethoven's personal experiences |
| gptkbp:influences |
Romantic music
|
| gptkbp:inspiration |
Personal struggles of Beethoven
|
| gptkbp:inspired |
many contemporary composers
|
| gptkbp:is_analyzed_in |
musicologists
music theory courses its structural innovations |
| gptkbp:is_characterized_by |
emotional depth
use of silence complex harmonic language extreme technical demands |
| gptkbp:is_considered_as |
a significant contribution to piano literature
one of Beethoven's final works |
| gptkbp:is_discussed_in |
music literature
|
| gptkbp:is_featured_in |
piano recitals
|
| gptkbp:is_motivated_by |
Motivic transformation throughout the piece
|
| gptkbp:is_often_used_in |
piano competitions
advanced piano students |
| gptkbp:is_recognized_by |
Beethoven enthusiasts
|
| gptkbp:is_studied_in |
music conservatories
|
| gptkbp:key |
C minor
|
| gptkbp:legacy |
Considered a masterpiece of piano literature
|
| gptkbp:motif |
Recurring motifs in the first movement
|
| gptkbp:movement |
gptkb:Andante_sostenuto
gptkb:3 Maestoso – Allegro con brio ed appassionato Allegro, ma non troppo – Presto Allegro con brio ed appassionato |
| gptkbp:music_style |
Rich harmonic language
Three-movement structure Requires advanced piano technique |
| gptkbp:notable_for |
its introspective nature
complex counterpoint innovative structure its emotional contrasts its use of thematic transformation |
| gptkbp:notable_performers |
gptkb:Artur_Schnabel
gptkb:Mitsuko_Uchida gptkb:Daniel_Barenboim gptkb:Alfred_Brendel gptkb:Emil_Gilels |
| gptkbp:notable_recordings |
Multiple recordings available
Daniel Barenboim's recording Mitsuko Uchida's recording Vladimir Ashkenazy's recording Alfred Brendel's recording Artur Schnabel's recording Multiple notable recordings exist |
| gptkbp:opus_number |
gptkb:Op._111
111 |
| gptkbp:part_of |
gptkb:Beethoven's_late_piano_sonatas
Beethoven's piano sonatas |
| gptkbp:performance |
Varied interpretations by pianists
|
| gptkbp:performed_by |
Concert halls worldwide
major concert halls Many renowned pianists |
| gptkbp:published_by |
gptkb:Peters_Edition
1822 |
| gptkbp:record_label |
Various record labels
|
| gptkbp:significance |
gptkb:Last_piano_sonata_by_Beethoven
|
| gptkbp:style |
Classical music
Late Romantic |
| gptkbp:technique |
Advanced piano techniques used
|
| gptkbp:thematic_element |
Complex thematic development
|
| gptkbp:themes |
the opening motif
Contrasting themes throughout movements the energetic finale the lyrical second movement |
| gptkbp:year_composed |
1821
|