|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:The_Countess_in_Le_Nozze_di_Figaro
gptkb:Theatre_de_l'_Ambigu-Comique
|
|
gptkbp:activities
|
gptkb:4
four
|
|
gptkbp:adaptation
|
numerous adaptations in various media
|
|
gptkbp:based_on
|
La folle journée by Pierre Beaumarchais
Pierre Beaumarchais' play ' La folle journée, ou le Mariage de Figaro'
|
|
gptkbp:character
|
gptkb:Don_Basilio
gptkb:Countess_Almaviva
gptkb:Count
gptkb:memorial
gptkb:Marcellina
gptkb:Antonio
gptkb:Barbarina
gptkb:Bartolo
gptkb:Cherubino
gptkb:Susanna
Don Curzio
|
|
gptkbp:composer
|
gptkb:Wolfgang_Amadeus_Mozart
|
|
gptkbp:cultural_impact
|
influenced later operas
performed worldwide
considered one of the greatest operas
adapted into films
part of standard operatic repertoire
frequently staged
|
|
gptkbp:cultural_significance
|
part of the standard operatic repertoire
|
|
gptkbp:duration
|
approximately 3 hours
|
|
gptkbp:genre
|
comic opera
|
|
gptkbp:historical_significance
|
pivotal in the development of opera
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Le Nozze di Figaro
|
|
gptkbp:influence
|
influenced later operas
|
|
gptkbp:inspiration
|
inspired films and musicals
|
|
gptkbp:is_evaluated_by
|
widely praised by critics
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
remains a staple of opera houses
|
|
gptkbp:librettist
|
gptkb:Lorenzo_Da_Ponte
|
|
gptkbp:music_style
|
classical music
comic elements
vocal virtuosity
rich orchestration
dramatic tension
melodic beauty
|
|
gptkbp:notable_artists
|
gptkb:Thomas_Hampson
gptkb:Bryan_Hymel
gptkb:Ildebrando_D'_Arcangelo
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Joyce_Di_Donato
gptkb:Lucia_Popp
gptkb:Peter_Mattei
gptkb:Renée_Fleming
gptkb:Marina_Rebeka
gptkb:Matthew_Polenzani
|
|
gptkbp:notable_character
|
gptkb:Don_Basilio
gptkb:Count
gptkb:memorial
gptkb:Marcellina
gptkb:Antonio
gptkb:Bartolo
gptkb:Cherubino
gptkb:Susanna
Don Curzio
Countess Rosina
|
|
gptkbp:notable_conductors
|
gptkb:Riccardo_Muti
gptkb:Herbert_von_Karajan
gptkb:Gustavo_Dudamel
gptkb:Bernstein
gptkb:Carlos_Kleiber
|
|
gptkbp:notable_recordings
|
multiple recordings available
many famous recordings exist
|
|
gptkbp:notable_song
|
gptkb:Non_più_andrai
gptkb:Porgi,_amor
Dove sono i bei momenti
Voi che sapete
Porgi, amor, qualche ristoro
|
|
gptkbp:orchestration
|
gptkb:orchestra
|
|
gptkbp:performance
|
sung-through
|
|
gptkbp:premiere
|
1786
May 1, 1786
|
|
gptkbp:recorded_by
|
many recorded performances available
|
|
gptkbp:reunion
|
frequently revived worldwide
|
|
gptkbp:setting
|
gptkb:Seville,_Spain
|
|
gptkbp:thematic_element
|
gptkb:military_operation
love
class struggle
forgiveness
love and fidelity
deception and disguise
depicts the folly of the aristocracy
examines marital relationships
explores themes of social hierarchy
|