Properties (54)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
opera
|
| gptkbp:adaptation |
films, musicals, and plays
|
| gptkbp:affiliatedWith |
orchestra
|
| gptkbp:basedOn |
Le_Barbier_de_Séville_by_Pierre_Beaumarchais
|
| gptkbp:composer |
Gioachino Rossini
|
| gptkbp:culturalHeritage |
referenced in literature and film
|
| gptkbp:culturalImpact |
influenced many adaptations
|
| gptkbp:culturalSignificance |
one of the most performed operas
|
| gptkbp:famousPerson |
gptkb:Juan_Diego_Flórez
gptkb:David_Hockney gptkb:Zandra_Rhodes gptkb:Cecilia_Bartoli gptkb:Richard_Hudson Cesare Sterbini |
| gptkbp:famousRival |
gptkb:Renata_Tebaldi
gptkb:Luciano_Pavarotti Zitti, zitti, piano, piano finale is celebrated for its energy overture is widely recognized piano-vocal score available recitative sections are notable |
| gptkbp:filmography |
opera_buffa
|
| gptkbp:genre |
comic opera
|
| gptkbp:historicalContext |
reflects early 19th-century society
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Barber of Seville
|
| gptkbp:influenced |
inspired later operatic works
|
| gptkbp:language |
Italian
|
| gptkbp:notableEvent |
gptkb:Franco_Zeffirelli
gptkb:San_Francisco_Opera_production Royal_Opera_House_production Metropolitan_Opera_production Vienna_State_Opera_production Teatro_alla_Scala_production |
| gptkbp:notableFeature |
gptkb:Dr._Bartolo
gptkb:Figaro gptkb:Count_Almaviva Gustavo Dudamel Largo al factotum Rosina Dunque, io son giovane chorus of the opera is significant |
| gptkbp:notablePerson |
gptkb:Martha_Clarke
|
| gptkbp:numberOfStudents |
two
|
| gptkbp:performances |
performed worldwide
|
| gptkbp:premieredOn |
February 20, 1816
|
| gptkbp:recordings |
numerous recordings exist
|
| gptkbp:setting |
gptkb:Seville,_Spain
|
| gptkbp:thematicElement |
love and deception
explores themes of social class examines the nature of love depicts cleverness and wit highlights the role of deception showcases the importance of identity |
| gptkbp:type |
Cesare Sterbini
|