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gptkbp:instanceOf
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gptkb:play
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gptkbp:adaptation
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gptkb:Le_Mariage_de_Figaro_(1949_film)
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gptkbp:adaptedInto
|
gptkb:The_Marriage_of_Figaro_(opera)
|
|
gptkbp:author
|
gptkb:Pierre_Beaumarchais
|
|
gptkbp:bannedIn
|
France (initially)
|
|
gptkbp:character
|
gptkb:Antonio
gptkb:Basile
gptkb:Marceline
gptkb:Bartholo
gptkb:Brid'oison
gptkb:Cherubin
gptkb:Don_Guzman
gptkb:Fanchette
gptkb:Grippe-Soleil
Doublemain
|
|
gptkbp:composerOfOperaAdaptation
|
gptkb:Wolfgang_Amadeus_Mozart
|
|
gptkbp:countryOfOrigin
|
gptkb:France
|
|
gptkbp:firstPerformed
|
gptkb:Théâtre_Français,_Paris
1784
|
|
gptkbp:firstPublished
|
gptkb:Veuve_Duchesne
|
|
gptkbp:genre
|
gptkb:comedy
|
|
gptkbp:hasBalletAdaptation
|
gptkb:Le_Mariage_de_Figaro_(ballet)
|
|
gptkbp:hasOperaAdaptation
|
gptkb:The_Marriage_of_Figaro
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Le Mariage de Figaro
|
|
gptkbp:influenced
|
gptkb:French_Revolution
gptkb:The_Marriage_of_Figaro_(opera)
|
|
gptkbp:influencedBy
|
gptkb:The_Barber_of_Seville
|
|
gptkbp:librettistOfOperaAdaptation
|
gptkb:Lorenzo_Da_Ponte
|
|
gptkbp:literaryPeriod
|
gptkb:Enlightenment
|
|
gptkbp:mainCharacter
|
gptkb:Count_Almaviva
gptkb:Figaro
gptkb:Countess_Rosine
gptkb:Suzanne
|
|
gptkbp:notableFor
|
influence on French Revolution
critique of aristocracy
|
|
gptkbp:notablePerformance
|
gptkb:Comédie-Française,_Paris
|
|
gptkbp:notableQuote
|
Without the freedom to criticize, there is no true praise.
|
|
gptkbp:numberOfActs
|
5
|
|
gptkbp:originalLanguage
|
gptkb:French
|
|
gptkbp:period
|
18th century
|
|
gptkbp:prequel
|
gptkb:The_Guilty_Mother
|
|
gptkbp:publishedIn
|
1785
|
|
gptkbp:sequel
|
gptkb:The_Barber_of_Seville
|
|
gptkbp:setting
|
Count Almaviva's estate, near Seville, Spain
|
|
gptkbp:subject
|
deception
power dynamics
social class conflict
love and marriage
servant's cleverness
|
|
gptkbp:bfsParent
|
gptkb:Jean-Claude_Brialy
|
|
gptkbp:bfsLayer
|
6
|