La Société du spectacle
GPTKB entity
Statements (65)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:book
|
| gptkbp:adapted_into |
gptkb:theater
gptkb:film |
| gptkbp:author |
gptkb:Guy_Debord
|
| gptkbp:available_in |
digital format
|
| gptkbp:contains |
gptkb:historical_narratives
gptkb:historical_context cultural references case studies theoretical frameworks theoretical analysis philosophical arguments media analysis social critique political critique literary critiques cultural analysis aesthetic theory methodological approaches historical examples cultural critiques literary references sociological insights philosophical critiques sociopolitical analysis artistic references artistic critiques philosophical references political references conceptual discussions |
| gptkbp:critical_reception |
controversial
widely discussed academic interest |
| gptkbp:discusses |
alienation
consumerism capitalism spectacle society |
| gptkbp:first_edition |
gptkb:1967
|
| gptkbp:genre |
gptkb:philosophy
|
| https://www.w3.org/2000/01/rdf-schema#label |
La Société du spectacle
|
| gptkbp:impact |
cultural criticism
|
| gptkbp:influence |
gptkb:Situationist_International
|
| gptkbp:influenced |
gptkb:activists
gptkb:postmodernism gptkb:political_theory art movements |
| gptkbp:influenced_by |
gptkb:Marxism
gptkb:Dadaism gptkb:Surrealism |
| gptkbp:is_cited_in |
cultural theorists
|
| gptkbp:is_critiqued_by |
modernity
mass media |
| gptkbp:isbn |
978-2-86981-000-3
|
| gptkbp:language |
gptkb:French
|
| gptkbp:main_theme |
spectacle
|
| gptkbp:notable_quote |
“ All that was once directly lived has become mere representation.”
|
| gptkbp:page_count |
224
|
| gptkbp:published_year |
gptkb:1967
|
| gptkbp:publisher |
Buchet-Chastel
|
| gptkbp:related_to |
gptkb:The_Society_of_the_Spectacle
|
| gptkbp:subject |
media theory
|
| gptkbp:translated_into |
gptkb:Donald_Nicholson-Smith
English |
| gptkbp:bfsParent |
gptkb:The_Society_of_the_Spectacle
|
| gptkbp:bfsLayer |
6
|