The Society of the Spectacle
GPTKB entity
Statements (173)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:book
|
| gptkbp:adaptation |
gptkb:film_adaptation
|
| gptkbp:adaptations |
gptkb:film
|
| gptkbp:addresses |
consumer culture
the concept of authenticity the implications for democracy the role of images the commodification of life the implications for social change the crisis of representation the concept of the 'society of the spectacle' the implications for cultural production the implications of consumer culture the role of spectacle in shaping culture the role of spectacle in shaping identity |
| gptkbp:analyzes |
the nature of reality
the impact of social media social relations visual culture the impact of advertising the spectacle's role in politics spectacle as a social relation the relationship between spectacle and capitalism the relationship between spectacle and identity the relationship between spectacle and technology the spectacle in politics the effects of media on perception the impact of the spectacle on consciousness the relationship between society and images the spectacle's role in social control |
| gptkbp:argued_on |
the role of images
|
| gptkbp:associated_with |
Guy Debord's theories
Guy Debord's philosophy |
| gptkbp:author |
gptkb:Guy_Debord
|
| gptkbp:available_in |
multiple languages
multiple editions multiple formats |
| gptkbp:contains |
theoretical analysis
theses critique of consumerism theory of society 11 theses |
| gptkbp:country |
gptkb:France
|
| gptkbp:critical_reception |
controversial
widely discussed |
| gptkbp:criticism |
modern society
modernity mass media capitalist society spectacular capitalism |
| gptkbp:discusses |
gptkb:media
gptkb:media_representation alienation the nature of reality consumerism capitalism consumer culture the concept of authenticity the impact of social media the role of technology social relations the role of the viewer the impact of advertising media and representation the spectacle of everyday life media and consumerism the nature of social reality the commodification of life spectacle in society the role of spectacle in protest movements the spectacle in art the spectacle in education the spectacle in sports the spectacle of war the implications of consumerism |
| gptkbp:examines |
gptkb:public_space
alienation the role of technology the role of the viewer the impact of advertising the commodification of culture the spectacle of everyday life the transformation of public discourse the relationship between spectacle and power the impact of the internet spectacle in society the spectacle's effects the spectacle's implications for democracy the impact of visual media the impact of spectacle on social movements |
| gptkbp:explores |
alienation
capitalism visual culture the relationship between spectacle and ideology the relationship between spectacle and power the relationship between society and spectacle the role of spectacle in consumer behavior the role of spectacle in entertainment the role of spectacle in globalization the concept of spectacle the implications of spectacle for politics |
| gptkbp:first_edition |
1967 edition
|
| gptkbp:genre |
gptkb:philosophy
|
| gptkbp:has_influence_on |
art and literature
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Society of the Spectacle
|
| gptkbp:impact |
gptkb:Situationist_International
cultural criticism |
| gptkbp:influenced |
gptkb:activists
gptkb:postmodernism gptkb:Situationist_International gptkb:social_movements art and literature critical theory cultural studies art movements media studies philosophical discourse postmodern theory philosophy of technology sociology. |
| gptkbp:influenced_by |
gptkb:Marxism
|
| gptkbp:is_acclaimed_for |
for its insights
|
| gptkbp:is_analyzed_in |
cultural criticism
|
| gptkbp:is_available_in |
multiple formats
|
| gptkbp:is_cited_in |
media studies
various scholars various academic works cultural critics |
| gptkbp:is_considered |
a seminal work
a critique of modern society a critique of visual culture a foundational text of the Situationist movement |
| gptkbp:is_critiqued_by |
various theorists
|
| gptkbp:is_discussed_in |
philosophy of technology
|
| gptkbp:is_examined_in |
media theory
|
| gptkbp:is_influential_in |
gptkb:political_theory
|
| gptkbp:is_notable_for |
its radical ideas
|
| gptkbp:is_often_discussed_in |
sociology courses
|
| gptkbp:is_part_of |
critical theory
theory of the spectacle |
| gptkbp:is_referenced_in |
various academic works
|
| gptkbp:is_related_to |
the concept of the spectacle
|
| gptkbp:is_studied_in |
cultural studies
|
| gptkbp:isbn |
978-0-87286-177-2
|
| gptkbp:language |
gptkb:French
|
| gptkbp:main_theme |
spectacle
|
| gptkbp:notable_feature |
spectacle
the spectacle |
| gptkbp:notable_quote |
“ In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles.”
“ All that was once directly lived has become mere representation.” |
| gptkbp:pages |
192
224 |
| gptkbp:published_in |
gptkb:1967
gptkb:France gptkb:Paris |
| gptkbp:published_year |
gptkb:1967
gptkb:1973 |
| gptkbp:publisher |
Buchet-Chastel
|
| gptkbp:related_to |
gptkb:Situationist_International
gptkb:society cultural studies spectacle society |
| gptkbp:related_works |
Comments on the Society of the Spectacle
|
| gptkbp:title |
gptkb:La_Société_du_spectacle
|
| gptkbp:translated_into |
gptkb:Donald_Nicholson-Smith
English |
| gptkbp:bfsParent |
gptkb:The_Work_of_Art_in_the_Age_of_Mechanical_Reproduction
gptkb:Jean_Baudrillard gptkb:Catherine_Mayer gptkb:Situationist_International gptkb:The_Situationist_International gptkb:Situationism |
| gptkbp:bfsLayer |
5
|