Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:literary_work
|
| gptkbp:adaptations |
gptkb:video_games
gptkb:films gptkb:opera plays |
| gptkbp:author |
gptkb:Dante_Alighieri
|
| gptkbp:critical_reception |
considered a masterpiece
translated into many languages recognized as a foundational text of Italian literature |
| gptkbp:cultural_impact |
inspired numerous adaptations
influenced art and music studied in literature courses |
| gptkbp:cultural_significance |
celebrated in festivals and events
national epic of Italy influenced the development of the Italian language |
| gptkbp:first_cantica |
gptkb:Inferno
|
| gptkbp:genre |
gptkb:poetry
|
| gptkbp:historical_context |
gptkb:Middle_Ages
gptkb:Italian_Renaissance |
| https://www.w3.org/2000/01/rdf-schema#label |
La Commedia
|
| gptkbp:influence |
gptkb:Christian_theology
Scholasticism Aristotelian philosophy |
| gptkbp:influenced |
Western literature
|
| gptkbp:is_divided_into |
three canticas
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:legacy |
inspired literary movements
studied by scholars worldwide remains relevant in contemporary discussions of morality and ethics |
| gptkbp:narrative |
first-person
|
| gptkbp:notable_characters |
gptkb:Dante
gptkb:Beatrice gptkb:Virgil |
| gptkbp:notable_quote |
“ The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis.”
“ Abandon all hope, ye who enter here.” |
| gptkbp:published |
1320
|
| gptkbp:second_cantica |
gptkb:Purgatorio
|
| gptkbp:setting |
the afterlife
|
| gptkbp:style |
terza rima
|
| gptkbp:symbolism |
the journey
light and darkness the number three |
| gptkbp:themes |
morality
redemption divine justice |
| gptkbp:third_cantica |
gptkb:Paradiso
|
| gptkbp:bfsParent |
gptkb:Louis_Andriessen
|
| gptkbp:bfsLayer |
5
|