|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Love_for_Kyo
gptkb:No_One_Is_Innocent
|
|
gptkbp:awards
|
Best Director at Cannes
|
|
gptkbp:based_on
|
true story
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:broadcasting_rights
|
in several countries
|
|
gptkbp:cinematography
|
gptkb:battle
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:cultural_impact
|
controversial film
|
|
gptkbp:depicts
|
power dynamics in relationships
obsessive love
sexual obsession
|
|
gptkbp:directed_by
|
gptkb:Nagisa_Oshima
|
|
gptkbp:distributor
|
gptkb:Toho
|
|
gptkbp:editor
|
gptkb:battle
|
|
gptkbp:features
|
sexual violence
graphic nudity
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
gptkb:battle
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
L' Empire des Sens
|
|
gptkbp:influenced
|
gptkb:battle
gptkb:film
erotic films
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
gptkb:Japanese_New_Wave
|
|
gptkbp:inspired
|
academic discussions
other filmmakers
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
gptkb:film
|
|
gptkbp:is_evaluated_by
|
gptkb:battle
|
|
gptkbp:is_worshipped_by
|
gptkb:battle
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:music_by
|
gptkb:Tōru_Takemitsu
|
|
gptkbp:notable_appearance
|
the final scene
the ending
the love scenes
|
|
gptkbp:notable_for
|
explicit sexual content
|
|
gptkbp:produced_by
|
gptkb:Tōru_Takemitsu
|
|
gptkbp:release_date
|
May 1976
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:runtime
|
105 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Nagisa_Oshima
|
|
gptkbp:set_in
|
gptkb:Japan
|
|
gptkbp:soundtrack
|
gptkb:battle
|
|
gptkbp:starring
|
gptkb:Tatsuya_Fuji
gptkb:Aiko_Nagayama
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:cemetery
sexuality
desire
taboos
|