|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
Best Director at Cannes Film Festival
|
|
gptkbp:character_development
|
Minimal dialogue
Ambiguous characters
Focus on visual storytelling
|
|
gptkbp:cinematography
|
gptkb:Giuseppe_Rotunno
Symbolic imagery
Use of light and shadow
Long takes
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
Highly acclaimed
|
|
gptkbp:cultural_impact
|
Influenced modern cinema
|
|
gptkbp:director
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:distributor
|
Cineriz
|
|
gptkbp:editor
|
Franco Arcalli
|
|
gptkbp:film_series
|
gptkb:Antonioni_Trilogy
|
|
gptkbp:followed_by
|
gptkb:The_Red_Desert
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:Streaming_services
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
L' Eclisse
|
|
gptkbp:influenced_artists
|
gptkb:Author
gptkb:Film_Director
Visual artists
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:Monarch
|
|
gptkbp:influences
|
Existentialism
|
|
gptkbp:inspiration
|
The novel by Antonioni
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:music
|
gptkb:Giovanni_Fusco
|
|
gptkbp:notable_appearance
|
The final scene
The apartment scene
The train station scene
|
|
gptkbp:plot
|
A woman's romantic entanglement in a modern city.
A woman ends a relationship and struggles to find meaning in her life.
|
|
gptkbp:production_company
|
gptkb:Cinematografica_Associati
|
|
gptkbp:release_date
|
gptkb:1962
|
|
gptkbp:release_region
|
gptkb:Italy
|
|
gptkbp:release_year
|
gptkb:1962
|
|
gptkbp:remake
|
gptkb:None
|
|
gptkbp:runtime
|
126 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:setting
|
gptkb:Rome
|
|
gptkbp:starring
|
gptkb:Alain_Delon
gptkb:Monica_Vitti
|
|
gptkbp:themes
|
gptkb:Love
Existence
Alienation
Disconnection
|
|
gptkbp:bfsParent
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:bfsLayer
|
4
|