Statements (686)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:band
gptkb:project gptkb:musical_group gptkb:brand gptkb:film |
| gptkbp:active_years |
1987-1992
|
| gptkbp:active_years_end |
gptkb:1992
|
| gptkbp:active_years_start |
gptkb:1987
|
| gptkbp:album |
gptkb:Space
gptkb:Chill_Out gptkb:The_KLF:_1987-1992 gptkb:The_White_Room gptkb:The_Black_Room gptkb:The_KLF |
| gptkbp:associated_act |
gptkb:The_Black_Room
gptkb:The_K_Foundation gptkb:The_Timelords gptkb:The_Orb gptkb:The_KLF_Communications gptkb:Bill_Drummond gptkb:Jimmy_Cauty gptkb:The_Justified_Ancients_of_Mu_Mu The KLF's The Manual The KLF's alter ego |
| gptkbp:associated_acts |
gptkb:The_Timelords
gptkb:The_Justified_Ancients_of_Mu_Mu |
| gptkbp:associated_with |
gptkb:acid_house
gptkb:The_K_Foundation gptkb:music_video gptkb:performance_art gptkb:conceptual_art House music Techno ambient music British pop culture house music rave culture techno cultural commentary cultural critique avant-garde art cultural phenomena the 1990s music scene ambient house Ambient house the British music scene the rave culture the acid house movement the concept of 'the music industry' |
| gptkbp:award |
gptkb:Ivor_Novello_Award
gptkb:BRIT_Award_for_Best_British_Group |
| gptkbp:awards |
gptkb:Ivor_Novello_Award
gptkb:BRIT_Award_for_Best_British_Group gptkb:BAFTA_Awards gptkb:BRIT_Award_for_Best_British_Dance_Act NME Award for Best Single |
| gptkbp:captures |
KLF's performances
|
| gptkbp:collaborated_with |
gptkb:Extreme_Noise_Terror
gptkb:Tammy_Wynette gptkb:The_K_Foundation gptkb:Black_Steel gptkb:The_Orb gptkb:Bill_Drummond gptkb:Jimmy_Cauty gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:The_Black_Angels visual artists The Children of the Revolution |
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:created |
gptkb:The_Manual
gptkb:K_Foundation gptkb:The_KLF_Communications interactive experiences The KLF's legacy The KLF's artistic vision K Foundation Art Awards K Foundation's ' The KLF: The Manual' The KLF's mythology The KLF's artistic identity |
| gptkbp:cultural_impact |
1990s music scene
British pop culture Influence on pop culture influenced electronic music Influence on music industry influenced pop culture influenced pop music Impact on the music industry Influence on the music industry Influence on performance art inspired other artists referenced in media Influence on music videos Influence on marketing strategies music industry practices Influence on electronic music influenced rave culture influenced music marketing Legacy in electronic music influenced electronic music scene influenced the music industry known for controversial performances Influence on rave culture known for their eclectic style influenced the rave culture influenced the rave scene art and music crossover pioneered sampling in music known for their art projects known for their media hoaxes known for their unique marketing strategies known for their use of pseudonyms known for their visual aesthetics influenced art and performance known for their art pranks Influence on the concept of anonymity in music. Influence on the concept of the artist's brand Influence on the rave culture Influence on the use of sampling in music |
| gptkbp:cultural_references |
Sampled in various songs
Subject of academic studies Referenced in films and TV shows Inspired books and articles Influenced visual artists |
| gptkbp:developed_by |
artistic identity
|
| gptkbp:directed_by |
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty |
| gptkbp:disbanded |
gptkb:1992
|
| gptkbp:disbandment_date |
gptkb:1992
|
| gptkbp:discusses |
artistic philosophy of KLF
|
| gptkbp:distributor |
gptkb:KLF_Communications
|
| gptkbp:documentary |
gptkb:The_KLF:_The_Movie
Who Killed the KLF? KLF: The Documentary The KLF: How to Be a Millionaire The KLF: The Incomplete History of the KLF. |
| gptkbp:engaged_in |
film production
|
| gptkbp:explores |
the music industry
|
| gptkbp:famous_for |
gptkb:The_K_Foundation
gptkb:the_K_Foundation gptkb:The_Justified_Ancients_of_Mu_Mu live performances music videos controversial performances Controversial performances Innovative music videos artistic statements using samples burning a million pounds the KLF logo the KLF's use of irony the KLF's use of samples burning one million pounds the KLF's unique blend of music and art the KLF's ' The Manual' book the KLF's live shows Burning a million pounds the K Foundation's art projects their controversial performances their use of sampling burning £1 million their eclectic style the burning of £1 million their public stunts their use of samples their visual art the KLF's innovative marketing strategies the KLF's public persona the KLF's controversial performances the use of the phrase ' The KLF' in their performances creating the K Foundation the KLF's artistic collaborations the KLF's artistic statements the KLF's commentary on capitalism the KLF's contribution to the acid house movement the KLF's controversial statements the KLF's critique of the music industry the KLF's engagement with social issues the KLF's engagement with the art world the KLF's engagement with the media the KLF's experimentation with sound the KLF's exploration of fame and celebrity the KLF's exploration of identity the KLF's exploration of multimedia art the KLF's impact on the UK music scene the KLF's impact on the rave culture the KLF's incorporation of humor in performances the KLF's influence on electronic dance music the KLF's influence on later artists the KLF's influence on music videos the KLF's innovative sound design the KLF's interaction with the audience the KLF's legacy in electronic music the KLF's legacy in performance art the KLF's legacy in pop culture the KLF's role in the development of ambient music the KLF's role in the evolution of rave music the KLF's theatrical performances the KLF's use of anonymity the KLF's use of performance art the KLF's use of slogans the KLF's use of technology in music the KLF's use of visuals in performances the ' Chill Out' album cover the ' Justified & Ancient' music video the ' KLF: 3 a.m. Eternal' video single the ' KLF: Justified & Ancient' video single the ' KLF: Last Train to Trancentral' video single the ' KLF: The Movie' documentary the ' KLF: The White Room' video album the ' KLF: What Time Is Love?' video single the ' Last Train to Trancentral' music video the ' The White Room' film The KLF's unique blend of genres Their artistic statements Their conceptual approach to music Their controversial performances Their critique of the music industry Their cultural commentary Their eclectic style Their exploration of fame and success Their impact on the rave culture Their influence on future artists Their innovative marketing strategies Their legacy in the music industry Their memorable live performances Their use of humor in music Their use of pseudonyms Their use of sampling |
| gptkbp:famous_song |
gptkb:Last_Train_to_Trancentral_(Live_from_the_Lost_Continent)
gptkb:The_White_Room gptkb:No_Limit gptkb:America:_What_Time_Is_Love? gptkb:Justified_and_Ancient gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? Chill Out (album) Justified & Ancient (Stand by the Jams) The KLF -3 a.m. Eternal (Live at the S. S. L.) Justified and Ancient (feat. Tammy Wynette) The KLF -3 a.m. Eternal (Live at the BRITs) |
| gptkbp:featured_in |
live performances
|
| gptkbp:features |
archival footage
music by KLF |
| gptkbp:follows |
KLF's music career
|
| gptkbp:formed |
gptkb:1987
gptkb:1988 |
| gptkbp:founded |
gptkb:1987
gptkb:K_Foundation gptkb:The_Justified_Ancients_of_Mu_Mu |
| gptkbp:founded_by |
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty |
| gptkbp:genre |
gptkb:dance
gptkb:Pop gptkb:electronic gptkb:acid_house gptkb:House gptkb:documentary Electronic Techno ambient music electronic music pop pop music dance music experimental music ambient house music techno |
| gptkbp:has_awards |
nominations at various film festivals
Best Documentary at the UK Music Video Awards |
| gptkbp:has_cameo |
various celebrities
|
| gptkbp:has_genre |
gptkb:acid_house
ambient music electronic music |
| gptkbp:has_label |
gptkb:The_KLF
Kopyright Liberation Front |
| gptkbp:has_member |
gptkb:Rickie_Lee_Jones
gptkb:Bill_Drummond gptkb:Jimmy_Cauty The KLF Choir |
| gptkbp:has_soundtrack |
gptkb:The_KLF:_The_White_Room
|
| gptkbp:has_theme |
cultural commentary
anti-commercialism |
| gptkbp:has_website |
http://www.theklf.com
|
| gptkbp:hit_single |
gptkb:Justified_&_Ancient
gptkb:Justified_and_Ancient gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? |
| https://www.w3.org/2000/01/rdf-schema#label |
KLF
|
| gptkbp:includes |
interviews with KLF members
|
| gptkbp:influenced |
gptkb:Underworld
gptkb:Daft_Punk gptkb:Moby gptkb:Sasha gptkb:The_Prodigy gptkb:The_Chemical_Brothers gptkb:Calvin_Harris gptkb:Aphex_Twin gptkb:performance_art gptkb:Fatboy_Slim gptkb:The_Orb gptkb:conceptual_art gptkb:installation_art gptkb:Orbital Electronic music Pop music Dance music House music Ambient music ambient music electronic music electronic dance music pop music art installations dance music music videos techno music future generations of artists house music cultural commentary electronic music artists artistic movements Techno music Big Beat Pop music artists satirical music pop music artists Electronic music artists dance music artists Rave music the rave culture the rave scene later electronic artists the acid house movement |
| gptkbp:influenced_by |
gptkb:The_Prodigy
gptkb:The_Sex_Pistols gptkb:The_Clash gptkb:The_Chemical_Brothers gptkb:The_Beatles gptkb:Public_Enemy gptkb:The_Orb gptkb:punk_rock gptkb:Kraftwerk hip hop pop music new wave house music avant-garde art |
| gptkbp:inspired |
gptkb:Various_artists
gptkb:The_K_Foundation gptkb:filmmakers gptkb:KLF_Communications gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:music_production gptkb:performers gptkb:Writer music critics Music festivals music festivals Art movements academic studies art installations music genres DJ culture visual artists fan communities other artists artistic movements cultural commentators electronic artists Electronic music evolution later electronic artists books about their philosophy documentaries about their work future multimedia artists |
| gptkbp:is_available_on |
gptkb:DVD
gptkb:streaming_platforms |
| gptkbp:is_challenged_by |
traditional music formats
|
| gptkbp:is_cited_in |
music history discussions
academic studies on music and culture analyses of performance art. books about music marketing documentaries about the 90s music scene |
| gptkbp:is_explored_in |
gptkb:conceptual_art
gptkb:identity authenticity commercialism cultural commentary the role of the artist the nature of fame the relationship between art and commerce |
| gptkbp:is_incorporated_in |
gptkb:performance_art
|
| gptkbp:is_known_for |
combining music and visual art
|
| gptkbp:is_notable_for |
burning a million pounds
the use of pseudonyms their controversial performances their unique marketing strategies the blending of music and art |
| gptkbp:is_part_of |
KLF's multimedia project
|
| gptkbp:known_for |
gptkb:Chill_Out
gptkb:The_White_Room gptkb:acid_house gptkb:performance_art gptkb:Justified_&_Ancient gptkb:the_K_Foundation gptkb:3_a.m._Eternal gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:conceptual_art gptkb:music ambient music electronic music live performances music videos their music videos controversial statements controversial performances their unique sound Innovative music videos provocative performances ambient house their cultural significance their innovative music videos their use of humor their iconic imagery their anonymity their live performances burning a million pounds the KLF logo their memorable performances their DIY ethic their use of humor in music their artistic vision their influence on pop culture Burning a million pounds their controversial performances their enigmatic public persona their unique marketing strategies their use of pseudonyms their cultural commentary the song '3 a.m. Eternal' mixing music with art their controversial statements their enigmatic persona their innovative marketing strategies their eclectic style artistic pranks their anti-commercial stance their artistic collaborations their artistic statements their impact on the rave scene their legacy in pop culture their legacy in the 90s music scene their multimedia projects their use of samples controversial publicity stunts the song ' Last Train to Trancentral' their collaborations with other artists their legacy in electronic music their use of visual art their provocative statements about the music industry the song ' Justified & Ancient' their live shows their satirical approach their experimental sound their contribution to the acid house movement their impact on the 90s music scene their influence on future generations of musicians their innovative approach to music distribution their legacy in the music industry their memorable live performances their unique soundscapes their use of technology in music production the use of samples their critique of the music industry their experimental approach their impact on future artists their influence on electronic music history The KLF's eclectic style The KLF's impact on music history The KLF's innovative approach The KLF's provocative nature The KLF's unique branding Conceptual art projects |
| gptkbp:label |
gptkb:Elektra_Records
gptkb:KLF_Communications |
| gptkbp:language |
English
|
| gptkbp:legacy |
Cult following
inspiration for artists cult following iconic status controversial reputation Innovative marketing strategies Conceptual art in music Artistic statements Pioneers of sampling discussion on art and commerce |
| gptkbp:live_performance |
gptkb:The_White_Room
gptkb:The_Black_Room The KLF's 1992 Brit Awards performance The KLF's 1990 performance at the London Astoria The KLF's 1991 performance at the Glasgow Green The KLF's 1991 performance at the Reading Festival The KLF's 1992 tour The KLF's performance at the 1991 BRIT Awards The KLF's performance at the 1991 Reading Festival The KLF's performance at the 1990 Glastonbury Festival The KLF's performance at the 1992 KLF concert in Liverpool The KLF's 1992 performance at the Stonehenge Festival The KLF's 1992 performance at the Wembley Arena The KLF's 1991 performance at the Glastonbury Festival |
| gptkbp:members |
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty |
| gptkbp:merged_with |
music and technology
|
| gptkbp:music_style |
gptkb:acid_house
surrealism experimental techno narrative-driven ambient house |
| gptkbp:music_video |
gptkb:Justified_&_Ancient
gptkb:Justified_and_Ancient gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? |
| gptkbp:music_video_director |
gptkb:John_Mc_Hugh
|
| gptkbp:notable_album |
gptkb:Chill_Out
gptkb:The_KLF:_The_Singles_1988-1991 gptkb:The_KLF:_1987-1992 gptkb:The_White_Room gptkb:The_Black_Room gptkb:The_KLF Live at the S. S. Great Britain The KLF: The Best of KLF The KLF: The Complete Works The KLF: The White Room (soundtrack) |
| gptkbp:notable_collaborations |
gptkb:Tammy_Wynette
gptkb:The_Orb gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:The_Black_Angels |
| gptkbp:notable_event |
gptkb:The_K_Foundation_Awards
The KLF's 1992 BRIT Awards performance Burning a million pounds 1992 BRIT Awards performance K Foundation's art award K Foundation's burning of money KLF's disappearance from the music scene The KLF burned a million pounds The KLF's 1992 tour The KLF's performance at the BRIT Awards The KLF's 1991 ' Chill Out' tour The KLF's 1991 '3 a.m. Eternal' single release The KLF's 1991 performance at the BRIT Awards The KLF's 1992 ' The K Foundation' art project The KLF's 1992 ' The White Room' film The KLF's 1992 ' America: What Time Is Love?' single release The KLF's 1991 ' Last Train to Trancentral' single release The KLF's 1991 ' Justified and Ancient' single release |
| gptkbp:notable_member |
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty |
| gptkbp:notable_members |
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty |
| gptkbp:notable_performance |
gptkb:The_BRIT_Awards_1992
The KLF's performance with a live sheep The KLF's performance at the BRIT Awards The KLF's 1991 performance at the Glastonbury Festival The KLF's 1991 performance at the Glasgow Royal Concert Hall The KLF's 1992 performance at the Brit Awards The KLF's 1992 performance at the London Arena The KLF's performance at the 1992 BRIT Awards |
| gptkbp:notable_singles |
gptkb:3_a.m._Eternal
gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? |
| gptkbp:notable_song |
gptkb:Last_Train_to_Trancentral_(Live_from_the_Lost_Continent)
gptkb:What_Time_Is_Love?_(Live_at_the_S._S._L.) gptkb:The_KLF_-Justified_&_Ancient_(Stand_by_the_JAMs) gptkb:The_KLF_-The_White_Room gptkb:The_KLF gptkb:It's_Grim_Up_North gptkb:America:_What_Time_Is_Love? gptkb:Justified_&_Ancient gptkb:Justified_and_Ancient gptkb:Kylie_Said_to_Jason gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:What_Time_Is_Love? 3 a.m. Eternal (Live at the S. S. L.) Chill Out (album) The KLF -The White Room (album) 3 a.m. Eternal (Live at the BRITs) Justified and Ancient (Stand by the JAMs) |
| gptkbp:notable_work |
gptkb:Chill_Out
gptkb:The_White_Room gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral |
| gptkbp:origin |
gptkb:England
gptkb:Liverpool,_England gptkb:Scotland |
| gptkbp:performance |
gptkb:1992
|
| gptkbp:performance_style |
live shows
multimedia presentations |
| gptkbp:performed_at |
gptkb:Glastonbury_Festival
gptkb:Glasgow's_Barrowland_Ballroom gptkb:The_BRIT_Awards_1992 gptkb:Reading_Festival gptkb:The_Royal_Albert_Hall gptkb:Glasgow_Green gptkb:The_BRIT_Awards gptkb:1992_BRIT_Awards |
| gptkbp:performed_in |
The KLF's last performance
Live at the S. S. Great Britain the 1991 K Foundation awards the Brit Awards 1992 |
| gptkbp:philosophy |
the nature of reality
anti-commercialism art as a business the absurdity of fame |
| gptkbp:premiered_on |
gptkb:London_Film_Festival
|
| gptkbp:previous_album |
gptkb:The_White_Room
gptkb:The_KLF gptkb:America:_What_Time_Is_Love? |
| gptkbp:produced |
music videos
audio-visual works |
| gptkbp:produced_by |
gptkb:KLF_Communications
|
| gptkbp:record_label |
gptkb:KLF_Communications
Eternal Records |
| gptkbp:released |
gptkb:The_White_Room_(film)
gptkb:Chill_Out gptkb:The_KLF:_1987-1992 gptkb:The_White_Room gptkb:The_KLF gptkb:The_KLF:_1987-1991 gptkb:The_KLF:_The_Manual multimedia projects |
| gptkbp:released_as_single |
gptkb:America:_What_Time_Is_Love?
gptkb:Justified_&_Ancient gptkb:Justified_and_Ancient gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? |
| gptkbp:released_in |
gptkb:1991
|
| gptkbp:research |
sound installations
|
| gptkbp:reunion |
gptkb:2017
gptkb:2021 |
| gptkbp:runtime |
60 minutes
|
| gptkbp:single |
gptkb:Justified_&_Ancient
gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? |
| gptkbp:slogan |
Burn a Million.
The KLF is a band. The KLF is dead The KLF will not be performing live again. We don't want to be famous. |
| gptkbp:style |
gptkb:acid_house
avant-garde postmodern satirical provocative |
| gptkbp:uses |
gptkb:digital_media
gptkb:visual_arts multimedia sampled music |
| gptkbp:utilized |
gptkb:digital_media
gptkb:video_art live performances collaborative projects social commentary social media for promotion cross-genre experimentation publicity stunts media manipulation |
| gptkbp:website |
klf.de
http://www.theklf.com klf.com |
| gptkbp:won |
gptkb:BAFTA_Awards
|
| gptkbp:won_award |
gptkb:Brit_Award_for_Best_British_Group
gptkb:Ivor_Novello_Award gptkb:BRIT_Award_for_Best_British_Group gptkb:BAFTA_Awards |
| gptkbp:year_created |
gptkb:1987
|
| gptkbp:bfsParent |
gptkb:Kaluga_Airport
gptkb:Kaluga_Grabtsevo_Airport gptkb:The_Orb |
| gptkbp:bfsLayer |
5
|