|
gptkbp:instance_of
|
gptkb:music_video
gptkb:song
|
|
gptkbp:album
|
gptkb:The_White_Room
|
|
gptkbp:artist
|
gptkb:The_KLF
|
|
gptkbp:artistic_influence
|
90s culture.
90s music videos.
|
|
gptkbp:artistic_legacy
|
Enduring popularity.
|
|
gptkbp:associated_act
|
gptkb:The_KLF
gptkb:The_Justified_Ancients_of_Mu_Mu
|
|
gptkbp:awards
|
gptkb:N/_A
NME Award for Best Single
N/ A.
|
|
gptkbp:b-side
|
The KLF -Last Train to Trancentral
|
|
gptkbp:chart_performance
|
Top 10 in several countries
international success
|
|
gptkbp:chart_position
|
gptkb:1
#1 in the UK Singles Chart
#1 in UK Singles Chart
|
|
gptkbp:choreography
|
Minimal.
|
|
gptkbp:cinematography
|
John Mc Hugh.
|
|
gptkbp:cover_version
|
covered by various artists
|
|
gptkbp:cultural_impact
|
Influenced electronic music
Sampled in various songs
Influenced electronic music.
significant in the 90s music scene
|
|
gptkbp:cultural_references
|
referenced in popular culture
Referenced in films and TV shows
Southern United States.
Tammy Wynette.
|
|
gptkbp:cultural_significance
|
Iconic in 90s music.
Iconic in the 90s music scene
|
|
gptkbp:featured_artist
|
gptkb:Tammy_Wynette
Tammy Wynette.
|
|
gptkbp:featured_in
|
various compilations
music documentaries
|
|
gptkbp:features
|
gptkb:Tammy_Wynette
|
|
gptkbp:film_editing
|
John Mc Hugh.
|
|
gptkbp:genre
|
Electronic
|
|
gptkbp:has_cameo
|
Tammy Wynette.
|
|
gptkbp:historical_legacy
|
Influence on pop culture.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Justified and Ancient
|
|
gptkbp:influenced
|
subsequent music trends
Subsequent electronic artists
|
|
gptkbp:influenced_artists
|
Cult following.
High.
Country.
Significant.
Iconic.
House music.
Tammy Wynette.
|
|
gptkbp:influenced_by
|
Country music
Hip hop
Pop music
Rave culture
Country music.
|
|
gptkbp:influences
|
Country music
Hip hop
|
|
gptkbp:inspired_by
|
Tammy Wynette's music
|
|
gptkbp:label
|
gptkb:KLF_Communications
|
|
gptkbp:length
|
3:38
3:36
|
|
gptkbp:live_performance
|
The KLF's performance at the BRIT Awards 1992
performed at the BRIT Awards
Performed at the BRIT Awards 1992
|
|
gptkbp:lyrical_themes
|
nostalgia
Nostalgia.
|
|
gptkbp:lyricist
|
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty
Bill Drummond.
|
|
gptkbp:music_genre
|
House music
dance music
|
|
gptkbp:music_style
|
gptkb:Surrealism
Pop.
Surrealism.
Ambient house
Experimental.
Nostalgia and surrealism.
|
|
gptkbp:music_video
|
gptkb:Yes
Time travel.
Yes, Sir, I Can Boogie
A journey through time.
Justified and Ancient (music video)
Post-apocalyptic.
|
|
gptkbp:music_video_artistic_influence
|
Surrealism.
|
|
gptkbp:music_video_cultural_legacy
|
Enduring.
|
|
gptkbp:music_video_cultural_reference
|
Tammy Wynette.
|
|
gptkbp:music_video_director
|
gptkb:John_Mc_Hugh
|
|
gptkbp:music_video_genre_influence
|
Electronic.
|
|
gptkbp:narrative
|
A surreal journey.
|
|
gptkbp:next_album
|
gptkb:Last_Train_to_Trancentral
|
|
gptkbp:notable_achievement
|
One of the best-selling singles of 1991
|
|
gptkbp:notable_appearance
|
Top of the Pops.
|
|
gptkbp:notable_cover
|
Covered by various artists
Justified and Ancient (cover by The KLF)
|
|
gptkbp:notable_for
|
UK Singles Chart.
|
|
gptkbp:notable_influence
|
90s electronic music.
|
|
gptkbp:notable_performance
|
Live performances.
Performed at the 1992 BRIT Awards.
|
|
gptkbp:notable_production
|
Jimmy Cauty.
|
|
gptkbp:notable_song
|
' Justified and ancient, I was once like you.'
' Justified and Ancient'.
Justified and Ancient, and I don't care.
|
|
gptkbp:notable_work
|
gptkb:The_Last_Train_to_Trancentral
|
|
gptkbp:performed_by
|
gptkb:The_KLF
|
|
gptkbp:performers
|
3:38.
|
|
gptkbp:premiere
|
gptkb:1991
|
|
gptkbp:previous_album
|
gptkb:3_a.m._Eternal
|
|
gptkbp:producer
|
gptkb:The_KLF
|
|
gptkbp:produces
|
The KLF.
|
|
gptkbp:record_label
|
gptkb:KLF_Communications
KLF Communications.
|
|
gptkbp:recording_location
|
Trancentral
Trancentral.
|
|
gptkbp:release_date
|
gptkb:1991
1991.
|
|
gptkbp:release_format
|
gptkb:Vinyl
gptkb:single
gptkb:CD_format
Cassette
|
|
gptkbp:release_year
|
gptkb:1991
1991.
|
|
gptkbp:released
|
gptkb:1991
|
|
gptkbp:released_as_single
|
Yes, Sir, I Can Boogie
|
|
gptkbp:released_in
|
gptkb:1991
|
|
gptkbp:remix
|
gptkb:The_KLF
Justified and Ancient (Stand by the Jams)
|
|
gptkbp:sampled_in
|
gptkb:The_KLF_-What_Time_Is_Love?
|
|
gptkbp:songwriters
|
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty
|
|
gptkbp:soundtrack
|
Included in various compilations
|
|
gptkbp:theme
|
Cultural references.
Justice and ancient cultures
|
|
gptkbp:video_art_style
|
Avant-garde.
|
|
gptkbp:video_artistic_style
|
Surreal.
|
|
gptkbp:video_artistic_themes
|
Surrealism.
Nostalgia.
|
|
gptkbp:video_cinematographic_style
|
Experimental.
|
|
gptkbp:video_cultural_impact
|
Significant.
|
|
gptkbp:video_cultural_legacy
|
Influential.
|
|
gptkbp:video_cultural_significance
|
Iconic.
|
|
gptkbp:video_reception
|
Positive.
|
|
gptkbp:video_symbolism
|
Cultural icons.
|
|
gptkbp:writer
|
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty
|
|
gptkbp:bfsParent
|
gptkb:The_KLF
gptkb:Last_Train_to_Trancentral
|
|
gptkbp:bfsLayer
|
5
|