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gptkbp:instance_of
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gptkb:novel
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gptkbp:bfsLayer
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5
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gptkbp:bfsParent
|
gptkb:The_Getaway_(1994)
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gptkbp:adaptation
|
gptkb:1976
gptkb:film
|
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gptkbp:adapted_into
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gptkb:film
|
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gptkbp:available_formats
|
gptkb:book
ebook
hardcover
paperback
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gptkbp:awards
|
gptkb:none
|
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gptkbp:cast
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gptkb:Burt_Kennedy
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|
gptkbp:character_arc
|
downward spiral
|
|
gptkbp:character_development
|
complex characters
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|
gptkbp:character_relationships
|
twisted dynamics
|
|
gptkbp:cinematography
|
gptkb:battle
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|
gptkbp:climax
|
dramatic confrontation
|
|
gptkbp:conflict
|
internal conflict
|
|
gptkbp:critical_reception
|
cult classic
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|
gptkbp:cultural_impact
|
influenced modern noir
|
|
gptkbp:cultural_references
|
frequently cited in pop culture
|
|
gptkbp:filmography
|
gptkb:Stacy_Keach
|
|
gptkbp:followed_by
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gptkb:The_Killer_Inside_Me
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|
gptkbp:genre
|
gptkb:Detective
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Jim Thompson's novel
|
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gptkbp:influenced
|
gptkb:battle
|
|
gptkbp:influenced_artists
|
gptkb:James_Ellroy
|
|
gptkbp:influenced_by
|
hardboiled fiction
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_critical_for
|
examined in literature courses
|
|
gptkbp:isbn
|
978-0452280244
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gptkbp:language
|
English
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|
gptkbp:main_character
|
gptkb:Lou_Ford
gptkb:Police_Department
|
|
gptkbp:motif
|
isolation
|
|
gptkbp:narrative_style
|
first-person
unreliable narrator
|
|
gptkbp:next_edition
|
gptkb:1952
|
|
gptkbp:official_language
|
English
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
murder and deception
|
|
gptkbp:plot_twist
|
unexpected revelations
|
|
gptkbp:published_by
|
gptkb:1952
gptkb:Simon_&_Schuster
|
|
gptkbp:reader_demographic
|
adult readers
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:resolution
|
ambiguous ending
|
|
gptkbp:setting
|
gptkb:United_States
mid-20th century
|
|
gptkbp:style
|
sparse and direct
|
|
gptkbp:symbolism
|
violence and morality
|
|
gptkbp:theme
|
psychological thriller
|
|
gptkbp:written_by
|
gptkb:Jim_Thompson
|