|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Jessica_Alba
gptkb:A&_E_Network
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:audience
|
mixed to negative reviews
|
|
gptkbp:author
|
gptkb:Jim_Thompson
|
|
gptkbp:awards
|
nominated for awards
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
$1.1 million
$3 million
|
|
gptkbp:budget
|
$3 million
|
|
gptkbp:character
|
gptkb:Amy_Stanton
gptkb:Joyce_Lakeland
gptkb:Lou_Ford
gptkb:Police_Department
|
|
gptkbp:character_development
|
gptkb:comic_book
complex characters
|
|
gptkbp:cinematography
|
Marcel Zyskind
|
|
gptkbp:composer
|
Johnnie Burn
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
influenced crime literature
|
|
gptkbp:debut_year
|
gptkb:film_festival
|
|
gptkbp:director
|
gptkb:Michael_Winterbottom
|
|
gptkbp:distributor
|
gptkb:IFC_Films
|
|
gptkbp:editor
|
gptkb:Michael_Winterbottom
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival_2010
limited release
|
|
gptkbp:film_score
|
gptkb:R
|
|
gptkbp:filming_location
|
gptkb:New_Mexico
|
|
gptkbp:filmography
|
gptkb:Kate_Hudson
gptkb:Jessica_Alba
gptkb:Casey_Affleck
109 minutes
|
|
gptkbp:genre
|
gptkb:John_Hardy
gptkb:Detective
gptkb:Police_Department
gptkb:High_School
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:DJ
May 11, 2010
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Killer Inside Me
|
|
gptkbp:influence
|
film noir
neo-noir genre
|
|
gptkbp:inspiration
|
noir fiction
|
|
gptkbp:is_criticized_for
|
gptkb:Indie_Wire
gptkb:The_Guardian
gptkb:Peter_Travers
gptkb:Roger_Ebert
gptkb:The_Hollywood_Reporter
gptkb:Empire_Magazine
gptkb:Screen_Rant
gptkb:Richard_Roeper
gptkb:Variety
Collider
|
|
gptkbp:isbn
|
978-0451201234
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Lou_Ford
|
|
gptkbp:motif
|
gptkb:moral_ambiguity
gptkb:military_operation
violence
|
|
gptkbp:narrative_style
|
first-person
unreliable narrator
first-person perspective
|
|
gptkbp:page_count
|
256
|
|
gptkbp:portrayed_by
|
gptkb:Detective
gptkb:Amy_Stanton
gptkb:Joyce_Lakeland
gptkb:Lou_Ford
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:IFC_Films
gptkb:Revolution_Films
|
|
gptkbp:published_by
|
gptkb:1952
|
|
gptkbp:publisher
|
gptkb:Signet_Books
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
January 22, 2010
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:2010
January 22, 2010
|
|
gptkbp:runtime
|
109 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Curran
|
|
gptkbp:setting
|
gptkb:legislation
mid-20th century
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Kate_Hudson
gptkb:Jessica_Alba
gptkb:Casey_Affleck
|
|
gptkbp:style
|
hardboiled fiction
|
|
gptkbp:theme
|
psychological thriller
|
|
gptkbp:themes
|
violence and morality
|