|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Nikkatsu
gptkb:Nikkatsu_Corporation
|
|
gptkbp:audience
|
Cult following
|
|
gptkbp:awards
|
gptkb:Best_Director
gptkb:none
|
|
gptkbp:box_office
|
gptkb:unknown
$2 million
$1 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cast
|
gptkb:Toshirō_Mifune
|
|
gptkbp:character
|
gptkb:Mikiko
gptkb:Miyuki
gptkb:Goro_Hanada
gptkb:The_Killer
the assassin
|
|
gptkbp:character_arc
|
Goro's transformation
|
|
gptkbp:cinematography
|
gptkb:Akira_Aizawa
gptkb:Hiroshi_Takeda
gptkb:Akira_Takada
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Masaru_Satō
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:critical_reception
|
Positive
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:church
Influenced filmmakers
|
|
gptkbp:director
|
gptkb:Noboru_Iguchi
gptkb:Seijun_Suzuki
|
|
gptkbp:distributor
|
gptkb:Nikkatsu
gptkb:Shochiku
|
|
gptkbp:edited_by
|
gptkb:Yoshinori_Ota
|
|
gptkbp:editor
|
gptkb:Yoshiyuki_Kuroda
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
gptkb:Japan
|
|
gptkbp:filmography
|
gptkb:Symbolism
Non-linear narrative
102 minutes
surrealism
avant-garde
stylized violence
Stylized violence
|
|
gptkbp:follows
|
Goke, Body Snatcher from Hell
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Police_Department
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Branded to Kill
|
|
gptkbp:influence
|
Cult film
|
|
gptkbp:influenced
|
gptkb:John_Woo
gptkb:David_Lynch
gptkb:Quentin_Tarantino
Japanese cinema
|
|
gptkbp:influenced_by
|
gptkb:American_cinema
gptkb:French_New_Wave
Japanese cinema
film noir
|
|
gptkbp:inspiration
|
gptkb:film
Seijun Suzuki's experiences
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:legacy
|
Cinematic classic
|
|
gptkbp:main_character
|
gptkb:Detective
|
|
gptkbp:music_by
|
gptkb:Katsuhiko_Yamamoto
gptkb:Masaru_Satō
|
|
gptkbp:notable_appearance
|
the final confrontation
the train scene
The rice cooker scene
|
|
gptkbp:notable_character
|
gptkb:Katsuo_Nakamura
gptkb:Jo_Shishido
Annu Mari
|
|
gptkbp:notable_for
|
cult following
|
|
gptkbp:notable_quote
|
" Life is a dream."
" I am a killer."
" I kill because I love it."
|
|
gptkbp:official_language
|
gptkb:Japanese
|
|
gptkbp:plot
|
A hitman becomes the target of a mysterious assassin.
A hitman becomes embroiled in a deadly game of cat and mouse.
|
|
gptkbp:premiere
|
gptkb:Tokyo
|
|
gptkbp:production_company
|
gptkb:Nikkatsu
gptkb:Shochiku
|
|
gptkbp:rating
|
varied
7.5/10
|
|
gptkbp:release_date
|
April 1967
October 2007
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1967
gptkb:2007
gptkb:2015
|
|
gptkbp:remake
|
Branded to Kill (2007)
Branded to Kill (2015)
|
|
gptkbp:remastered
|
gptkb:battle
|
|
gptkbp:restoration
|
2015 restoration
|
|
gptkbp:runtime
|
90 minutes
102 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Noboru_Iguchi
gptkb:Seijun_Suzuki
|
|
gptkbp:sequel
|
Branded to Kill 2
|
|
gptkbp:setting
|
gptkb:Japan
gptkb:Tokyo
|
|
gptkbp:soundtrack
|
gptkb:Masaru_Satō
|
|
gptkbp:style
|
gptkb:Monarch
Avant-garde
|
|
gptkbp:theme
|
gptkb:Isolation
gptkb:Violence
Existentialism
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:existentialism
violence
|