Statements (124)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:poetry
|
| gptkbp:adaptation |
gptkb:musical
gptkb:theater gptkb:music gptkb:film adapted into films adapted into stage plays adapted into songs |
| gptkbp:adaptations |
adapted into various films and plays
|
| gptkbp:analysis |
gptkb:literary_criticism
analyzed for its structure discussed in academic settings studied in literary criticism interpreted for its themes examined for its language analyzed for its linguistic creativity often analyzed for its linguistic creativity |
| gptkbp:author |
gptkb:Lewis_Carroll
|
| gptkbp:character |
gptkb:the_frumious_Bandersnatch
the Bandersnatch the Vorpal sword |
| gptkbp:contains_song |
ABAB
|
| gptkbp:criticism |
subject of literary criticism
|
| gptkbp:cultural_impact |
gptkb:popular_culture
inspired artists inspired musicians inspired writers inspired filmmakers widely referenced in popular culture inspired illustrators |
| gptkbp:cultural_references |
often referenced in literature
featured in video games adapted into operas influenced the fantasy genre used in educational contexts inspired songs and music inspired artwork and illustrations performed in theatrical productions analyzed in linguistic studies |
| gptkbp:famous_quote |
' And the mome raths outgrabe.'
' Beware the Jabberwock, my son!' ' Twas brillig, and the slithy toves. ' Beware the Jabberwock, my son! ' The jaws that bite, the claws that catch!' ' And burbled as it came!' ' And, as in uffish thought he stood,' ' Came whiffling through the tulgey wood,' ' He took his vorpal sword in hand;' ' Long time the manxome foe he sought;' ' The Jabberwock, with eyes of flame,' ' And, as in uffish thought he stood, the Jabberwock, with eyes of flame. |
| gptkbp:form |
gptkb:poetry
|
| gptkbp:genre |
nonsense literature
nonsense verse |
| gptkbp:has_units |
iambic tetrameter
|
| https://www.w3.org/2000/01/rdf-schema#label |
Jabberwocky
|
| gptkbp:influence |
gptkb:literature
gptkb:popular_culture inspired adaptations inspired many adaptations |
| gptkbp:inspiration |
gptkb:fantasy_genre
gptkb:children's_literature inspired other nonsense literature |
| gptkbp:language |
English
|
| gptkbp:legacy |
considered a classic
celebrated in literary circles inspired new works remains a subject of analysis influenced the genre of nonsense literature |
| gptkbp:line |
' Twas brillig, and the slithy toves
And the mome raths outgrabe. ' Twas brillig, and the slithy toves did gyre and gimble in the wabe. |
| gptkbp:literary_devices |
gptkb:metaphor
gptkb:personification imagery alliteration portmanteau words |
| gptkbp:main_character |
gptkb:Jabberwock
gptkb:Boy |
| gptkbp:narrative_theme |
heroic quest
|
| gptkbp:notable_character |
gptkb:Mimsy_Borogoves
gptkb:Bandersnatch gptkb:Jabberwock gptkb:Vorpal_Sword Toves |
| gptkbp:notable_quote |
' And the mome raths outgrabe.'
' Beware the Jabberwock, my son!' ' And hast thou slain the Jabberwock?' ' And, as in uffish thought he stood.' ' He took his vorpal sword in hand.' ' He went galumphing back.' ' Long time the manxome foe he sought.' ' O frabjous day! Callooh! Callay!' ' One, two! One, two! And through and through.' ' The jaws that bite, the claws that catch!' ' Twas brillig, and the slithy toves And the mome raths outgrabe. Beware the Jabberwock, my son! |
| gptkbp:parody |
often parodied in literature
|
| gptkbp:part_of |
gptkb:Through_the_Looking-Glass
|
| gptkbp:popularity |
widely recognized
frequently referenced included in anthologies often quoted studied in schools |
| gptkbp:published_in |
gptkb:Through_the_Looking-Glass,_and_What_Alice_Found_There
gptkb:1871 |
| gptkbp:setting |
gptkb:fantasy_world
a forest a mythical forest |
| gptkbp:sound |
fantastical
|
| gptkbp:style |
playful language
playful and whimsical surreal imagery invented words |
| gptkbp:symbolism |
the Jabberwock represents fear
|
| gptkbp:theme |
gptkb:heroism
gptkb:adventure imagination fear |
| gptkbp:themes |
fear and bravery
|
| gptkbp:written_by |
gptkb:Lewis_Carroll
|
| gptkbp:bfsParent |
gptkb:Terry_Gilliam
|
| gptkbp:bfsLayer |
4
|