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gptkbp:instance_of
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gptkb:musical_composition
|
|
gptkbp:characteristic
|
improvisatory style
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
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|
gptkbp:cultural_aspect
|
European music scene
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gptkbp:cultural_significance
|
important work in Baroque repertoire
|
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gptkbp:dedication
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gptkb:none
|
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gptkbp:duration
|
approximately 12 minutes
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gptkbp:form
|
gptkb:Concerto_for_Orchestra
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gptkbp:genre
|
Baroque music
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gptkbp:historical_context
|
early 18th century
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Italian Concerto
|
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gptkbp:influenced
|
later keyboard works
|
|
gptkbp:influenced_artists
|
gptkb:Sergei_Rachmaninoff
gptkb:Igor_Stravinsky
gptkb:Frédéric_Chopin
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|
gptkbp:influenced_by
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French music
Italian concerto style
Italian composers
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|
gptkbp:instrumentation
|
harpsichord
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gptkbp:key
|
F major
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gptkbp:legacy
|
featured in competitions
performed regularly in concert halls
studied in music schools
inspired arrangements and transcriptions
remains a staple of the harpsichord repertoire
|
|
gptkbp:medium
|
solo harpsichord
|
|
gptkbp:notable_aspect
|
expressive depth
harmonic innovation
technical demands on performer
|
|
gptkbp:notable_features
|
ornamentation
counterpoint
ritornello form
|
|
gptkbp:notable_recordings
|
gptkb:Glenn_Gould
gptkb:Murray_Perahia
gptkb:Angela_Hewitt
|
|
gptkbp:number_of_movements
|
gptkb:3
|
|
gptkbp:part_of
|
gptkb:Bach's_keyboard_works
|
|
gptkbp:performed_by
|
orchestras
soloists
chamber ensembles
|
|
gptkbp:published
|
1735
|
|
gptkbp:recorded_in
|
multiple formats
|
|
gptkbp:related_works
|
gptkb:Brandenburg_Concerto_No._5
|
|
gptkbp:second_movement
|
gptkb:Allegro
gptkb:cemetery
|
|
gptkbp:style
|
stylized dance movements
|
|
gptkbp:year_composed
|
1735
|
|
gptkbp:bfsParent
|
gptkb:Johann_Sebastian_Bach
gptkb:Concerto_for_Harpsichord_and_Strings
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gptkbp:bfsLayer
|
4
|