Statements (64)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:fictional_character
|
gptkbp:adaptation |
Film adaptation of Passing
|
gptkbp:appears_in |
Passing
|
gptkbp:conflict |
Internal struggle
Societal expectations |
gptkbp:created_by |
gptkb:Nella_Larsen
|
gptkbp:ethnicity |
gptkb:African_American
|
gptkbp:family |
gptkb:children
Husband |
gptkbp:gender |
gptkb:Female
|
https://www.w3.org/2000/01/rdf-schema#label |
Irene Redfield
|
gptkbp:influence |
gptkb:Modernist_literature
|
gptkbp:is_motivated_by |
Desire for acceptance
|
gptkbp:literary_devices |
gptkb:Symbolism
gptkb:resolutions gptkb:narrative_structure gptkb:dialogue Imagery Social commentary Irony Conflict resolution Foreshadowing Motif Characterization Character arc Psychological depth Point of view Conflict of interest Character motivation Climactic moment Theme of loss Theme of love Theme of change Theme of conflict Theme of despair Theme of hope Theme of identity Theme of resilience Theme of sacrifice Theme of transformation Theme of freedom Theme of survival Setting as character Theme of belonging Theme of duality Theme of isolation Theme of oppression |
gptkbp:literary_significance |
Exploration of race and gender
|
gptkbp:narrative |
First-person
|
gptkbp:occupation |
gptkb:socialite
|
gptkbp:portrayed_by |
gptkb:Tessa_Thompson
|
gptkbp:relationship_with |
gptkb:Clare_Kendry
Her husband Her children |
gptkbp:setting |
gptkb:Harlem_Renaissance
gptkb:Chicago |
gptkbp:significant_event |
Reunion with Clare Kendry
|
gptkbp:symbolism |
Passing for white
|
gptkbp:theme |
gptkb:Betrayal
Racial identity Identity crisis Class distinction |
gptkbp:bfsParent |
gptkb:The_Passing
|
gptkbp:bfsLayer |
5
|