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gptkbp:instance_of
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gptkb:novel
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gptkbp:adaptation
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gptkb:film_adaptation
gptkb:film_adaptations
gptkb:film
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gptkbp:author
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gptkb:Nella_Larsen
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gptkbp:cast
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gptkb:André_Holland
gptkb:Laverne_Cox
gptkb:Darren_Criss
gptkb:Chadwick_Boseman
gptkb:Gabrielle_Union
gptkb:Jesse_Williams
gptkb:Ava_Du_Vernay
gptkb:Janelle_Monáe
gptkb:Kerry_H._Washington
gptkb:Lupita_Nyong'o
gptkb:Misty_Copeland
gptkb:Octavia_Spencer
gptkb:Storm_Reid
gptkb:Viola_Ann_Davis
gptkb:Danielle_Brooks
gptkb:James_Earl_Jones
gptkb:Keke_Palmer
gptkb:Ruth_Negga
gptkb:Sanaa_Lathan
gptkb:Nia_Long
gptkb:Aja_Naomi_King
gptkb:David_Oyelowo
gptkb:Maya_Rudolph
gptkb:Tiffany_Haddish
gptkb:Zoe_Saldana
gptkb:Tessa_Thompson
gptkb:Rebecca_Hall
gptkb:Angela_Bassett
gptkb:Yara_Shahidi
gptkb:Bill_Camp
gptkb:Michael_B._Jordan
gptkb:Tiffany_Boone
gptkb:John_Benjamin_Hickey
gptkb:Jasmine_Cephas_Jones
gptkb:Gina_Bellman
gptkb:Alexandra_Shipp
gptkb:Zoë_Kazan
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gptkbp:character_development
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Clare's choices
Irene's transformation
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gptkbp:character_relationships
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Clare's desire for acceptance
Clare's marriage to John Bellew
Irene and Clare's friendship
Irene's internal struggle
Irene's marriage to Brian
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gptkbp:conflict
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identity conflict
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
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well-received
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gptkbp:cultural_impact
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discussed in academic circles
influenced contemporary literature
inspired discussions on race
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gptkbp:genre
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gptkb:Fiction
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gptkbp:historical_context
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set during the 1920s
addresses racial tensions
reflects the Great Migration
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Passing
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gptkbp:influence
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gptkb:Harlem_Renaissance
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gptkbp:influenced_by
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gptkb:W._E._B._Du_Bois
gptkb:Langston_Hughes
gptkb:Zora_Neale_Hurston
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gptkbp:influences
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gptkb:Harlem_Renaissance
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gptkbp:isbn
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978-0-14-243727-8
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gptkbp:language
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English
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gptkbp:literary_movement
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gptkb:Modernism
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gptkbp:literary_significance
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examines societal norms
challenges stereotypes
explores complexities of race
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gptkbp:main_character
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gptkb:Clare_Kendry
gptkb:Irene_Redfield
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gptkbp:motif
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dual identity
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gptkbp:narrative
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stream of consciousness
third-person limited
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gptkbp:narrative_style
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gptkb:Modernist
third-person
foreshadowing
symbolic imagery
use of irony
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gptkbp:notable_quote
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" I am not a Negro."
" I want to be a part of it."
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gptkbp:page_count
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128
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gptkbp:plot_point
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the party scene
Clare's re-entry into Irene's life
Irene's jealousy
the climax at the end
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gptkbp:protagonist
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gptkb:Irene_Redfield
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gptkbp:published
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gptkb:1929
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gptkbp:publisher
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Knopf
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gptkbp:reader_demographic
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studied in literature courses
analyzed for its racial themes
popular among feminist readings
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gptkbp:release_year
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gptkb:2020
gptkb:2021
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gptkbp:setting
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gptkb:Harlem,_New_York
gptkb:Harlem
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gptkbp:symbolism
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gptkb:identity
the color line
passing as a theme
passing for white
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gptkbp:theme
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gptkb:social_class
gender roles
racial identity
class distinction
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gptkbp:bfsParent
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gptkb:Bill_Viola
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gptkbp:bfsLayer
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4
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