Statements (99)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:analysis |
frequent use of counterpoint
|
| gptkbp:arrangements |
for various ensembles
|
| gptkbp:artistic_influence |
draws from classical traditions
|
| gptkbp:audience |
well-received by audiences
|
| gptkbp:composer |
gptkb:Paul_Hindemith
gptkb:Richard_Strauss gptkb:Wolfgang_Amadeus_Mozart gptkb:Johannes_Brahms gptkb:Carl_Philipp_Emanuel_Bach |
| gptkbp:conducted |
gptkb:Bernstein
|
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
influenced horn repertoire
influenced horn playing styles |
| gptkbp:cultural_significance |
important in 20th-century music
popular in competitions frequently featured in festivals important in horn repertoire showcases horn's capabilities |
| gptkbp:dedication |
to the horn player
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:filming_location |
gptkb:Carnegie_Hall
|
| gptkbp:first_performance |
by the New York Philharmonic
|
| gptkbp:focuses_on |
analyzed in music theory courses
studied in music conservatories taught in music conservatories performed in masterclasses |
| gptkbp:form |
sonata form
|
| gptkbp:genre |
gptkb:orchestra
gptkb:Piano_Sonata classical music concerto grosso |
| gptkbp:historical_context |
varied by different conductors
composed during WWII |
| gptkbp:historical_period |
Classical period
Romantic period |
| https://www.w3.org/2000/01/rdf-schema#label |
Horn Concerto
|
| gptkbp:influenced_artists |
subsequent horn concertos
|
| gptkbp:influences |
gptkb:German_Romanticism
|
| gptkbp:inspiration |
Hindemith's experiences in the USA
|
| gptkbp:instrument |
percussion instruments
brass instruments woodwind instruments string instruments |
| gptkbp:instrumentation |
French horn
horn |
| gptkbp:is_a_venue_for |
concert halls worldwide
|
| gptkbp:is_often_used_in |
gptkb:orchestra
|
| gptkbp:key |
B-flat major
E-flat major |
| gptkbp:legacy |
standard repertoire for horn players
|
| gptkbp:movement |
three
adagio allegro rondo |
| gptkbp:music_style |
three distinct movements
use of extended techniques modern harmonic language rhythm, melody, harmony |
| gptkbp:notable_conductors |
Leonard Bernstein, others
|
| gptkbp:notable_features |
lyrical melodies
|
| gptkbp:notable_performance |
performed at the Aspen Music Festival
often performed in competitions performed at the BBC Proms performed at the Salzburg Festival performed at the Tanglewood Music Festival performed at the Edinburgh International Festival |
| gptkbp:notable_performers |
gptkb:Dale_Clevenger
|
| gptkbp:notable_players |
gptkb:Marie-Luise_Neunecker
gptkb:Hermann_Baumann gptkb:Dennis_Brain gptkb:David_Cooper gptkb:Radovan_Vlatković |
| gptkbp:notable_recordings |
gptkb:Brahms's_Horn_Trio
gptkb:C._P._E._Bach's_Horn_Concerto_in_D_major gptkb:Mozart's_Horn_Concerto_No._1 gptkb:Strauss's_Horn_Concerto_No._1 multiple available by various orchestras |
| gptkbp:orchestration |
orchestra with solo horn
|
| gptkbp:performance |
concertos
muting technical demands on the soloist requires advanced technique trills requires collaboration with orchestra double tonguing |
| gptkbp:premiere |
gptkb:1944
|
| gptkbp:publisher |
gptkb:Schott_Music
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:related_works |
gptkb:Symphony_in_B-flat
|
| gptkbp:sound |
rich and diverse sound palette
|
| gptkbp:style |
gptkb:healthcare_organization
|
| gptkbp:thematic_element |
develops motifs throughout the piece
derived from folk elements |
| gptkbp:theme |
explores nature and emotion
|
| gptkbp:year |
gptkb:1944
|
| gptkbp:bfsParent |
gptkb:Mozart
|
| gptkbp:bfsLayer |
4
|