|
gptkbp:instanceOf
|
gptkb:historical_period
|
|
gptkbp:centeredIn
|
gptkb:England
gptkb:France
gptkb:Germany
gptkb:Italy
|
|
gptkbp:characterizedBy
|
ornamentation
complex polyphony
contrast between solo and ensemble
|
|
gptkbp:followedBy
|
Early Baroque music
|
|
gptkbp:genre
|
gptkb:opera
gptkb:orchestra
suite
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
High Baroque music
|
|
gptkbp:influenced
|
Classical music
|
|
gptkbp:influencedBy
|
Renaissance music
|
|
gptkbp:notableComposer
|
gptkb:Johann_Sebastian_Bach
gptkb:George_Frideric_Handel
gptkb:Antonio_Vivaldi
gptkb:Domenico_Scarlatti
|
|
gptkbp:notableFeature
|
counterpoint
basso continuo
use of ornamentation
contrast in texture
terraced dynamics
|
|
gptkbp:notableFor
|
gptkb:organization
gptkb:saxophone
gptkb:violin
oboe
harpsichord
binary form
ternary form
da capo aria
ritornello form
|
|
gptkbp:notableWork
|
gptkb:Messiah
gptkb:The_Four_Seasons
gptkb:Brandenburg_Concertos
gptkb:The_Well-Tempered_Clavier
|
|
gptkbp:partOf
|
Baroque music
|
|
gptkbp:patronage
|
gptkb:church
gptkb:nobleman
|
|
gptkbp:period
|
c. 1700–1750
|
|
gptkbp:precededBy
|
Classical music
|
|
gptkbp:bfsParent
|
gptkb:Music_of_the_Early_Baroque
|
|
gptkbp:bfsLayer
|
8
|