|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:ballet
gptkb:opera
gptkb:theater
gptkb:film
|
|
gptkbp:author
|
gptkb:Mikhail_Lermontov
|
|
gptkbp:character
|
gptkb:Mary
gptkb:Grushnitsky
gptkb:Maxim_Maximych
gptkb:Vera
|
|
gptkbp:critical_reception
|
positive
influential
|
|
gptkbp:cultural_impact
|
Russian culture
|
|
gptkbp:cultural_significance
|
gptkb:cannon
19th-century literature
Caucasian culture
Russian Romanticism
Russian identity
|
|
gptkbp:genre
|
gptkb:Romanticism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Heroes of Our Time
|
|
gptkbp:influence
|
Russian literature
|
|
gptkbp:influenced
|
gptkb:Tolstoy
gptkb:Chekhov
gptkb:Dostoevsky
|
|
gptkbp:inspired
|
modern literature
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:main_character
|
gptkb:Pechorin
|
|
gptkbp:motif
|
gptkb:duality
gptkb:nihilism
isolation
disillusionment
romanticism
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
epistolary
flashback
|
|
gptkbp:notable_quote
|
“ The hero of our time”
|
|
gptkbp:published
|
1840
|
|
gptkbp:setting
|
gptkb:Caucasus
|
|
gptkbp:structure
|
gptkb:novel
|
|
gptkbp:style
|
lyrical
satirical
philosophical
|
|
gptkbp:symbolism
|
the superfluous man
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:fate
love
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:German
English
|
|
gptkbp:bfsParent
|
gptkb:Dragon_Force
|
|
gptkbp:bfsLayer
|
6
|