Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
6
|
| gptkbp:bfsParent |
gptkb:Trio_Ébène
|
| gptkbp:characteristics |
elegant and refined
dialogue between instruments |
| gptkbp:collaborations |
cellists and violinists
|
| gptkbp:composer |
gptkb:Joseph_Haydn
|
| gptkbp:contribution |
development of piano trio genre
|
| gptkbp:exhibited_at |
emotional depth
technical skill stylistic diversity thematic unity |
| gptkbp:first_published |
1790
|
| gptkbp:genre |
gptkb:orchestra
|
| gptkbp:historical_context |
late 18th century
|
| https://www.w3.org/2000/01/rdf-schema#label |
Haydn's Piano Trios
|
| gptkbp:influenced |
later composers like Beethoven
|
| gptkbp:influenced_by |
Classical music
|
| gptkbp:is_explored_in |
thematic transformation
rhythmic diversity various keys development sections |
| gptkbp:is_often_associated_with |
improvisation
sonata form syncopation historical references folk elements variations expressive phrasing exposition sections cadenza-like passages |
| gptkbp:is_often_depicted_as |
humor and wit
structural clarity |
| gptkbp:is_often_used_in |
music festivals
counterpoint thematic development harmonic innovation contrasting themes finale sections |
| gptkbp:is_promoted_by |
audience engagement
collaborative performance interpretative freedom musical dialogue |
| gptkbp:is_studied_in |
music students
|
| gptkbp:notable_features |
dynamic contrasts
lyrical melodies recapitulation sections interplay of textures |
| gptkbp:notable_traits |
contrast of moods
|
| gptkbp:notable_work |
gptkb:Piano_Trio_in_D_major,_Hob._XV:24
gptkb:Piano_Trio_in_C_major,_Hob._XV:27 gptkb:Piano_Trio_in_E-flat_major,_Hob._XV:29 gptkb:Piano_Trio_in_G_major,_Hob._XV:25 |
| gptkbp:number_of_pieces |
approximately 45
|
| gptkbp:part_of |
Haydn's chamber music repertoire
|
| gptkbp:performed_by |
concert halls worldwide
various chamber ensembles |
| gptkbp:recorded_by |
numerous artists
|