gptkbp:instance_of
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gptkb:fictional_character
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:The_Long_Good_Friday
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gptkbp:appears_in
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gptkb:The_Long_Good_Friday
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gptkbp:audience
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polarizing character
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gptkbp:awards
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nominated for awards
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gptkbp:box_office
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gptkb:20th_Century_Fox
successful
1.5 million GBP
6 million GBP
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gptkbp:character_arc
|
rise and fall
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gptkbp:character_development
|
complex character
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gptkbp:character_traits
|
ambitious
charismatic
ruthless
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gptkbp:cinematography
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gptkb:Philippe_Rousselot
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gptkbp:conflict
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police
rival gangs
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gptkbp:country
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gptkb:United_Kingdom
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gptkbp:created_by
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Barry Keefe
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gptkbp:critical_reception
|
cult classic
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gptkbp:cultural_impact
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influenced later crime films
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gptkbp:director
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gptkb:John_Mackenzie
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gptkbp:fate
|
faces downfall
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gptkbp:features_character
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police officers
business associates
various gang members
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gptkbp:filmography
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gptkb:Hand_Made_Films
gptkb:John_Grover
gptkb:The_Long_Good_Friday
English
114 minutes
gritty realism
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gptkbp:genre
|
gptkb:Francis_Monkman
crime drama
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gptkbp:goal
|
expand his criminal empire
|
https://www.w3.org/2000/01/rdf-schema#label
|
Harold Shand
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gptkbp:influence
|
British gangster films
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gptkbp:influenced_by
|
gptkb:British_New_Wave_cinema
film noir
American gangster films
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gptkbp:inspiration
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real-life gangsters
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gptkbp:is_motivated_by
|
power and control
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gptkbp:key_event
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final showdown
betrayal by associates
confrontation with police
negotiation with the Americans
|
gptkbp:language
|
sharp and witty
|
gptkbp:legacy
|
iconic character in British cinema
|
gptkbp:nationality
|
gptkb:British
|
gptkbp:notable_for
|
his role in organized crime
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gptkbp:occupation
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gptkb:faction
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gptkbp:portrayed_by
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gptkb:Bob_Hoskins
nuanced performance
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gptkbp:relationship
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with his girlfriend, Victoria
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gptkbp:release_year
|
gptkb:1980
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gptkbp:screenplay_by
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Barry Keefe
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gptkbp:setting
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gptkb:Borough
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gptkbp:symbolizes
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the anti-hero
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gptkbp:themes
|
urban life
power dynamics
loyalty and betrayal
crime and morality
|