gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Batman:_The_Long_Halloween
|
gptkbp:aspect_ratio
|
1.85:1
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gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Editing
gptkb:BAFTA_Award_for_Best_Film
gptkb:Best_Actor
gptkb:Best_Director
gptkb:BAFTA_Award_for_Best_Actor_in_a_Leading_Role
gptkb:BAFTA_Award_for_Best_Actor
BAFTA nominations
Best Actor nomination for Bob Hoskins
Best Film nomination at BAFTA
Nominated for Best Film at BAFTA
Nominated for Best British Film
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gptkbp:box_office
|
£1.5 million
£1.2 million
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gptkbp:budget
|
£1.5 million
|
gptkbp:character
|
gptkb:Jefferson
gptkb:Victoria_Shand
gptkb:Harold_Shand
gptkb:The_Father
gptkb:The_Friend
gptkb:The_Journalist
gptkb:The_Mother
gptkb:The_Police_Officer
gptkb:The_Stranger
gptkb:The_Waitress
gptkb:The_Hero
gptkb:The_Mentor
gptkb:The_Detective
gptkb:The_Businessman
gptkb:The_Taxi_Driver
gptkb:The_Irishman
gptkb:The_Son
gptkb:The_Villain
gptkb:The_Enemy
gptkb:The_Traitor
gptkb:Derek
gptkb:Jeff
gptkb:The_Informant
gptkb:The_Witness
gptkb:Ricky
The Daughter
Sir Charles
The Hitman
The Rival
Colin
The Bouncer
The Thug
The Colleague
The Partner
The Acquaintance
The Associate
The Ally
The Gangster
The Barman
Mr. Mc Gowan
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gptkbp:cinematography
|
gptkb:Philippe_Rousselot
|
gptkbp:color
|
gptkb:color
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:critical_reception
|
Positive reviews
cult classic
Metacritic score 85/100
Rotten Tomatoes score 100%
|
gptkbp:cultural_impact
|
Cult film status
|
gptkbp:directed_by
|
gptkb:John_Mackenzie
|
gptkbp:director
|
gptkb:John_Mackenzie
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
gptkb:Goldcrest_Films
|
gptkbp:editor
|
gptkb:John_Bloom
|
gptkbp:features
|
helicopter scenes
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:London_Docklands
|
gptkbp:filmography
|
gptkb:Michael_Bradsell
|
gptkbp:follows
|
a gangster's rise and fall
|
gptkbp:genre
|
gptkb:Police_Department
gptkb:High_School
gptkb:film
crime thriller
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gptkbp:has_sequel
|
The Long Good Friday: The Sequel
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:region
gptkb:betrayal
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:revenge
gptkb:survival
gptkb:Police_Department
gptkb:Trust
gptkb:family
gptkb:organization
class struggle
social commentary
violence
urban life
economic decline
power dynamics
political tension
British society
drug trade
political corruption
economic disparity
arms trade
urban decay
betrayal of trust
crime syndicates
gang warfare
gangster culture
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
Digital download
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Long Good Friday
|
gptkbp:influenced
|
gptkb:The_Krays
gptkb:Lock,_Stock_and_Two_Smoking_Barrels
gptkb:Layer_Cake
gptkb:The_Sweeney
The Business
subsequent British crime films
|
gptkbp:influenced_by
|
gptkb:The_Godfather
gptkb:The_Troubles
gptkb:Get_Carter
film noir
British gangster films
|
gptkbp:influences
|
British gangster films
|
gptkbp:language
|
English
|
gptkbp:legacy
|
Memorable quotes
Iconic performances
Cinematic style
Influence on British cinema
|
gptkbp:music_by
|
gptkb:Francis_Monkman
|
gptkbp:notable_for
|
Bob Hoskins' performance
Helen Mirren's performance
its portrayal of London
|
gptkbp:notable_quote
|
“ You’re a dead man, Harry.”
“ You’re a dead man, you know that?”
|
gptkbp:plot
|
A gangster's plans for expansion are disrupted by a series of bomb attacks.
|
gptkbp:premiere
|
gptkb:film_festival
|
gptkbp:produced_by
|
gptkb:Barry_Hanson
|
gptkbp:production_company
|
gptkb:Goldcrest_Films
|
gptkbp:release_date
|
gptkb:1980
|
gptkbp:release_region
|
gptkb:United_Kingdom
|
gptkbp:released
|
gptkb:1980
1980-04-04
|
gptkbp:released_in
|
gptkb:United_Kingdom
gptkb:United_States
|
gptkbp:remake
|
The Long Good Friday (2020)
|
gptkbp:runtime
|
114 minutes
|
gptkbp:screenings
|
gptkb:film_festival
|
gptkbp:screenplay_by
|
gptkb:Barrie_Keeffe
gptkb:David_Leland
|
gptkbp:set_in
|
gptkb:Borough
|
gptkbp:starring
|
gptkb:Bob_Hoskins
gptkb:Helen_Mirren
gptkb:Eddie_Constantine
gptkb:Derek_Thompson
|
gptkbp:writer
|
gptkb:Barrie_Keeffe
|