Gustav Mahler's Symphony No. 8
GPTKB entity
Statements (55)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:symphony
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:artistic_innovation |
combines symphonic and choral elements
|
| gptkbp:associated_band |
two large choirs
|
| gptkbp:audience |
often overwhelming emotional response
|
| gptkbp:awards |
Grammy Awards for various recordings
|
| gptkbp:choral_text_sources |
Goethe's Faust and the Te Deum
|
| gptkbp:composer |
gptkb:Gustav_Mahler
|
| gptkbp:critical_analysis |
analyzed for its complex structure
|
| gptkbp:critical_reception |
initially mixed but later acclaimed
|
| gptkbp:cultural_impact |
influenced choral music
widely regarded as one of the greatest symphonies |
| gptkbp:cultural_references |
featured in films and literature
|
| gptkbp:dedication |
to the memory of his daughter
|
| gptkbp:duration |
approximately 80 minutes
|
| gptkbp:historical_context |
composed during the early 20th century
|
| gptkbp:historical_significance |
marks Mahler's peak as a composer
|
| https://www.w3.org/2000/01/rdf-schema#label |
Gustav Mahler's Symphony No. 8
|
| gptkbp:influenced_artists |
many 20th-century composers
|
| gptkbp:influenced_by |
Mahler's personal experiences
|
| gptkbp:influences |
gptkb:Richard_Wagner
subsequent symphonic works |
| gptkbp:inspiration |
the concept of redemption
|
| gptkbp:instruments |
strings, brass, woodwinds, percussion, organ, and choir
|
| gptkbp:legacy |
remains a staple of the orchestral repertoire
|
| gptkbp:music_style |
gptkb:symphony
late-Romantic rich harmonic language frequently analyzed in musicology |
| gptkbp:nickname |
gptkb:Symphony_of_a_Thousand
|
| gptkbp:notable_collaborators |
various orchestras and choirs
|
| gptkbp:notable_conductors |
gptkb:Gustav_Mahler
Gustav Mahler, Leonard Bernstein, Simon Rattle |
| gptkbp:notable_performances |
performed at major concert halls worldwide
|
| gptkbp:notable_performers |
gptkb:Bernstein
|
| gptkbp:number_of_movements |
2
|
| gptkbp:orchestration |
large orchestra and chorus
|
| gptkbp:performance |
requires large forces
performed regularly since its premiere |
| gptkbp:performance_tradition |
often performed in festivals
often performed in concert series. |
| gptkbp:performed_at |
major music festivals
|
| gptkbp:premiere_date |
September 12, 1910
|
| gptkbp:premiere_location |
gptkb:Munich
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:recordings |
gptkb:1930
numerous commercial recordings exist |
| gptkbp:repertoire |
two parts, each with multiple sections
|
| gptkbp:text |
Latin and German texts
|
| gptkbp:thematic_element |
love, faith, and redemption
|
| gptkbp:theme |
contrasting themes of despair and hope
|
| gptkbp:bfsParent |
gptkb:Chicago_Symphony_Orchestra
gptkb:The_Minnesota_Orchestra gptkb:Minnesota_Orchestra |
| gptkbp:bfsLayer |
4
|