|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:academy_award_winner
|
gptkb:Joe_Pesci
|
|
gptkbp:adaptation
|
Wiseguy by Nicholas Pileggi
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:Streaming_services
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Best_Supporting_Actor
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
Best Film Editing
|
|
gptkbp:based_on
|
gptkb:Nicholas_Pileggi
gptkb:Wiseguy
real events
|
|
gptkbp:box_office
|
46.8 million USD
$46.8 million
46600000
|
|
gptkbp:budget
|
25000000
$25 million
|
|
gptkbp:character_voice
|
gptkb:Ray_Liotta
|
|
gptkbp:cinematography
|
gptkb:Michael_Ballhaus
|
|
gptkbp:cinematography_by
|
gptkb:Michael_Ballhaus
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:contains
|
gptkb:betrayal
gptkb:loyalty
violence
drugs
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Highly acclaimed
Widely acclaimed
highly acclaimed
Rotten Tomatoes score of 96%
Metacritic score of 89
|
|
gptkbp:cultural_impact
|
gptkb:significant
Considered one of the greatest films of all time
Critically acclaimed
Referenced in various media
Influenced many filmmakers
Influential in crime genre
considered one of the greatest films of all time
influential film
influential in crime genre
Influenced many crime films
|
|
gptkbp:cultural_significance
|
Preserved in the National Film Registry
Influential in film studies
|
|
gptkbp:depicts
|
gptkb:betrayal
gptkb:loyalty
gptkb:organized_crime
gptkb:friendship
Organized crime
violence
family dynamics
|
|
gptkbp:directed_by
|
gptkb:Martin_Scorsese
|
|
gptkbp:director
|
gptkb:Martin_Scorsese
|
|
gptkbp:distributor
|
gptkb:Warner_Bros._Pictures
gptkb:Warner_Bros.
|
|
gptkbp:edited_by
|
gptkb:Thelma_Schoonmaker
|
|
gptkbp:editing
|
gptkb:Thelma_Schoonmaker
|
|
gptkbp:features
|
gptkb:Ray_Liotta
gptkb:Joe_Pesci
gptkb:Lorraine_Bracco
voice-over narration
mobster lifestyle
|
|
gptkbp:features_song
|
gptkb:The_Way_You_Look_Tonight
gptkb:Then_He_Kissed_Me
gptkb:The_Girl_from_Ipanema
gptkb:The_House_of_the_Rising_Sun
gptkb:My_Way
gptkb:The_Best_Is_Yet_to_Come
gptkb:The_Sound_of_Silence
gptkb:I_Can't_Help_Myself_(Sugar_Pie_Honey_Bunch)
gptkb:Sunshine_of_Your_Love
gptkb:The_Long_and_Winding_Road
gptkb:In_the_Still_of_the_Night
gptkb:Gimme_Shelter
gptkb:Layla
gptkb:Ain't_That_a_Kick_in_the_Head
gptkb:You’re_So_Vain
What Is Life
The Walk On By
|
|
gptkbp:features_voice_actors
|
gptkb:Ray_Liotta
gptkb:Robert_De_Niro
gptkb:Paul_Sorvino
gptkb:Joe_Pesci
gptkb:Lorraine_Bracco
|
|
gptkbp:film_editing
|
Non-linear narrative
non-linear narrative
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
gptkb:N/_A
|
|
gptkbp:film_length
|
146 minutes
|
|
gptkbp:film_score
|
gptkb:Howard_Shore
gptkb:R
8.7/10
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:film_technique
|
long takes
Slow motion
Voice-over narration
Long takes
Freeze frames
voice-over narration
freeze frames
|
|
gptkbp:filming_location
|
gptkb:Long_Island
gptkb:New_Jersey
gptkb:New_York
gptkb:New_York_City
|
|
gptkbp:followed_by
|
gptkb:N/_A
|
|
gptkbp:follows
|
gptkb:Jimmy_Conway
gptkb:Henry_Hill
gptkb:Tommy_De_Vito
|
|
gptkbp:genre
|
gptkb:AFI's_10_Top_10
gptkb:drama
gptkb:AFI's_100_Years...100_Movies
gptkb:crime
crime film
|
|
gptkbp:has
|
gptkb:soundtrack
cult following
iconic scenes
|
|
gptkbp:has_awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
|
|
gptkbp:has_cameo
|
gptkb:Martin_Scorsese
gptkb:Robert_De_Niro
gptkb:Samuel_L._Jackson
gptkb:Paul_Sorvino
gptkb:Henry_Hill
gptkb:Joe_Pesci
gptkb:Mike_Starr
real-life mobsters
|
|
gptkbp:has_cultural_impact
|
critically acclaimed
cult classic
influential film
|
|
gptkbp:has_editing_by
|
gptkb:Thelma_Schoonmaker
|
|
gptkbp:has_genre
|
gptkb:drama
gptkb:crime
|
|
gptkbp:has_influence_on
|
gptkb:The_Sopranos
gptkb:Casino
gptkb:American_Gangster
gptkb:Scarface
gptkb:The_Godfather_Part_II
|
|
gptkbp:has_language
|
English
|
|
gptkbp:has_prequel
|
gptkb:None
gptkb:N/_A
|
|
gptkbp:has_quote
|
As far back as I can remember, I always wanted to be a gangster.
Funny how? I mean, funny like I'm a clown? I amuse you?
Never rat on your friends, and always keep your mouth shut.
|
|
gptkbp:has_sequel
|
gptkb:None
gptkb:The_Irishman
|
|
gptkbp:has_soundtrack
|
gptkb:Howard_Shore
gptkb:Goodfellas:_Original_Motion_Picture_Soundtrack
Goodfellas (soundtrack)
|
|
gptkbp:has_spin_off
|
gptkb:None
|
|
gptkbp:has_theme
|
gptkb:power
gptkb:betrayal
gptkb:greed
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:survival
gptkb:American_Dream
gptkb:organized_crime
gptkb:deception
gptkb:friendship
gptkb:identity
gptkb:family
gptkb:trust
gptkb:crime
violence
ambition
money
loyalty and betrayal
rise and fall
life choices
consequences of crime
impact of crime on society
loyalty to family
betrayal of friends
consequences of ambition
impact of crime on family
crime lifestyle
impact of crime on self
|
|
gptkbp:historical_context
|
Based on true events
|
|
gptkbp:home_media_release
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
VHS, DVD, Blu-ray
4 K Ultra HD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Goodfellas
|
|
gptkbp:influenced
|
gptkb:The_Sopranos
gptkb:The_Godfather_Part_III
gptkb:Pulp_Fiction
gptkb:Casino
gptkb:The_Irishman
gptkb:Scarface
gptkb:Goodfellas:_The_Musical
Subsequent crime films
Subsequent crime dramas
subsequent gangster films
|
|
gptkbp:influenced_by
|
Italian-American culture
real-life events
Real-life mobsters
Mafia films
|
|
gptkbp:inspiration
|
Real-life mobster Henry Hill
|
|
gptkbp:inspired
|
television series like The Sopranos
Television series like The Sopranos
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
streaming services
|
|
gptkbp:is_cited_in
|
Directors like Quentin Tarantino
Filmmakers as a reference
|
|
gptkbp:is_considered
|
one of the greatest films of all time
|
|
gptkbp:is_notable_for
|
stylized violence
strong performances
use of music
realistic portrayal of mob life
|
|
gptkbp:is_part_of
|
gptkb:American_cinema
|
|
gptkbp:is_recognized_by
|
gptkb:American_Film_Institute
gptkb:National_Film_Registry
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Cited as a classic in the gangster genre
|
|
gptkbp:metacritic_score
|
96%
94% on Rotten Tomatoes
|
|
gptkbp:music
|
gptkb:Howard_Shore
|
|
gptkbp:music_by
|
gptkb:Howard_Shore
gptkb:Carter_Burwell
|
|
gptkbp:music_composer
|
gptkb:Howard_Shore
|
|
gptkbp:narrated_by
|
gptkb:Henry_Hill
|
|
gptkbp:notable_quote
|
Keep the change, ya filthy animal!
As far back as I can remember, I always wanted to be a gangster.
You think I'm funny? Funny how? How am I funny?
Funny how? I mean, funny like I'm a clown? I amuse you?
" Funny how?"
“ As far back as I can remember, I always wanted to be a gangster.”
“ Funny how? I mean, funny like I’m a clown? I amuse you?”
“ Now go home and get your shine box.”
" As far back as I can remember, I always wanted to be a gangster."
" I’m funny how, I mean funny like I’m a clown, I amuse you?"
|
|
gptkbp:notable_scene
|
gptkb:The_Lufthansa_heist
The Copacabana scene
The final scene with Henry Hill
|
|
gptkbp:premiere
|
gptkb:New_York_City
gptkb:New_York_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:New_York_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Martin_Scorsese
gptkb:Irwin_Winkler
gptkb:Barbara_De_Fina
|
|
gptkbp:production_company
|
gptkb:Gaumont
gptkb:Warner_Bros.
gptkb:Irwin_Winkler_Productions
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1990
1990-09-19
September 19, 1990
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1990
|
|
gptkbp:released
|
gptkb:1990
|
|
gptkbp:released_by
|
gptkb:Warner_Bros.
|
|
gptkbp:released_in
|
gptkb:1990
|
|
gptkbp:released_on
|
September 19, 1990
|
|
gptkbp:remastered
|
gptkb:4_K_UHD
|
|
gptkbp:runtime
|
146 minutes
|
|
gptkbp:screenplay
|
gptkb:Martin_Scorsese
gptkb:Nicholas_Pileggi
Nicholas Pileggi and Martin Scorsese
|
|
gptkbp:screenplay_by
|
gptkb:Martin_Scorsese
gptkb:Nicholas_Pileggi
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:starring
|
gptkb:Ray_Liotta
gptkb:Robert_De_Niro
gptkb:Paul_Sorvino
gptkb:Joe_Pesci
gptkb:Lorraine_Bracco
|
|
gptkbp:time_period
|
1955-1980
|
|
gptkbp:uses
|
non-linear storytelling
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Supporting_Actor
Best Motion Picture – Musical or Comedy
Best Supporting Actor – Motion Picture
|
|
gptkbp:writer
|
gptkb:Nicholas_Pileggi
|
|
gptkbp:written_by
|
gptkb:Nicholas_Pileggi
|
|
gptkbp:year
|
gptkb:1980s
1970s
|
|
gptkbp:bfsParent
|
gptkb:Martin_Scorsese
gptkb:Robert_De_Niro
|
|
gptkbp:bfsLayer
|
3
|